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Thanks For Nothing
HIPPIEDANCE 01
24 Oct 11
Minimal/Tech House
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We Can Rhyme - (6:00) 123 BPM Biggest-selling track on this release
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We Could Rhyme - (6:15) 123 BPM
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Fiesta Forever Street Marimbas - (3:49) 112 BPM
from $1.95
Played by: LA ROYALE
Girlcatcher
HIPPIEDANCE 02
19 Jan 12
Minimal/Tech House
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Black Naga - (7:13) 124 BPM
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Thunder Scat - (5:21) 124 BPM
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Time - (15:13) 124 BPM Biggest-selling track on this release
from $1.95
Review: Here's proof that it's possible to be experimental within the context of the dance floor. Like Patrice Baumel's release on Get Physical a few years back, "Thunder Scat" dispenses entirely with a kick drum, preferring instead to focus on powerful subs, dense claps, a sassy vocal snippet looped to infinity and an utterly seductive tambourine riff. "Time" sees the Boys return with the 4/4 kick, but it remains understated, as a hypnotic organ riff provides the backing for an angelic vocal. Finally, "Black Naga" is the most conventional track of all, but here too the tribal groove features a sped-up vocal that sounds like someone hit the helium, and hard.
Christine
HIPPIE DANCE 03
06 Aug 12
Disco/Nu-Disco
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Legs - (7:49) 113 BPM Biggest-selling track on this release
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The Untold Legend Of Mysterious Ondo - (6:51) 122 BPM
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Poem For The Youth - (11:06) 125 BPM
from $1.95
We Are Really Sorry
HIPPIE DANCE 04 CD
19 Nov 12
Experimental/Electronic
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Studio Galactic Pachanga - (2:23)
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Basic Vocabulary - (1:16)
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Pachanga Voice - (7:09) Biggest-selling track on this release
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All You Need Is A Tree - (1:08)
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Clapdance - (3:17)
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Superfancy Lifestyle - (1:05)
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Speedo & Boots - (7:20)
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The River - (4:35)
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Shopping For Voodoo - (1:27)
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Vampiros Hermanos - (7:16)
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Tequila The Club - (1:49)
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Drunken Dancer - (6:15)
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Wrong Guys - (3:13)
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Meet The Boys - (5:26)
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Fiesta Forever (reprise) - (5:21)
from $1.95
Review: Since first popping up in 2009, Rebolledo and Aksel Schuaffer's Pachanga Boys project has attracted a lot of attention. Given the curious contents of this in turns zany, inspired and downright odd debut album, it's easy to see why. Split between silly skits featuring tongue-in-cheek female spoken word vocals and fully formed tracks, it's like a stripped back South American/German take on the formidably over the top musings of Mungolian Jetset. By and large, the rhythms are sparse but heavy, featuring fuzzy basslines, distorted drum machine grooves and curious electronic pulses. It's good fun, sitting somewhere between bonkers electronica, wonky house and camp leftfield silliness. Throughout, it's bursting with weird and wonderful ideas.
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