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Skudge
Browse the latest digital releases by Skudge
Various
Played by: Juno Recommends Techno
Review: Acid Test has always forged its own path, and this independently minded aesthetic defines the music on the label's ten-year compilation. Lerosa's "Uneasy" and VC-118a's "Silver" are both engrossing, abstract affairs, while label mainstay Tin Man and John Tejada both deliver streamlined, pulsating takes on the acid sound. Delving into the darker corners of the 303, there's Achterbahn D'Amour with the raw, jacking "7 Edit" and Donato Dozzy's squelch fest, "Morena". Meanwhile, the rolling electro drums and subsonic tweaks of Sepehr's "Persian Acid Prince" further underlines the fact that when it comes to underground electronic music, few labels are more adventurous than Acid Test.
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ATLP 14
22 Oct 21
Techno
22 Oct 21
Techno
Various
Yernesto - "In Too Deep" - (4:10) 111 BPM
Clemens Neufeld - "Raum" - (6:38) 130 BPM
Optical Frameworks - "Pulses For Shredding Tape" - (6:30) 90 BPM
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FEELRAW 013
29 Oct 18
Techno
29 Oct 18
Techno
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NONPLUS 021
01 Oct 12
Deep House
01 Oct 12
Deep House
Paul Woolford / Various
Detroit Urban Gardening Ensemble - "Take Root" (Ashley Beedle Dearborn Heights rework) - (6:41) 110 BPM
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LAB 004D
25 Jun 12
Deep House
25 Jun 12
Deep House
Review: For the fourth part of the Dekmantel anniversary series, Skudge and San Proper go head to head with two varying levels of dark techno business. Skudge are in fine form, delivering one of their subtly melodic tracks that work around one repeated and tweaked refrain. San Proper spices things up nicely on his "Rattle (Station 2 Station)", as a grinding, industrial beat mixes with dense vocals, synths, speech samples and plenty more. The end result is a perfect example of the kind of steamy, sweaty haze of late night damage that Mr Proper has made his own.
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DKMNTL AS-5.4
16 Mar 12
Deep House
16 Mar 12
Deep House
Review: Reactions to the news that Marcel Fengler was going to mix Berghain 05 focused on the fact that he is the club's most overlooked resident. This is to do Fengler a disservice and to understand the club in the narrowest context possible. If anything, the trajectory Fengler follows here defines the broad brush strokes played out in the Berlin club. There's the eerie intro which moves from Dettmann's vocal version of Emika's "Count Backwards" into Peter Van Hoesen's spacey, bleeping "Axis Mundi". Classic sounds always form an integral part of Fengler's approach and this is evident on Octogen's widescreen yet menacing electro reshape of Terrence Dixon, the wiry 90s minimalism of Ratio and in the alternate version of Secret Cinema's chord-heavy early 90s classic "Timeless Altitude". In between these sounds, Fengler proves his technical prowess, moving effortlessly from the drones and broken beats of Dr Walker's take on Byteone and the Regis version of Tommy Four Seven's "G" into straighter, albeit bass-heavy techno and house from Duplex - remixing Gerd- and LB Dub Corp, who delivers a new, multi-layered take on Fengler's own "Thwack". Put simply, Fengler has that rare talent that most DJs lack - he can put together seemingly disparate tracks without losing the flow. The club he resides at provides Fengler with a blank canvas and this mix is his masterpiece.
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OSTGUTCD 19
29 Aug 11
Techno
29 Aug 11
Techno
Review: It would have been difficult to imagine an act as talented as Skudge indefinitely following the approach of their first few EPs. Indeed, as the Swedish duo told Juno Plus in our exclusive interview with them a few months back, their influences and more importantly, their ambitions stretch further than Basic Channel dub techno. That said, "Surplus" doesn't mark a radical change in style, nor does it herald an artistic volte face from the pair. What it does achieve rather craftily however is to subtly push the Skudge sound towards a more wide-ranging place. "Void" is more closely aligned to modern day sounds as its insistent keys build to an acid-tinged, filtered climax. It's Skudge's most accessible track to date and it is likely to appeal to DJs who so far have not played their releases. However, it is unlikely that Skudge will become the preserve of big-room house, something that is reinforced by the remix of "Void". Ironically, Conforce's version is the track most in keeping with the duo's original approach. Based on robust, dubby beats and powered by driving hats, the sick, underlying acid line is a reminder that Skudge's roots are still firmly planted in the underground. Excellent release.
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ECHOCORDCOLOUR 016
08 Aug 11
Minimal/Tech House
08 Aug 11
Minimal/Tech House
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ALPHA 15
30 Nov 09
Minimal/Tech House
30 Nov 09
Minimal/Tech House
