Review: It's been a long time coming, but after a long run of exciting single drop, Night Bass founder and all around dance music legend: AC Slater lands on his home imprint for a brand new album project. The project features the previously released single 'Final Fantasy' but as a club mix alongside a bag of incredible collaborative additions, including Dread MC, Jay Robinson, Chris Lorenzo, Murkage Dave, Taiki Nulight and more. With twelve tracks of the highest quality, AC has really set the bar super high, with particular highlights including the high energy collaboration with Jack Beats, Sinden and Flowdan entitled 'Boss Like That', along with the tasty house tones of 'Feeling Awake'.
Review: ooohhh - the calculating Night Bass imprint returns to some quick fire action thanks to this naughty VA comp - and the results are as impressive as they are, well, booty-shaking. There's a whole line of stars in the making here, with peeps like AC Slater, Phlegmatic Dogs and Petey Clicks all offering their various new strains of high-grade bass mutations. In fact, much like the label's wider catalogue, these future-minded bangers are a mixed race fo sorts; from speedy garage to teched-out house and dubstep, there's something in here for all lovers of the UK ting. Yes, yes!
Review: Despite being signed to AC Slater's Party Like Us label in LA, Petey Clicks makes very UK indebted bass music. This is a good thing as his productions are quite unique as a result. Here we get two new bangers -short and sweet- that are all about keeping the heat on, delivering electric body jams. "Bae" is the deeper of the two - with meaty retro house organs, speed garage hi-hats and pitched up RnB vocal snippets. However it's all about "Do U", with its relentlessly rolling percussion and nagging bassline, is one mean tropical bass roof raiser. Take that, EDM!
Review: Signed to AC Slater's Party Like Us label, L.A.-based producer Petey Clicks has been bravely pioneering the sound of bass Stateside for years now. Hats off to him what with the goliath of EDM to contend with over there. Still, his skills are many and he's doing just fine thank you. "N Luv" is a great example of his work: an immaculately produced soulful garage gem built around layers of percussion, a honey-voiced female singer and a deep, swishy ecstasy-fuelled synth riff. Label boss Slater also provides a mix, opting for harder and wobblier 4 x 4 nastiness. Class!
Review: Wow, what a run it has been for the Night Bass team who hear touch down with their one hundredth official release, celebrating one of the most exceptional catalogues within the entire bass music spectrum. They have pulled together an exquisite line up for this one, featuring a tonne of high end names, including founder AC Slater alongside Chris Lorenzo, Flava D, Shift K3y, Jack Beats and more. For us there are a couple of clear stand outs on this one, the first of which has to be the long awaited release of Taiki Nulight and Dread Mc's bassy roller: 'Kush'. We also love the smooth subby bops of Sinden's 'Work That', along with the incredibly unique drum work of 'Ugly' from Petey Clicks.
Review: LA based imprint: Night Bass have been one of the most impressive labels within dance music over the last couple of years, and that trend continues with their latest EP project alongside Petey Clicks. This four-track project kicks off with the title track 'Club Heads', which is a ball of super electronic sounding synth instrumentation with sharp 4x4 drums below. Next up we have the super experimental distortion of 'Paid' along with the unpredictable synth melodies and explosive percussive design of 'Parrin'. Finally we finish up with fidget-inspired crunchy bass instruments of 'Bass & Tweeters' which ties the EP up with a real spark.
Review: If there's one thing we can all agree on it's this: Petey Clicks needs to release music on much more of a regular then he currently does. These two jacking bass house tracks remind us exactly why... "VA To LA" slides us some gully gossip in the form of a grunting high end bassline and a clattering groove that bites down and refuses to let go. "Awake" takes us deeper down the rave rabbit hole with a classically-informed detuned synth riff, a twisted two-step and an amenised breakdown that's heavy enough to power a time machine (1.21 gigawatts) and take us all the way back to 92. Woke yet?
Review: Night Bass head honcho Petey Clicks is Los Angeles's chief exponent of filthy, UK-style bass music. Here he shows us why, with two left-right jabs of tough love dance music. "Home" is where the heaviness is, featuring a relentless distorted bass pulse and rolling tropical drums. "Here 2 Kill" meanwhile is gloriously updated Good Life-style ravey house, complete with diva wails and snare rolls and classic cymbal splashes. Back to the future has never sounded so good.
Review: Great to know that despite all the wonted EDM Stateside, the likes of Petey Clicks in LA is keeping it real. "My House" is a tough, attitude-heavy slice of stomping wobble with the kind of bass that'll rattle your bones. If the UK vibes seem strong with this one it might be down to the influence of Sinden who collaborates with Clicks here on "Feels", a banger that adds chipmunk vocals and breakbeats to the mix in killer effect.
