Review:
For this latest missive from Wall Of Fame HQ, we see label stalwart Buggin' Out sharing the love with P Sol on a rare split release. The former is up first, reworking the Isley Brothers' legendary synth soul classic "Between The Sheets" on "All I Know", before delivering "Party Girl", another killer slice of '80s electro-boogie muscle. P-Sol on the other tackles Larry Levan's mighty "Hopscotch' on "Do It Again", before wrapping things up with the slow soul grind of "Sunshine".
Review:
New York City's Wall Of Fame was established in August of 2014 by P-SOL. They really live up to their name on their new various artists release, which features an all star cast if we've ever seen it! Starting off with Aussie legend Dr. Packer who serves up some instant funk (see what we did right there?) on his truly burning "Instant Groove" while Guildford's Evil Smarty serves up a new rendition of a certain Ms. Vega classic on "4 Love". Elsewhere, Brighton's Fingerman gets down with a deep disco joint for lovers in the form of "Boogie Change Up" and finally the label boss himself - the always reliable Patrick Sullivan aka P SOL gets down with some hazy '70s rock swagger on "Let It Go". This follows up some great releases by UK's Andy Buchan and Napoleon, Munich's Alkalino and Javi Frias. For those of you that are chasing some 'respectful edits' look no further!
Review:
Having now appeared on labels such as Editorial, Diggin Deeper and Vehicle, P Sol is now becoming a bit of a disco edit label lothario. His latest conquest, sorry, home, is Groove Democracy and he's cooked them up four funk bangers for breakfast (at least he stays the night). You know the drill by now: vintage, hard-to-argue-with funk lovingly tweaked and extended into protracted bliss. Highlights include Gwen McRae/Larry Levan's masterpiece "Getting Hot" as well as the loopy '80s funk of "No Lies" and the raucous stomp of Stevie Wonder's "You Haven't Done Nothing". Sizzlin'!
Review:
Re-edit Yankee P-Sol seems to getting deeper with each new release. House certainly seems to be winning out over disco in his newer productions as is evidenced here. "Sure Thing" is seven minutes of woozy pads delayed claps and a general 3am otherworldliness, "Hooked" is a funkier jam that's still very hazy with early-'90s New York vibes (right down to the jazzy sax and Fender Rhodes chords), and things wrap up on a high note with the tough, tribal beats and dreamy synths of "Treats".
Review:
After putting out three Mixed Bags on Wall Of Fame and other material for Hot Digits, FKR and Editorial, P Sol lands on DiscoDat! His entrance is a laid back one with the lazy Sunday vibes of "You Left Me", while "Six Machine" is amplified funk with trumpeting horns, walking basslines and sassy vocals. "Not Easy" ventures down a soul route leaving the flutey "Harlem River Drive" to seal the deal of a great four-track release.
Review:
Of late the Vehicle label has almost totally focused on output from Russian producer Valique. Here though, the spotlight switches to P Sol who seizes the disco baton with both hands. "Groove On" kicks things with a filtered funky riff and hands-in-the-air soul samples, "Love How You Feel" is deep, raw body music, "Love Me Right" is a tight electronic grind, and "Reboter" wraps things up the boogie with some clap-a-long silliness.
Review:
Danny "80s Child" Worrall's Masterworks Music label seems to specialize in delivering tasty reworks of long forgotten '80s soul, boogie and P-funk gems. This latest EP from Brooklyn-based P-Sol is packed to the rafters with this kind of gear. He does an admirable job balancing the needs of the dancefloor with giving the original material due reverence, as you'd expect from someone of his vast experience. There's some slow, chugging, synth-laden disco sweetness ("Every Night"), a dash of breezy '80s dancefloor soul (the filters and bumpin' beats of "Real Love"), and a lesson in the power of dubbed-out horns and eyes-closed synth solos (the admirable "Do Ya"). In other words, plenty of tried-and-tested material for those who dig synth-heavy disco grooves.
Review:
If you're going to have a garden it might as well be a disco one, even if it's just so you could answer the question 'how does your garden grow?' with 'pretty disco actually' (should anyone ever actually ask such a thing). The grass in P Sol's garden is certainly disco and the low slung, punk-funky grooves of the title track prove it. Elsewhere we get more sleek, linear and looped edits including the throbbing disco house of "Fool's Paradise" and a mellow take on George Benson's "Turn Your Love Around".
Review:
New York's P-Sol is becoming a trusted source of chunky, floor-friendly reworks. Here he delivers another quartet of gems, on the third volume of his ongoing Mixed Bag series. He kicks things off with "Physical", a tooled-up, floor-friendly re-cut of the Olivia Newton-John pop classic of the same name, before showing Marvin Gaye some love on the sumptuous, filter-heavy loop jam "If You Let Me". Arguably the EP's two strongest moments come last, though; the delay-heavy proto-house dub business of "Tonight", and "Can't Judge", a chunky, bass-heavy re-edit of Cookie's 1982 roller-boogie classic "Can't Judge a Book By Its' Cover". All killer, no filler, as the saying goes.
Review:
Brighton's Hot Digits have managed to generate a roster boasting some pretty established names on the re-edit scene. Here, on Hot Jints Vol 2, they've rustled up some newer names to mix with the old. P-Sol delivers some swishy sun bleached laid back grooves on "The Closed Door", "Keep On Ducking", by Raw Artes & Jack Whitey, is a jauntier affair - all clavinet-fuelled funk, Causal Connection's "Sun Glider" opts for a fine duel between elastic slap bass and linear guitar licks, and finally Fingerman closes the show with the uplifting orchestrated harmonies of "Summertime Stringz".
Review:
Over the last few years, the Editorial imprint - an outlet for disco, electrofunk and house-centric re-edits and reworks - has established a winning formula: expansive, compilation style EPs featuring tracks from a wide range of scalpel-wielding talents. This 33rd excursion sticks to the script, offering another quintet of floor-friendly rubs. There's a dash of heavyweight P-funk (Ed Wizard and Disco Double Dee's forthright "Saturday Night"), some cut-and-paste, sampleadelic beats (Future Feelings' Steinski-ish "Basement Jam"), a sprinkling of deep disco-house (Matt Hughes, P-Sol) and a fluid, Aim-ish trip into downtempo instrumental hip-hop territory (Riccio's electric piano-heavy "Reflections").
