Review: If this isn't already in your collection you don't know how lucky you are... Given away two years ago for a limited amount of time, this bass-meets-grime collection was a blink-and-miss affair. Until now... Back all it's 21 track glory, it's ablaze with fusion fire from Creep N00m & Ronin's itchy-trigger finger banger "Kill", Pelikann's 4x4 Dizzee-twisted widow maker "Stand Up Tall" and Mr Dubz's planet-bouncing "Spaceman". And that's not even touching the sides. Serious heat that's still sounding future two years later; don't miss this one again.
Review: Sheffield's Project Allout don't mess about, having developed a reputation for championing all directions in the ways of bass. Every take on that three letter word is important to this label and that's why they cram so many hot jams onto their comps. Basically they're the Ferrero Rocher am-bass-adors and they are really spoiling us with 49(!) lengerz. Highlights include AT's bleepy 8-bit hip-hop groove "Flash Bang", the epic, symphonic trap of Dubzta's "Lord Of War" and the almost disco tech grooves of "Murkers' by King Hydra. All killer, no filler!
Review: Bristol's bass supremacy is under threat from Sheffield's formidable Project Allout, who have literally gone all out by rounding up 21 heavyweight jams to prove it. With such heavy ammo who is foolish enough to try and resist? Not us, and if we really had to pick, some of our favourites would be Adam Mac's doomy, empty rainy street vibes on the haunting "Cold Side", the accelerated, pinged up, soulful 4 x 4 banger "Deep" by Deadbeat UK and the percussive dancehall infused synth bass monster, "Likkie Vibez" by Juzlo. The Allout revolution, don't fight it, feel it!
Review: Thirty Three nuggets of serious UKG gullyness; Project Allout have already developed a serious reputation for generous dispatches, but this is whole new level. Uniting their many lengmen for a deep exploration of the pastures between bassline house, instrumental grime and the broader realms of bass music, every area is covered. Highlights include the eski angst of Chemist RNS' "Stare", the violin-snapping, post-dubstep darkness of Deadbeat UK's "Graveyard", the outrageous VIP muscles of Hoax and Dubzta's "Twilight Zone" and the sassy vocal flexery of Pavv's "You Got Me". This is just the tip of the bassline iceberg, though. Dig deep and grab your own lenger; there are enough here for everyone.
Review: An absolute leviathan of a compilation from Project Allout here, and it's just in time for some Christmas cheer from one of the fastest growing UK bass hubs in the game! A tad packed for us to go through it all, but this is guaranteed quality, especially given the fact that the release features plenty of label regulars, new faces and even some pretty incredible cameo appearances from the likes of Caspa, Deadbeat and Dubzta. Each puts in a fine performance, particularly Deadbeat with his "Street Life" cut, a glorious mashup of funky house breaks and wobbled low-end. Be sure to check the licks from Spooky, Mr Dubzta and Tuff Culture, too. Badman vibes and another stunner from Project Allout.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.