Review: Inspired by the countless failed downloads from platforms like Napster and Limewire back in the day, Pixelord's 99% channels a nostalgia for classic IDM, breakbeat and trance music of the time. Operating as some kind of new school Aphex Twin for the digital native, Pixelord exhumes, cross dresses and redefines a myriad of genres from the cut up French electro of "Kamon", trance-like drum and bass in "Tron" to the crystallising strings of "Get Up". Certainly a schooled producer, Pixelord captures a vibe of the decade in "90s" alongside a more contemporary and beatless sound in "Hashtag" to new school EDM, breaks and rave in "Gene". An explosion of sound, 100%.
Review: Russian producer Pixelord returns to Hamburg's Saturate! label after first appearing on a split release with Mad Decent character heRobust back in 2012. That was for STRT003 and eight years later in 2020 Pixelord finds his newest release catalogued at STRTEP082! It presents the artist's second release for the year following a limited cassette release with Sangam, and for this solo EP Saturate! brings with it remixes from Planet Mu's Starkey, Run Rad's DRANQ, and the mysteriously affiliated DJs Ride and Pound. Pixelord himself, though, turns five digital distortions of bass, glitch and neo-deconstructed industrial sonics, with a specific and unique power synth laced throughout this latest Saturate! edition. Find it appearing like a bad WIFI connection in "BFG" or as call and response to the bassline in "Pain Elemental". Furthermore, see it tearing across the sweet melodies and bit graded chip tunes of "Bonus Stage" to its role as a counterpart to the effervescent trance synths in "Doomguy". Wild style in "Demonslayer" no doubt too. Beware.
Review: Alexey Devyanin has given us all sorts of magnetism since his first productions began to appear in a distant and foggy 2010. He's lived the entire post-dubstep era from its early days through to its present state, and that journey has taken him across labels like Car Crash Set, Berlin's Leisure System, Infinite Machine, Tuff Wax, and his own Hyperboloid. His new album, Human.exe, lands on the latter and it's an extensive piece of work spanning all corners of the bass spectrum. There isn't a single tune on here that remains linear throughout and, instead, Pixelord uses a wide diversity of sonics and beat tactics to produce his mechanical strain of bass-heavy dance music. This is what 'bass' is all about at the end of the day; a vast and bottomless pit of sounds put together under one hybrid groove. For fans of Actress, Hessle, and anything on Hyperdub.
Review: Well, the UK's Shifting Peaks have really gone and done it with this latest leviathan of a compilation, an anthology of their best and most wanted from 2010 until now. Inside, there's talent and plenty of club antics bouncing off the wall left, right and centre; with over fifty cuts there's enough to go around and satisfy a whole artillery of bass-heads. Some of the stand-outs for us are Tessela's "Yes You Can", Hackman's "Always", "Put You Down" by Odessa, and OM Unit's remix of "Reach Out" by Nphonix. What a belter,
go forth and indulge!
Review: The one like Pixelord comes through in full effect with a nasty, thumping VIP mix of his previously released ripper "Drinky". It's a slow-tempo, bass pile-driver with some delicious synth work and Gillespy's remix is even nuttier - rimshots, snares, the lot. Highly recommended.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.