Review: Those who've met Maurice Fulton - or even just paid close attention to his career over the last couple of decades - will tell you that he seems to inhabit a totally different galaxy to anyone else. We're blessed, then, that he's once again touched down on 'Earth' and delivered a killer EP for Peggy Gou's Gudu label. He joins forces with the South Korean star on deliciously wayward opener "Jigoo", a retro-futurist, turn-of-the-90s style house number smothered in weird electronic noises, starry chords and liquid bass. "Not Sure How I Would" sees him dive into intergalactic jazz-funk territory - think trademark disco bass guitar, trippy noises, live sounding drums and effects for days - while "One Itself" is a skewed drum track laden with hand percussion hits and his trademark weirdo electronic noises.
Review: On the latest instalment of the long-running DJ-Kicks series, Peggy Gou paints a vivid picture. It starts with the widescreen ambience of Space Time Continuum's 1993 debut, "Fluresence", before moving into her own, cosmic "Hungboo" and the niggling acid of Pearson Sound's "Earwig", a contemporary cousin to Plastikman's Musik. There are other endearing oddities here, such as Andrew Weatherall's seductive house version of Sly & Lovechild's "The World According To..." and the raw drums of Kyle Hall's "Flemmenup". Gou has also included a Detroit techno classic, Psyche's "Crackdown", but balances this out with new, unreleased tracks from I:Cube - "Cassette Jam 1993" sees the maverick French producer deliver a frazzled, hazy affair - and Hiver's pulsating, acid-flecked "Pert".
Review: A taster from Peggy Gou's contribution to the DJ Kicks series, this split release showcases the range and breath of her selections. On one end of the spectrum there's I:Cube's "Cassette Jam 1993", where the maverick French producer delivers a frazzled, hazy groove that bathes in a mellow glow and is made even more trippy thanks the use of some indistinct vocal samples. At the opposite end sits Hiver's "Pert", where the Italian pair loop a pulsating, acidic groove to infinity and beyond. Gou's own contribution is very much at the mellow end of the scale: "Hungboo" is led by cosmic flutes, organic beats and some cosmic Asian vocals.
Review: For as long as we can remember, Defected's annual Miami Music Week compilation has done a brilliant job showcasing tracks that we'll be dancing to a lot in the following weeks and months. Predictably, this year's volume is no different. There's the usual mixture of alternative remixes of familiar favourites from the previous 12 months (see David Penn's remix of Sophie Lloyd's gospel disco anthem "Calling Out" and I:Cube's brilliant revision of Peggy Gou's "It Makes You Forget"), previously released anthems (Horse Meat Disco and Amy Douglas's "Let's Go Dancing" and Ray Mang's delicious disco mix of Phenomenal Handclap Band's "Judge Not") and suitably big tunes that will soon become peak-time staples the world over (see the tracks by Bawrut, Low Steppa, Bsicits and Mighty Mouse).
Review: If Mark Knight and Co. aren't busy enough celebrating Toolroom's big 15 year birthday at present (and its global parties in celebration of it), they've also found enough time for another mandatory volume in their esteemed Ibiza Underground series. With another collection of surefire hits and soon to be anthems that are sure to rock The White Isle this summer - this is all you need right here. A wide range of cuts (50 to be exact) that venture into darker territories come from the likes of New York duo Blondes on the fierce and broken "Quality Of Life" (Struction remix), the surprising addition of Scottish IDM wunderkind Lanark Artefax's "Touch Absence" (Intimidating Stillness mix), Dutch techno-bass merchant Martyn on the futuristic "Feel The Magnetism" and American retrovert Matrixxman on the tunnelling acid trip "Horizon". Rest assured that there's faire more typical of the label like Josh Butler, Franky Rizardo, Rick Wakley and birthday guests Booka Shade. For your convenience, the collection comes as two continuous mixes as well.
Review: The reach of not-for-profit label Needs continues to impress as they link up with Peggy Gou and Juju & Jordash in a collaboration with UN Women for an expertly curated EP of interstellar sonics strapped to a 4/4 beat. Gou is on typically strident form on "Shero," presenting her keen instinct for 90s house and more fluttering, psychotropic tones distilled into dancefloor manna as intriguing as it is easy on the ears. Juju & Jordash meanwhile channel their own learned approach to live jam improvisation into a true trance-out of strafing arpeggios and spongy FX for the trip-out crew to get lost in.
