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Scan 7
Browse the latest digital releases by Scan 7
Various
Inner City, Kevin Saunderson & Carl Craig - "Good Life" (Inner City edit Of Carl Craig extended remix) - (7:37) 131 BPM
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ARDI 4486
01 Dec 23
Techno
01 Dec 23
Techno
Various
Phil Agosta - "Master Of The Drum" (feat Monty Luke - Phil's Beat On The Drum extended dub) - (7:37) 126 BPM
Review: The fifth instalment of this series is a reminder of the impact that KMS had on dance music . Right across the spectrum, Kevin Saunderson's releases shaped the future. A case in point is Esser'ay's "Forces", one of the KMS owner's many pseudonyms. The track's use of rumbling sub-bass and booming vocals proved influential in both garage and drum'n'bass - and it still sounds fresh. Part 5 features other similar landmark tracks. "Just Want Another Chance", a Saunderson project as Reese, retains its eerie, otherworldly sensibility despite the passage of over three decades. However, it's not all about looking to the past. The evergreen "Rock to the Beat" is remodelled here by Smith & Selway, setting it in a brooding, pulsating direction.
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ARDI 4483
17 Nov 23
Techno
17 Nov 23
Techno
Various
Review: Now Dam Swindle's Heist Recordings imprint is a decade old, the Dutch duo is starting to get nostalgic. We can expect a few 'Heist Classics' EPs in the months and years ahead as they raid the label's vaults for inspiration. There's much to savour on volume one, which fittingly begins with one of the pair's best-loved tunes - the now 10-year-old dusty deep house gem that is 'The Breakup'. Elsewhere, there's a chance to savour the peak-time-ready classic house rush of Detroit crew Scan 7's 'The Best Is Yet To Come', a slab of hazy sample-house hedonism from Fouk (the jazz-flecked deep house bounce of 'Kill Frenzy'), a subtly disco-fired workout from Demuir ('Werq. Feel. Gruv. Vogue'), and a lesser-known slab of deep piano-house loveliness from Adriyano ('Me And You And Her').
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HEIST 070
21 Apr 23
Deep House
21 Apr 23
Deep House
Review: It's quite a coup for any producer to release their first record on Rekids: the fact that Necessary also features remixes from Detroit legends Scan 7, Terrence Parker and DJ Bone makes this release all the more impressive. In its original format, "Necessary" is a deep, swirling groove, featuring plaintive vocals and a bumping low end. Bone's version retains the vocal but beefs up the rhythm, while Terrence Parker's take sees him deliver a organ-led house groove with a truly celebratory feeling. Rounding off this exemplary release is Scan 7's remix: led by a snaking bass and clanking, metallic percussion, it progresses to reveal mesmerising synths.
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REKIDS 179
21 May 21
Techno
21 May 21
Techno
Various
Review: By now, we should all know what to expect from Heist Recordings' annual Round Up releases - label artists remixing each other, basically - so we'll crack on and talk about the music on offer. Highlights come thick and fast throughout, with our picks including Alma Negra's deliciously percussive and groovy take on Scan 7's gospel-tinged Motor City gem 'All For Me', Scan 7's breezy, Latin-tinged Detroit house revision of Crackazat's 'Class One', Crackazat's Ethio-jazz-goes-sunshine house rework of Alma Negra's 'Dakar Disco', and Kassian's driving, warehouse-ready remix of Nebraska's 'Dip & Flip', which makes great use of thumping beats, undulating electronics and a seriously dirty analogue bassline. As the old saying goes, this seventh volume in The Round Up series really is "all killer, no filler".
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HEIST052D
12 Mar 21
Deep House
12 Mar 21
Deep House
Review: Here's something we didn't expect: a fresh EP on Detroit Swindle's Heist Recordings label from Motor City stalwarts and Underground Resistance associates Scan 7. It's certainly a notable way for the Dutch imprint to notch up a half century of releases. Naturally, the included material is superb, with the masked Detroit veterans confidently striding between gospel-tinged, jazz-flecked, musically rich deep house warmth (the Moodyman style brilliance of 'All For Me'), chunky, organ-driven US garage goodness (the bouncy and heady thrills of 'The Best is Yet To Come') and strutting, sweaty, percussion-rich peak-time heaviness (the sampled vocal yelps, dense drums, sustained synth-strings and raw organ stabs of 'The Funk That Stunk'). A genuinely brilliant EP from the true masters of Motor City future funk.
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HEIST 050
23 Oct 20
Deep House
23 Oct 20
Deep House
