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Various
Review: It's here! Stockholm's Richard Rossa aka Tom Tom Disco presents eight tracks of deadly, hot, cosmic grooves that are equal parts deep and psychedelic but above all: spiritual! Some of his beloved label's top signings strut their stuff on This Is Tom Tom Disco Vol 05. Some deep and cosmic nu-disco courtesy of Sano on "El Sano", some Middle Eastern exotica on the esoteric "Hazhid Asara" by Acid Hamam and some proper Italo vibes by Tony Disco on "Disco Solar" - one of the compilation's standout moments. Rest assured that label head honcho Richard Rossa represents here too (and is on point as always) with the dusty, boogie down antics of "Discow Ztrummer" which will surely have you gettin' down!
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TTD 040
26 Feb 18
Disco/Nu-Disco
26 Feb 18
Disco/Nu-Disco
Review: Sebastian Hoyos is a Colombian DJ and producer from Medellin who has been releasing on Comeme Records since 2012 when he first presented the Chupa EP. "Los Muchachos" is his new single and follows a darkly balearic path like much of his label mates at present with its '80s Italo horror film synths, grinding rock bass and harsh drum machine strikes all working to perfection. Second offering "La Grua" features a bit of help from DJH and gets all slo-mo and low-slung on you with its woozy deep-latin groove. There's also a killer remix of it by Salon des Amateurs resident Detlef Weinrich aka Tolouse Low Trax. His "Interview remix" injects some added oomph into the track in typically stylish fashion.
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COMEME 034D
16 Sep 16
Minimal/Tech House
16 Sep 16
Minimal/Tech House
Various
Played by: Richard Rossa
Review: Matias Aguayo's Comeme label has long been a source of decidedly different electronic music - house and techno variously influenced by South American rhythms, post-punk disco, new wave and the deeper side of futurist synth-pop. This fourth label compilation confirms the imprint's unique vision, gathering 10 fine tracks and remixes from the likes of Ana Helder, Lena Wilikens, Sano and Carisma. Highlights come thick and fast, from the psychedelic flutes and foreboding, low-slung rhythms of Borusiade's remix of Helder's "Track Con Flute" and Aguayo's deliciously percissive re-make of Wilikens' "Howlin Lupus", to the early Orbital chords and Intelligent techno rhythms of RRoxymore's "D-Memory".
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COMEME COMPILATION VOL 4
30 Mar 15
Disco/Nu-Disco
30 Mar 15
Disco/Nu-Disco
Review: If the first instalment of Huntleys and Palmers' Chapter series of split EPs was all about showcasing up-coming talent, this second volume has been designed as a tribute to those who've influenced them. It's a neat twist, with typically formidable results. There's much to admire throughout, from the surging machine disco of oklo Gabon's "City Gym" and the undulating alien funk of Comeme man Sano's "Duraco", to the Ket-addled wonkiness of Golden Teacher's trippy "What Time Is It". While Uslo's spacey, piano-laden, percussively loose "Galaxy" is also inspired, it's beaten in the "best track" stakes by Balearic man Wolf Moller's "Rudeltanz", a decidedly cosmic chunk of live dub-disco with tumbling synth melodies and baked, low-slung synths for days.
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H+P 015
19 Jan 15
Deep House
19 Jan 15
Deep House
Review: There's something distinctly old-fashioned about this debut album from Colombian techno/tech-house upstart Sano. Take "Paranoia", for example; with its alien bleeps, cosmic rhythms and distinct urban atmopsherics, it sounds like an unlikely early '90s face-off between Richard H Kirk, LFO and Renegade Soundwave. There are plenty more vintage references throughout - see the murky acid of "Me Without You", and the sci-fi synths and sparse drum machine rhythms of "Contoneate" - alongside a range of weird, wonderful and entertaining tracks that veer from tropical hypnotism ("Anestesia") to wobbkly analogue funk ("Transilvania No Mercy"). As a result, Sano is a hugely entertaining debut.
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COMEME CD 04
28 Oct 13
Minimal/Tech House
28 Oct 13
Minimal/Tech House
Review: Hailing from Colombia, Sano injects some much needed, authentic Latin spirit into house music. "Disco Noche" is reminiscent of the pre-grainy bassline variant of electro house of the mid-00s, with coy drums combined with bursts of trippy synths. But Sano can't contain his South American heritage for long: "Bad Boys", with its wobbly bass and low slung rhythm is like the sonic equivalent of a shoot out at the OK coral. "En Negro" is just as depraved, with cowbells riding more eerie synth lines. However, the undisputed highlight is the title track, where a sassy repetitive Spanish vocal is fused with an acid line and a jacking Chi-town style rhythm.
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COMEME 017
15 Oct 12
Minimal/Tech House
15 Oct 12
Minimal/Tech House