Review: The annual Toolroom statement of intent for Ibiza gets off to a raucous start with the good time house Camelphat remix of Fatboy Slim's "Right Here, Right Now". Despite this, the compilation isn't all about peak time pleasure. It features deeper nuggets like the sun-kissed deep techno remix of Bicep's "Opal" by Four Tet and the hypnotic break beat techno Kolsch remix of Nic Fanciulli's "Saying". However, Ibiza 2018 doesn't depart too far from the script, and label boss Mark Knight's "We Get High From the Music" is classic Toolroom - a tough tribal workout descending into filtered, vocal-heavy nirvana. That said, they deserve plaudits for keeping a close eye on new artists and the niggling acid and chimes of Peggy Gou's "It Makes You Forget" is testament to that.
Review: We're barely a quarter of the way through the year and it already seems like Peggy Gou is going to be one of house music's heroes of 2018. Here, the Berlin-based South Korean follows-up her brilliant Once EP on Ninja Tune (which included the soon-to-be-an-anthem brilliance of "It Makes You Forget") with a new EP for Phonica White (a label she first graced back in 2016). "Travelling Without Arriving" is a rubbery, sun-kissed deep house treat rich in elastic bass, toasty chords, glassy-eyed synthesizer melodies and dreamy, drifting electronics. Brooklyn beat-maker GE-OLOGY serves up a superb alternative version which retains the track's gentle positivity and breezy melodiousness while dragging it further towards futurist techno territory.
Review: Berlin-based Korean Peggy Gou has been surprisingly quiet since first bursting onto the scene back in 2016. Here, she returns to action having graduated from Technicolour to parent label Ninja Tune. Many may already have heard EP standout "It Makes You Forget (Itgehane)", a percussively ambidextrous beast based around a bouncy, off-skilter, snare-heavy rhythm track. It has been much discussed online after Gou included it her recent Resident Advisor podcast. Then you'll find tracks representative of her developing style, which draws together elements of European deep house, electro, early '90s U.S house, the rubbery disco eccentricity of Maurice Fulton and the instinctive polyrhythms more often found in traditional African music.
Review: Peggy Gou has had a busy debut year thanks to her opener on Phonica's white offshoot, and now two EP's out on Rekids in quick succession. Her sound is a subtle, minimalistic blend of house and techno, exactly the sort of tech-minded groovers that have appeared on Radio Slave's label in the past. "Jen High", for instance, takes a dusty being of drums and wraps them around delicate blends of chimes, whereas "When Round, They Go" heads deeper into space with the help of a sublimely cosmic swarm of sonics. The special piece comes from Terekke's remix of the latter, and the LIES man adds his signature touch to an already very deep house tune, making his version that one toke over the line!
Review: Originally from South Korea but moving to London at the age of 14 where she spent her formative years, Peggy Gou has since moved to Berlin (of course!) where she's since made her break releasing two EPs in less than a year on Matt Edwards esteemed Rekids imprint. Her new one on Phonica white sees her explore classic deep house aesthetics convincingly such as on the dusty MPC bashing Moodymann style deepness of "Day Without Yesterday" with its deep funk bass, emotive strings and woozy sample all working in perfect harmony. But "Six O Six" gets a craving for the acid life with some gnarly 303 lines going head to head with hands in the air vocals and rusty drum machine grooves.
Review: Rekids' first 12" of 2016 comes from a previously untapped talent, Berlin-based producer Peggy Gou. The South Korea-born DJ/producer's sound has been influenced, in part at least, by that of her mentors and piano tutors Nu Guinea (a duo whose releases for Early Sounds have been superb). Certainly, you can hear their tropical take on deep house in opener "Troop", whose Afro-influenced beats combine brilliantly with Gou's humid melodies and beautiful chords. She flips the script slightly on "In Sum", where spacey, Detroit-influenced electronics envelop a snappy deep house rhythm. A fine debut EP is brought to a close by Galcher Lustwerk's remix of "Troop", which takes the track further towards Detroit techno territory via deep space electronics and cymbal-heavy beats.