Review: The latest volume in Running Back's celebratory Mastermix series pays tribute to Hamburg's legendary Front club, which did much to popularize American house music (amongst other things) in Germany the late '80s and early '90s. The expansive set contains an epic DJ mix in two parts from original resident DJs Klaus Stockhausen and Boris Dlugosch, plus no less than 37 vintage cuts that made Front's dancers move. It's pretty much all solid-gold fare, with killer proto-house and first wave house jams being joined by obscure early UK electro (Syncobeat), Balearic deep house (Fila Brazillia's often-overlooked "Mermaids"), sleazy Italo-disco (Answering Machine), New Wave-era Euro dance, Paradise Garage-era New York anthems (Temper, Hot Streak), punk-funk (Modern Romance) and breezy, loved-up synth-pop (the brilliant Dub of Blue Moderne's "Through The Night").
Review: Midnight Riot serve up 18 tracks that encapsulate the house sound of Ibiza in 2019, with elements of tech-house and (nu) disco and a sprinkling of good old-fashioned vocal podium belters. Arther Baker's opening 'Reachin' (as remixed by Hi-Fi Sean and Yam Who?) is one example of the latter, while techier, struttier pleasures can be found on Benjamin Ferreira's ludicrously funky bass workout 'Aerosol'. Manc veterans DJ Paulette and Chris Massey join forces on another funk-fuelled rumbler, 'Sheroes', while deeper, more soulful vibes await on Jack Tyson Charles's 'Glory'. And if you like the sound of those there are 14 more very playable nuggets from the likes of Birdee, Lenny Fontana and Natasha Kitty Kat to choose from!
Review: Midnight Riot's compilations are not only uniformly action-packed, but also offer great value for money. The latest edition in the imprint's ongoing "Disco Made Me Do It" series offers up no less than 25 tried-and-tested cuts to pep up your DJ sets. In keeping with the label's party-starting ethos, there's a good mix of disco-fired house cuts (see Michael Gray's "24/7 People"), revivalist disco-boogie (Qwestlife's remix of Nick Reach Up's "Dreaming"), filter-sporting boogie-house (Ladies On Mars), top-notch disco re-edits (Twism's "What I Know"), Tiger & Woods style loop jams (Motte's "Darkroom Boogie") and party-staring 21st century disco-funk ("Chance" by Rees).
Review: The latest Glitterbox compilation is something of an epic, featuring two all action DJ mixes from bossman Simon Dunmore, and 40-odd unmixed, DJ-friendly tracks. Naturally, the emphasis is on celebratory, feel-good workouts, with Dunmore's superb selections taking in classic disco and boogie (Change, Shirley Lites, the Originals), contemporary disco-fired workouts (Purple Disco Machine, BB Boogie's soul-fired "Sweating and Shaking"), cheery disco-house anthems (95 North, Reverendos of Soul) and all-out peak-time house gems (see the contributions from Eli Escobar, KiNK and Dj Chus and the Groove Foundation). Highlights are plentiful throughout, though it's hard to beat Louie Vega's 12-minute rework of Sylvester disco classic "Dance".
Review: As the year comes to a close, labels are naturally offering up celebratory compilations showcasing their strongest releases of 2019. The latest comes from Midnight Riot, a prolific imprint that rarely fails to serve up the fieriest contemporary disco heat. As you'd expect, the 26-track selection includes a blend of superb original productions (the nu-disco soul warmth of Jack Tyson Charles' "Glory", Alton Edwards sweaty, synth-bass propelled boogie-house gem "I Just Wanna Spend Time With You", the swirling disco headiness of Arthur Baker's "Reachin' Out") and re-edits/reworks (Dr Packer's gospel boogie revision "The Power", C Da Afro's disco-funk slammer "Party Purpose" and the suitably celebratory "Boogie On Time" by Ladies On Mars). As you'd expect, the quality threshold remains impressively high throughout.