Review: It's clear to all who follow electronic music with any level of regularity that Om Unit has become one of the most consistently impressive names to follow, with the last decade of work showcasing creativity and sonic innovation with every new outing. This latest 'Fragments' album project sees those talents again at work, from the moogy bass flicks on 'Snagged' to the icey soundscaping of 'Entity' and super sharp drum processing of 'Side Quest'. This album showcases mastery at work, with Om Unit again proving to be a level above those around him, with highlights including the colourful melodic squelches of 'Moonglade' and breaks-inspired energy-boosting qualities of 'Hard Skin'. Top work, as always!
Review: Om Unit pleasantly surprises us with the second volume of Acid Dub Studies, a project that seamlessly melds his adoration for the 303 with studio wizardry inspired by musical legends like King Tubby, Adrian Sherwood, Jammys, and Basic Channel. This follow-up strengthens the compelling narrative established by its predecessor, venturing into groove-centric territories while maintaining a captivating sonic journey, backed up by Om Unit's drippin' 303 bassline, space echo techniques and outboard production traditions. With all tracks coming in around the three-minute mark, they make for great future interpretations of the Jamaican dub 7" sound, only to be enjoyed by a new extra-terrestrial audience at large.
Review: Om Unit hooks up with acid expert Andreas 'TM404' Tilliander for this fine release. Playing out in a frazzled world where 303s, break beats and dub collide, the duo's talents come together to create a fine, diverse collection. Both "Motorway Acid" and "Microdose Sundays" unfold over unhurried breaks and hazy, textured clouds. In contrast, "London Stock" and "Meanwhile In The Smoking Area" see the pair venture into a more tripped out, acid-laden path. "Thursday" sees them pick up the pace, albeit moderately, to deliver a throbbing dub track. The sound of the 303 is audible again on "Refracted" and "Praha" but in both instances, it's used to add a trippy layer to the duo's ambient stylings.
Review: Well following on from a number of impressive dubstep events across the full spectrum of the scene, The Deep Heads team have matched that all with this incredible new compilation as they deliver the third edition of their incredible 'Deep Heads' series. This star-studded lineup is pretty breath-taking, with the likes of Kromestar, Biome, Om Unit, Sukh Knight, Synkro & more all delivering some serious bassweight. The tracklisting is made up of 24 wicked originals, with our favourites actually coming from some of the lesser established faces on the project. These include the likes of Mystic State's sumptuous 'Society' original alongside Astrid, which boasts serious 'Anti-Social' vibes. As well as this, the more stripped back, garage influenced drums of Clubroot's 'Harmony' and dancing percussion of 'Traps' from Escapism Refuge also sit as highlight picks for us!
Review: Let's just list the amount of stone cold bass OGs on this collection: Krust, dBridge, Om Unit, Danny Scrilla, V.I.V.E.K, Von D, Moresounds, AU, Oris Jay & Chris Innersound and whole load more of soundsystem culture's most innovative craftsman working at the deepest levels of the low end coalface all feature on this immense and forward thinking document. Including the curator Amit himself. Every track is a highlight, each one and abyssal, immersive experience but essential highlights include the toxic bass bounces of Moresounds' "They Can't Handle It", the 23rd century UKG of Oris and Chris's "They Can't Handle It" and Krust's big screen masterpiece "Escape From Finland". Amit deserves a holiday. Or a massive trophy. Or both. Bass compilations don't get much bigger than this.
Review: Cosmic Bridge founder, longstanding beat sculptor, futurist, absolute don: Om Unit continues to compose some some of the most beguiling, bewitching and immersive compositions in the bass sphere. Self is his third and most explorative album so far as he guides and glides us through powerful atmospheres, dynamics and textures from palpitating ambient such as the opener "Cold Love" and harmonic "Passages" and warped light fractures of "Fieldofdreams" to neoclassical motifs on rolling tracks such as "Out Of The Shadows". Other unmissable highlights include the haunted Rider Shafique sermon "Nothing", the jittering cosmic soul of "Make Believe" with DRS and Amos's heart-pulling mystic soul of "What I Can Be". One of those albums that continues to offer more and more with every listen, Om Unit has created something incredibly special here.
Review: The singular sounds of Jim Coles make their mark on Library Music as he drops his more typical tempo of around 85 to 70BPM with these cosmic futuristic bass jams. Pensive, slow-burning, laced with otherworldly textures and laden with chasmic dubspace: "Fire Exit" insists with a hypnotic twisted chime loop and shadowy basses groaning underneath and "Dark Vistas" takes us even deeper into the cosmic realms with heady layers of pads and ricochet heartbeat rhythm that envelop your every sense. Remarkable.
Review: Jim Coles has previously spoken about this second Om Unit full length being "a nod to the sound" of his "teenage self". Given the fact that he's rediscovered his jungle and hip hop roots in recent years, it's an accurate description. The fact that he's also mined Goldie's sample archive to help create the sound of Inversion is also telling. While it's not a straightforward jungle set - there are plenty of wonky moments, skewed downtempo interludes, footwork influences and trips into expansive IDMterritory - the skittish breaks, foreboding noises and murky textures all scream classic D&B. It adds a little spice to an already excellent set, delivering a range forward-thinking tracks with their roots firmly in the past.
Review: Jim Coles' decision back in 2010 to implement a swerve in his sonic trajectory away from his hip-hop past as 2tall in favour of a more all-encompassing approach that touches on various strands of bass culture as Om Unit has paid off and then some. Subsequent releases on Exit, Autonomic, Civil Music, Metalheadz and his own Cosmic Bridge imprint have all shown Om Unit eminently capable of tempo shifting productions that appeal to fans of bass music, drum & bass and footwork alike. The latter has been explored further while the Dream Continuum collaboration with Machinedrum on Planet Mu and his Philip D. Kick alias where the link between Chicago's juke heritage and UK jungle was explored. All this and more is included on Threads, a debut Om Unit LP for Civil Music that deftly collates various strands (or threads) of his production career over the past fifteen years for a cohesive 15 track set that veers through of hip hop, dubstep, jungle and even house.
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