Review: This fourth audio missive from the Wonderful Times stable has been picking up plays from some of the digital re-edit scene's most revered names. Given that all four tracks are tried-and-tested disco-house treats, it's easy to see why the EP has proved popular thus far. Highlights include the sexy sax cut-ups, colossal builds, swirling effects and bumping beats of Rafael Fernandez's "Ode To A.J", the fuzzy electronics, densely layered percussion and whistling melody lines of Sould Out's "Doctor Kongas", and the celebratory disco-funk rush of The Funk District's "Time Will Tell". Hotmood's loopy but essential opener, "In A Disco", is also well worth regular rotations.
Review: Fast-rising DJ/producer Ruff Diamond is the man at the controls for this sun-kissed sprint though beach-friendly nu-disco jams, warm and groovy re-edits and Balearic boogie workouts. His selections are naturally spot on, from the languid nu-boogie shuffle of Sweetooth's superb "Soul Singing" and the drowsy, synth-laden D-Train-goes-to-the-beach warmth of RobJamWeb's "Frontin' & Maxin", to the Latin-fired disco-house bounce of Frank Virgilio's "Hi Sombrero" and the ultra-deep and sultry nu-disco loveliness of Bobsi's "Beached". Further highlights are provided by Rayko, Chuggin' Edits, Cuz Electric and main man Ruff Diamond, whose "Run To Berrinas" is undoubtedly one of his most alluring productions to date.
Review: Mexico's Deep Sense serve up a six-track EP that shows there's more than one way to go about repurposing a classic. Rather than simply looping up chunks of the original, the edits here get a little more creative - Sauco & Manuel Costela's 'Are We Ready?', for instance, takes the vocal from Fatback's 'Bus Stop' vocal and places it over a fresh (and utterly irresistible) funk backing, while on 'Last Nite' Tony Disco uses a similar trick to reinvent an InDeep classic in altogether sultrier, jazzier form. An equally well-known chanted vocal tops the brass-tastic 'Flamingo' from Hot Mood, and there are three more very playable nuggets where those came from!
Review: Having previously impressed with a fine outing on his own Deep Sense imprint, Sould Out brings his trademark brand of warm, synth-laden disco grooves to Hotbox Recordings. He kicks things off with the Fernando-ish, live bass-driven boogie-house sweetness of "Get The Funk", before pursuing a more synthesizer-heavy nu-disco sound on "Over Me". "Heartache", the EP's final original moment, is a curious - but hugely enjoyable - fusion of reggae-disco grooves and dub disco panache. The release also boasts a couple of fine remixes. Dicky Trisco gives "Get The Funk" a piano-heavy, bongo-laden tweak, whilst Silver City man Julian Sanza turns "Over Me" into a tactile, cosmic disco treat.
Review: For the fourth edition on Mandrill Cuts, they are honoured to include Mexico City's Sould Out (FDL/Masterworks Music) to the label roster, with two dancefloor jewels that will burn up the club. "Cosmic Wayo" is a nice serving of congo fuelled Afro-disco-funk, filled with harmonic trumpets, happy vocals and a rhythm section to make you get up and boogie. While on "The Magical Mystical" they take on a classic by a certain main with one thousand fingers, taking you back to a golden era in disco with its majestic piano chords, sexy rhythm guitar licks and classic vocals - plus some newly added cosmic FX all bringing some magic to the release. Good time guaranteed on this one!
Review: Since they last featured on Masterworks Music, Mexico City's Sould Out crew has delivered rather good releases on Furious Mandrill, Kultus Musiek, Alpaca Edits and Hotbox Music. There's plenty to admire on their return to Danny Worrall's prolific imprint, not least killer opener "Across The Sky", a prize chunk of reworked P-funk/disco-funk fusion that boasts some seriously good slap bass. Slow-motion, filter-heavy boogie-house goodness is provided via the hot-stepping "I Got You Baby", while "Bittersweet Memories" is a gently dubbed-out chunk of 80s soul bounciness. Elsewhere, "Look Out" sees Sould Out up the tempo on a South American disco-boogie workout, while "Then She Was Gone" wraps Balearic jazz guitar solos around a chugging, head-in-the-clouds groove.
