Review: Here's something rather novel (and, arguably, timely): a tribute to Belgium's greatest contribution to electronic music, new beat, with contemporary artists delivering tracks inspired by the woozy, late night chug of the mid-to-late '80s sound. All involved step up to the mark, delivering druggy, twisted, wonky and on occasions near anthemic cuts. Picking out highlights is tough, but check the ragged electronic pulse of Red D's "I Only Wanna", JD Twitch's tough "Just Like That", Aril Brikha's chugging, melodic "Nineveh By Night" and, most impressively, the intoxicating percussion abuse of the Uncanny Valley crew's "Drum Abuse". Superb stuff.
Review: Uncanny Valley ends the year with a 13-track retrospective that sums up why it is such an idiosyncratic label. 13 Tracks moves in style from the bizarre acid beats of "Macho Man" by Mr Incognito and Amrint Keen's vaguely epic electro track "Believe" into more dance floor friendly tracks. These include the moody, atmospheric techno of Qnete's "Alone Together" and Chino's acid-heavy "Kolaps". In between these ends of the spectrum there are once-heard, never forgotten moments such as the vocal electro of Credit 00's amazing "Hammer Jack Voices Wall" and Serial Error's tribal house meets new beat track "Drum Abuse (Vocal)" - which both underline again what an idiosyncratic label that Uncanny Valley is.