Review: The Dynamic Reflection team deliver another storming release of pounding techno with "Hate is Love." This time it comes from none other than label boss, Paul Boex and his biggest influence, the ever active Oscar Mulero.
Recent releases for his own Warm Up Recordings label have seen Mulero kill dancefloors the world over.
Now, he comes to Paul Boex's imprint to open this release with a remix of the Dutchman's "Hate is Love." His version flies straight off the mark with a pounding beat and frantic, high pitched synth stabs. It effortlessly builds tension and drama as it progresses before a breakdown lures all the sound beneath a still driving 4/4 beat. Inevitably though, Mulero reinstates the noise, turning "Hate is Love" into a true, peak time smasher. I suppose we can expect nothing less from this man by now. Following the Spaniard?s remix is Paul Boex?s original. Still a thumping techno track, the original effort feels more reserved than the remix due to in no small part, a beautiful soundscape that lingers in the background throughout the entire tune. It gives the track an epic feel, taking you on a wonderful, dream-like journey of moods and atmospheres. Returning to some highly energised techno, Boex delivers the jacking "Cybersluts" next on the schedule. Synth jabs, FX, jaunting basslines and the customary driving beat make this a full body shaking, sub-human alien. "Iron Curtain" is even more alien, spacing wailing synths far out into the depths as high end percussion snaps in the foreground. A truly futuristic sound palette emerges on this techno wig out, proving that Boex can go blow for blow with his inspiration, Oscar Mulero.
Review: Perc has clearly found a soulmate in Oscar Mulero, and here the duo present another collaboration between their two tough, heads-down techno imprints. Mulero's gnarled-but-futuristic "Blackstar" is arguably the best thing here. It's as hypnotic as you'd expect, but there's a whisper of melody and soul amongst the intensity. The same can be said about Manni Dee's "Serenity", which breaks up the beats a little to add a little more fluidity to an otherwise pulsating, metronomic techno groove. Those looking for more straightforward, no-holds bared after-hours techno should check Formula Strategy Group's "Rundoled", and the ricocheting atmospherics of Exium's "Raw Visions".
Review: Having been producing and DJing in his native Spain for over 20 years, Oscar Mulero is one of the lynchpins of the country's techno scene. Barely a year from his last long-player, and Mulero arrives with Black Propaganda, his most impressive statement to date. Following the delicate, bit crushed ambience of "The Dirt", the album travels through a number of dark, minimalistic techno structures, from the cavernous echo of "Instant Widespread of the Dirt" (which sounds like what you'd imagine Villalobos and Mills would sound like together), through the hypnotic emissions of "Intentionally False" and the insistent pulse of "False Statement", before winding up with the title track, a crystalline piece of razor sharp sound design. Highly recommended.
Review: Oscar Mulero revisits last year's Black Propaganda with some help from some of contemporary techno's biggest names on this essential remix EP. "To Convince For The Untruth" sees Stroboscopic Artefacts boss Lucy take the original's cavernous surroundings and sharpen them up with bitcrushed hi-hats and subtly a rumbling noise floor, while Developer's take on "Disinformation" straightens out the original's breakbeat acid tendencies by soaking its furious synth lines in reverb and hooking everything together with a rolling 4/4 kick. Finally, Shifted's take on "Intentionally False" keeps the measured pace of the original but transplants its thick, bulging frame for a threadbare structure littered with subtle detail.
Review: Spanish techno stalwart Oscar Mulero trailed this fourth album in as many years with Dualistic Concept, a set of typically dark, hypnotic and ghostly remixes. That can be found on the second disc, and ties in neatly with the robust, forthright and atmospheric sound of the album itself. Muscle & Mind has moments of beauty, of course - see the blissful ambience of "Mental Causation" and enveloping chords and found sounds of "Unconscious" - but for the most part it's concerned with the power of rhythm. Few are better at wringing maximum intensity from loop-heavy jams, and Mulero's love of dusty white noise, trippy melodies and skittering percussion guarantees variety in the grooves throughout.
Review: Arguably one of Spain's most prolific techno talents, Oscar Mulero returns to the super label PoleGroup with the Electric Storm EP. The title track combines Mulero's trademark throb and reverb-heavy ambience with powerful drums, while "Cave" takes things in an even darker direction, with brittle percussion resonating against reverb-heavy ambience. The remixes aren't too shoddy either; Our Circula Sound boss Sigha delivers a remix of the title track with some prickly yet powerful synth blips, and Tommy Four Seven coats "Cave" with an industrial fuzz and into a broken techno nightmare which will destroy any dancefloor.