Review: Two years ago, our fancy was suitably tickled by the second "Vanguardia" compilation from Mexican edits outlet Deep Sense. Predictably, this delayed eight-track follow-up is also rather good. It kicks off with a spacey, synth-heavy chunk of Brazilian boogie, lightly beefed up by reliable sorts Hotmood, before sprinting through chunky, hip-wigglin' deep disco-soul (the Funk District's "Soul Dose"), bustling peak-time disco-house (Levantine's "Be Myself"), groovy, horn-toting disco sing-alongs (Sould Out's lolloping, mid-tempo rub "Midnite Ride"), sparkling, Jam and Lewis style '80s soul ("Watch Out" by Monsieur Von Pratt) and sun-kissed, sllo-mo Balearic/synth-funk fusion (Flodz's brilliant "Governor's Ball").
Review: Not to be confused with the techno-minded Dutch label of the same name, this Deep Sense is based out of Mexico, they have a penchant for the funkier side of the dance and the cheekier side of edit culture. They proved it on their inaugural voyage in November 2014, and they're proving it once again right here... Kicking off with the sax-massaging jack-jam "The Road To Kalakuta" the whole album is an instant party full of sassy sonic surprises. Highlights include the dusty vinyl crackles and heaving harmonics of Rafael Fernandez's "Nothing's Changed", the epic synth-slapping cosmicity of Funk My Jesus "24K", the classic funk guitar squeezes of Chuggin Edits "We Got The Funk". And that's just a handful of party peals to be harvested from this 16-track heavy album. Bon voyage indeed!
Review: New Mexican disco edits label Deep Sense throws its first release in our direction. A various artist compilation showcasing their new found roster of talent. There's so much to choose from on here but for our money, we'd put a wager on Monsieur Van Pratt's Ghostbusters referencing nu-disco floor filler "Ecto 1", the throwback deep house vibes of Perfect Straight's "Sundaze" which sounds like a lost tape off of Prescription or Alleviated while The Funk District's "Bodyshaker" gos for the tightly looped disco DJ tool vibe like early Nick Holder or Moodymann and thats right up our alley!
Review: Reliable jams from a reliable bunch on this reliable compilation from the reliable Deep Sense. Mr Absolutt opens with the P-funky, cosmic number "The Road Club" - perfect for cruising - while Alex Harrington goes a little techier, white noise build up filter house in "Tanlines". FabioLous Barker takes huge inspirations from Ray Parker Jr in his poppy hit "Girls Are More Fun" while Latin guitars are introduced into Situations' "Flying With Wings". Sould Out slows things down in "Feelin' Moody" leaving Delicious to liven things up with a MJ number in "Let's Get Back". Quality productions abound!
Review: We should probably think of this tasty compilation as an early Christmas present from Danny Worrall's Masterworks Music imprint. Removing the gift wrap reveals a veritable selection box of disco, boogie and nu-disco treats. Worrall kicks things off with the wiggly synth lines and looped grooves of "What Would You Do" (a re-edit of a well-known, singalong synth-disco anthem) before handing over the reins to a succession of well-regarded re-editors and producers. Highlights come thick and fast, from the sax-laden disco-house bounce of Hotmood's "This is How I Do" and the Clavinet-sporting disco-funk throb of the Funk District's "Holiday Bounce", to the soaring peak-time disco of Downunder Disco's "Party Down" and Chewy Rubs' cheeky, Moodymann-meets-Todd Terje loop jam "Future Love".
Review: To kick-start a fourth year of disco-fuelled madness, Hot Digits chief Fingerman has put together this sizeable compilation of previously unheard exclusives. As you'd expect, there's far more killers than fillers to be found amongst the 28-track deep selection or re-edits and original productions. Highlights include the clarinet-laden electrofunk-meets-disco bounce of Frank Virgilio's "It's Your Boogie Baby", the disco-goes-hip-hop flex of Tony Disco's delicious "Rolling Paper", the sparkling nu-disco goodness of "When It Comes To Funk" by Stephen Richards, the driving disco-house bump of Ash Reynolds' "Cold Girl" and the fuzzy electrofunk wobble of Don Dayglow's "Many Things". Throw in fine contributions from Chewy Rubs, Le Visiteur, norse man Jarle Brathen and, of course, Fingerman, and you have a must-buy collection of cuts.