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Peter Van Hoesen
Browse the latest digital releases by Peter Van Hoesen
Review: Uncovered is a three-part series that shines a light on unreleased tracks from Peter Van Hoesen's archives from a ten-year period, commencing in 2008. What may surprise fans of his kinetic warehouse techno is that the respected producer is also adept at creating slowed-down electronic pieces, audible here on "Editsolopunchin19 " and "Rosegarden Funeral Of Sores", the latter featuring Jacques Trenson's muddy vocals. There are other unexpected delights on this volume, such as the droning "Merely A Mirage", while "Slowdisto" bathes in a glitchy hue. At the same time, this collection does remind the listener of Van Hoesen's dance floor prowess and both "Exor1" and "Gadarene Rush" contain vivid sketches that form the basis of his distinctive techno sound.
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T2X 33
25 Nov 19
Techno
25 Nov 19
Techno
Review: If you were to take Peter Van Hoesen's career back a decade you would find him in the midst of breaking through with a wholly experimental sound taking in the functionality of booming, deep and dubby, industrial-laced techno. Best highlighted in his 2010 Entropic City album, and across the evolution of his Time To Express label, PVHs avant approach to techno music has slowly mutated into abstraction and a new kind of sophistication. The works and ideas presented here may well suggest a cache of music perhaps deemed too early and esoteric to release for public understanding at the time it was made, which makes the futuristic ears we're all fitted with now perfect to take this in for consumption. Skittering atmospherics, modular basslines, rhythms and undulating beats, to ambient melodies and broken drums are all inside and should appeal to fans of Sendai too.
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T2X 31
05 Nov 19
Experimental/Electronic
05 Nov 19
Experimental/Electronic
Review: After a relatively quiet two-year period, Peter Van Hoesen returns with a new long-player - but will he fall victim to the 'difficult second album syndrome' that plagues so many artists? The Belgian producer's last EP was called Transitional State, and the title sums up the approach on Perceiver and the general direction that Van Hoesen has been heading in for the past few years. Listen to even his recent dance floor-based releases on Komisch, Ostgut and Time To Express and you'll hear glitchy slivers of percussion amid the punishing, merciless basslines. Van Hoesen has emphasised this abstract side to his sound on Perceiver. "Objects from the Past" and "To Alter A Vector" unfold in slow motion, with textured sounds floating over lurching rhythms, breaking occasionally to allow the dubby beats come to the fore. In between balancing the functional and the abstract, the album also presents a third way, and it results in the most impressive track on the album; "Nefertiti Always Beyond" boasts nickel-plated drums and Peter's trademark sub-bass, but there is something looser about the arrangement. What it may lack in precision it compensates with a sense of punky energy, its rhythm spasming like a Magazine song trapped in the body of a relentless techno arrangement. It's the centre piece in a perception altering album.
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T2X22
03 Sep 12
Experimental/Electronic
03 Sep 12
Experimental/Electronic
