Review: It would be fair to say that Richard Sen's definition of funk, as outlined in the title track of the veteran producer's latest EP, is pleasingly wonky, wayward and deliciously electronic. Mining the same pool of influences as his work as part of Padded Cell, it sees him layer panicked but hypnotic synth sounds and wild, 'Plastic Dreams' style organ lines over a rubbery punk-funk bassline, throbbing electronic arpeggio lines and pleasingly loose-limbed machine drums. Sen explores his '80s electro roots on the bleeping, vocoder-sporting flipside opener 'Social Science', before reaching for beefy sub-bass, creepy melodies and echoing rave riffs on thrillingly dystopian breakbeat number 'Smoke & Mirrors'.
Review: Viscera Transmissions' first 'Galactic Service Broadcasting' comp was released back in May, as a fundraiser for charities supporting the UK's National Health Service; now here comes Volume 2, with profits this time going to the homeless charity Shelter. With 16 tracks from as many artists to choose from, there's a fair degree of stylistic variety on offer, from the acid electro throb of Duncan Gray's 'Punish' to JMII's floaty, proggy 'Intika', but the emphasis generally is on that region of the contemporary disco spectrum where Italo, EBM and experimental electronica collide, with occasional forays too - as on Owain K's 'Quantum Leap' - into deep house territory. Interesting stuff all round.
Review: There's a serious amount of musical heat to be found on the latest edition of Public Release's occasional multi-artist EP series. It's the San Francisco-based imprint's first exercise of this sort since 2016 and contains a sextet of must-check tunes. Amongst the many highlights are a creepy, sub-heavy, bleep-influenced number from Richard Sen (the rather good 'Abstract Dance'), a typically dreamy and positive trip into immersive deep house territory from Earth Boys ('EBoys 2020'), Fran-Key's throbbing, Italo-influenced late night hypnotism ('Summer Into Winter'), and the enveloping, opaque electronics and dusty, all-action grooves of Metropolitan Soul Museum's 'Stoneman'. An impressive snapshot of where the label's at, which is a place we'd like to be.
Review: One of the undoubted joys of Richard Sen and Cazbee's Mixed Blood Cuts re-edits series is the unusual and varied nature of the material on offer. This ninth instalment offers six more leftfield dancefloor gems cut-up and rearranged for maximium pleasure. There's a pair of Mascara-flaunting Italo-meets-New Wave jams (excellent opener "Second Hand Love" and the sweeter, groovier, Gaz Nevada-ish "If You Were"), some suitably heavy disco (the horn-toting, low slung delight that is "Dance Time"), an exotic trip into Middle Eastern disco territory (the swirling strings, Lebanese instrumentation and chugging rhythms of "Storm Chasers") and a triumphant rearrangement of Modern English's moody post-punk classic "Life in the Gladhouse". Oh, and a brilliantly bizarre fusion of twisted electronics and brass band funk ("B-Boys on Acid").
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