Review: Hedex is on a mission again! He's rousing up the troops for the second 'Collected' collection on his ByTheProducer brand and once again it's a monster rollcall of some of the scene's most exciting new-gen talent. Over 18 tracks we're treated to the likes Disrupta, Refracta, DJ Premium, Metal Work, Filthy Habits, Toxinate and so many more super skilled producers, highlights include the emotional space age jitters and whirls of Easty's 'Tapped', Scudd's emotional rumbler 'Complete', Posk's jazzy face-slapper 'Biting' and Metal Work's ruffneck 'Inner Peace'. And that's just the tip of the 'Collected' iceberg. Grab this now and grab yourself a piece of history.
Review: Introducing the sounds of The Usual Suspects Part 1, a radical attempt to create jump-up so splintered and broken you'll barely recognise it. This is pure party music, there's no time for sophisticated conversations about its merits because you'll be too busy dancing to it. Sota's 'Pumper's epitomizes the extent of the madness here, with a punched-out percussive line that underpins a grating force of progression and anger, perfectly crafted to give you goosebumps in the dance. The metallic quality to 'Bring It' is another highlight, and it's safe to say that with these five tunes, Sota, Supreme Being, Heist, Complex and The Force have done a wicked job. Big tunes.
Review: Sota has developed a reputation for tough, urban-edged sonics over several years now of cultivation and curation and, a fairly substantial number of tunes later, he's landing hereon Low Down Deep. He's diverse in his capabilities and Damnation sees him returning to his jump up-ier side, something we're definitely very keen on, especially when it's on a label like Low Down Deep. This release is wicked and 'My Time' is a highlight, with a snapping percussive line forming around its inching, creeping basses and eerie background ambience, all of which builds up to a ridiculously heavy top synth line, which is as choppy as they come. Top stuff right here.
Review: Low Down Deep are regular appearances here for two main reasons. Firstly, they release a hell of a lot of music. Secondly, it almost always hits hard and in good order. So, with that in mind, let's take a look at Sota's three-track single: Bite/Signal/Down. 'Bite' is without a doubt the highlight of the EP, with an infectiously funky arrangement that's grounded in a glitchy sense of progression and movement. It goes hard, but in a way that's not off-putting or over the top. That's the general impression of this EP: jump-up, but not trashy jump-up. Just the way we like it.
Review: Sota has developed a reputation for tough, urban-edged sonics over several years now of cultivation and curation and, a fairly substantial number of tunes later, he's landing hereon Low Down Deep. He's diverse in his capabilities and Frontin / One sees him returning to his jump up-ier side, something we're definitely very keen on, especially when it's on a label like Low Down Deep. This release is wicked and 'Frontin'' is a highlight, with a snapping percussive line forming around its inching, creeping basses and eerie background ambience, all of which builds up to a ridiculously heavy top synth line, which is as choppy as they come. Top stuff right here.
Review: Coming in hot off the back of some great releases is both Sota and label Pick N Mix, who have collaborated on the producer's 8Bit EP, a six-tracker that spans a variety of sounds, all of which are driving and filled with purpose. Title track '8Bit' is a jagged roller with a great flowing feel to the percussion and an arrangement chock a block with funk and soul, despite its constituent elements being far from soulful. That's the sign of a good heavy D&B track and both producer and artist have nailed it.
Review: Sota is unleashing an onslaught over on Subway Soundz with a tight sounding single. 'Onslaught' is a dark, moody stepper that doesn't care about rules and certainly doesn't care about feelings. The main bass on this tune oozes quality and packs some serious weight, reminiscent of the Souped Up crew. 'Sledgehammer' is slightly less crazy but it definitely is still on the crazy end, as gargled bass notes inject a whole load of force into the arrangement. Tasty bits here.
Review: Core blimey, Nuke are up to their explosive tricks once again. This time with new-gen gullysmith Sota who's turned in two stinking nose-breakers. "Bad Taste" is all about the rampant sandpaper bass scorches and sudden flashes of amenised fills while "The Truth" is every bit of the hurter its name suggests. Sawing bass grit over slamming kicks. Can you handle it?
Review: Dutch producer Sota is the latest to be snapped up by Ornate Music, presenting his second ever release having first come to light with his own Talaman label earlier in the year. "Subsonica" rides on a tough house groove, keeping the elements as spartan as possible while heading straight into the deep end of the night. "Inverse" is a skippier affair that deals with heavily processed synth flares and a deadly swinging groove, and then "Chatka" finishes the EP off with a dreamy cut peppered with delay processing for the quintessential dubby trip through refined 4/4 dance music.