Review: Anglophile US producer Petey Clicks has made a name for himself with his impressively authentic take on underground UK bass sounds. He does so with his own unique twist of course, and this can be heard throughout. "Trash" starts things in a lairy mood with speedy 2-step beats, nasty bass and raw vocals. From there "If Ya" slams some raw tribal house into the mix, "Like Body" is lean muscular 4x4 and "The One" is a diva-garage anthem in the making.
Review: Two of the most prominent faces on the Night Bass roster, Petey Clicks and former fidget house man, Sinden, have teamed up to deliver two punishing (in a good way) bangers. The title track gives a little UK 4x4 twist to a classic underground US house sound, whilst "Heartbeat" goes all out for the retro approach, with old skool organ stabs and wailing pitched-up diva vocals. Label boss AC Slater then delivers an utterly mesmerising electro-bass rejig of the title track and Hotfire injects some serious bottom end into their version of "Heartbeat". Ace sounds!
Review: The team behind the Nightbass movement continue their incredible journey through 2018 here with yet another solid compilation, really pushing the Night Bass sound right through to the year's end. This project is made up on 9 original records, including top draw creations from the likes of AC Slater, Bijou, Cause & Affect, Taiki Nulight, Bassboy and more, making up a spectacular line up to say the least. For us the instant highlights on this one have to include 'The Freq' from 219 Boys and 'Church (feat Dances with White Girls)' from Sinden & Petey Clicks, both of which encapsulate the darkened futuristic bass stylings of Night Bass perfectly!
Dillon Nathaniel - "Like The Groove" - (4:30) 124 BPM
219 Boys - "House Down" - (6:10) 125 BPM
Review: LA's Night Bass imprint is contributing significantly to the US' newfound love for dance music that takes low frequencies to new extremes. As such, the label have opted to launch the fifth instalment of the This Is Night Bass series and, as you'd expect there's all sorts of bangers ready-made for dancehall gun-slinging in here! Tagged as bass doesn't do it justice though; Volac's opening "Wait A Minute" is basically a house tune that meets Drake-like r&b vocals, with the same going for Bijou's and Sinden's own 4/4, bass-filtered killers. Petey Click's "U NO I" takes the electro house framework to new and bruising levels, whereas Astronomar manages to strip it back down to tech-house territories on "100 MPH". Jay Robsinson, Dillon Nathanie and the 219 Boys are all the same wave-length, which is impressive given the fact that each one of these artists caters to a particularly niche shade of nu-school house. SUMMER ANTHEMS ABOUND.
Review: The phenomenon that is AC Slater's Night Bass: a label, a party, a collective of like-minded spirits, a movement... In the space of a few years, they've dominated the low end game on a global scale. Their debut remix collection is another bedpost notch as they take each other's favourite tracks and versionise the dickens out of one another. Highlights include Phlegmatic Dogs' warped bass, slo-mo break-charged twist of "Gonna Be Mine", Petey Clicks jack-happy slapper take on "Nose Powder" and Landis LaPace's technoid shake up of "Guttural". File under heavyweight.
Review: Boy, it's their instalment of the This Is Night Bass series and, as always, it's a tight and severely jam-packed bag of pure bass-ridden quality. The rhythm carrying the best part of the release is one that locks into 4/4 mode, but the melodies, low frequencies and vocals contain something seriously UK about them. In fact, if you're looking for purist British house music with a garage flavour then you'v hit the right spot; it's as if these guys have tele transported back to 2000/2001, when the roots of dubstep were being laid-down from the foundations of garage and bassline. YES.
Review: The Night Bass crew promised an 'epic selection of new tracks...a colorful mix of styles' for the second installment of their This Is Night Bass series, and they haven't let us down. The nine sizzlers included here really do capture a snapshot of here the bass scene is currently at. Highlights include the doomy house of "Bodyback", the raw techy disco of Sinden & Bot's "Grit Manis" and the brooding jacker "Shotgun" by Landis & LaPace.
Review: It has to be said that the combining of the terms 'night' and 'bass' does create an extra heady image of nefarious nocturnal shenanigans. Night Bass is a Los Angeles party, the popularity of which proves that America, currently in the early throes of EDM mania, is starting to look deeper for their dancefloor kicks. This compilation, featuring both new and established talent, captures their scene perfectly - highlights including the atmospheric tech-house meets bassline joint "Wild Fire" by Jack Beats, the sparse clickety-clack heavy bass house of "Gloom" by Jay Robinson and Taiki Nulight's staccato hip-house-step bouncer "Checking Out Time".