Review: In the 12 years since he unfurled acclaimed debut album Clarence Park, one-man electronica factory Chris Clark has produced a vast body of work. He's been particularly busy on the remix front, completing a huge array of reworks. It's this work that makes up the vast majority of Feast/Beast, a remix retrospective (which, curiously, also includes some notable reworks of his material) split into two distinct halves. The first disc, Feast, focuses on the more melodic, other-worldly end of his output, delivering wide-eyed remixes of Amon Tobin, Kuedo and, most beautiful of all, Silverman. Beast, the second disc, moves into darker, tougher territory, joining the dots between techno, bass music, vintage hardcore and wonk-hop thanks to notable versions of Massive Attack, Maximo Park and Depeche Mode.
Review: Whatever you think of the artistic merits of bootleg mash-ups, they remain an integral part of DJ culture. What's more, these cheeky mash-ups often do more damage on dancefloors than the original material. This EP from the Booty Fruit camp - the third installment in the popular Proper Produce series - features four more bespoke bootleg jams destined to cause maximum dancefloor pleasure. There's a studied tastefulness to the lazy hip-hop reggae of DJ Maars' "Come Dancing", while the boom bap hip-hop funk of Prince Pimms and General Tack's "Bad Influence" is so expertly crafted it sounds like an original production. There's a tasty, sophisticated skank to Livingston and Canosis' "Hold It Down", while the fat beats of Cris Crucial's "Like Dis" casually steer clear of silliness.
Review: Lamont Booker is one of house music's true eccentrics. A prodigious user of multiple pseudonyms - LB Bad, The Prince of Dance Music, Lord KCB, Voodoo Man, the list goes on - he was briefly extremely productive in the late 1980s and early '90s. During that period, he was something of a deep house innovator, producing raw but beautiful music for labels such as Nu Groove and Easy Street. This excellent career retrospective from Rush Hour joins the dots between his well known cuts ("The True Story of House Music", "New Age Track" etc), unreleased gems and little-known jams, portraying his work in all its eccentric glory.