Review: Spanish producer Oscar Mulero always brings an experimental edge to dancefloor techno, and Like A Wolf is no exception. "In A Silent Way" starts off life as a solid dubby rhythm, but gradually Mulero raises the intensity levels, turning it into a jarring industrial workout, but adding airy atmospheric textures to offset the austerity. "Horses" makes no such concessions, featuring noisy beats and a recoiling bassline from the outset, but "Like A Wolf" sees him revert to an unpredictable approach. Underpinning the evil acid licks are heavy break beats and the kind of eerie sound textures that wouldn't sound out of place on an Autechre album.
Review: Continuing his foray into the pitiless world of pitch-black techno, Oscar Mulero brings the pressure on this latest EP for Developer's Modularz imprint, stepping up to the label's remit for forward-thinking industrial styles. "Rotula" falls slow and heavy, somehow achieving grace even as the unforgiving bottom end thuds out and the hats shudder with nervous energy. Truncate brings a remix that plies a more compacted trade in cyclical techno, less booming but more pointed than the original. On the flip, Mulero's "Transversal" does the damage with a scant list of ingredients, largely dominated by a stuttering square wave bass stab bringing the doom to great effect, while Sleeparchive reacts with a version that brings everything you could want from a Sleeparchive cut; a bleak soundscape devoid of human warmth with a central bleep the only source of light.
Review: Spanish techno power clique Oscar Mulero, Reeko, Exium and Christian Wunsch load and fire part six of their Seleccion Natural series out of Mulero's Polegroup canon. The previous five blasts came from Reeko's Mental Disorder, Christian Wunsch's Tsunami Records and Mulero's native Warm Up Recordings. Reeko's "Lynx" is a hi-octane power-trip of scratchy industrialism and gunshot snares jacked with a ferocious pace, as is Mulero's "Reverberation" only to a more bleepy and streamlined effect, with obvious fidelity toward Surgeon, Regis and Jeff Mills. Had Wunsch's booming "Sleep Cell" not been released here, it could easily hold its own among the factory-made releases of Perc Trax. Exium proceed with break-beat drums in "No Sign Of Weakness" which aggressively lends itself to a trove of over-driven bass squelches, piston pushing white noise and a tribal ramshackle of percussion - cabalistic techno at it's most dangerous.
Review: Spanish techno veteran Oscar Mulero goes deeper than usual on Second Skin. The title track is underpinned by a typical Mulero stepping rhythm, but has he added feature of chords flowing and churning overhead. In a similar vein is "Rotar". Based on a straighter arrangement, firing percussion and a rumbling groove underpin synths that soar and swoop like autumn leaves in the wind. The mood changes for the darker with the remixes. Architectural's two versions of the title track are characterised by jagged percussion and intense acid burns, while Tensal's takes on "Rotar" are spring-loaded with churning filters and tough kicks.
Review: It would be fair to say that Oscar Mulero is a techno purist. Over the last 16 years, he's built a solid reputation via singles and albums that rarely stray from techno's hypnotic, heavyweight roots. Hyperbolic Paths, his first single for Token since 2008, continues on this path. Its' four cuts are built around bombastic, full-throttle rhythm tracks, unsettling chords and undeniably trippy, looped melody lines. The standout track is arguably "Suborbital Trajecteries", which combines spacey, rising and falling synthesizer motifs with beefed-up, tropical-influenced techno drums and sweaty, constantly building percussion fills. The deeper and dub influenced closing track, "Eccentricity", is also quietly impressive.
Review: With Tensal debuting over at Oscar Mulero's Pole it seems the Spanish techno legend has used this as an opportunity to send his music elsewhere too. Take a look at the list of artists that have contributed nihilistic abrasion to Bas Mooy's label and Mulero is a glaring omission. Mooy and Mulero (surely a collaboration to come) make up for this by agreeing to bear five Mulero productions under the MORD banner, kicked off by the big room acid of "Sensory Deprivation". "Misophonia" slams down hard like a Mulero production should with bleeps, distorted tones adding some gritty funk to a game Mike Dehnert thought he'd monopolised. Deepest section of the EP is "Spatial Sequenced Synthesia" and staying down low is the sub-aqueous strafing of "Common Frequencies". Mulero's formula is unbeatable right now, and for something a little stripped back with less reverb check "Number Form".
Review: Although he is mainly associated with his own Warm Up or Pole Group labels, Oscar Mulero started his relationship with Token back in 2008. Now a decade later, the Spanish techno powerhouse is issuing Electric Shades, a sci-fi obsessed release on the Belgian label. "Echo" resounds to eerie bleeps and a subtle groove, while at the more visceral end of the Mulero scale is the rough, doubled up rhythms of "The Voyage" and the searing, Millsian "Violet Dust". Clearly Mulero is on a journey on this release as the dense, heads down "Chasing Shadows" recalls his loopy past, while he shows a more refined, tunneling approach on "The Cycle" and "Out Of Sight".