Steve Bicknell - "Constant Movement" - (7:26) 132 BPM
Tim Tama - "Suspicion Is The Enemy" - (5:45) 134 BPM
Dave Simon - "Vision Of Intensity" - (5:42) 133 BPM
Keith Carnal - "One-on-One" - (7:09) 134 BPM
I Hate Models - "Beloved & Damned" - (8:52) 123 BPM
Ferdinger - "Vertigo" - (7:58) 141 BPM
Review: Triple Vision pull out all the stops on the ninth Evidence Based edition. Tin Man's expansive 303 sound is to the fore on the aptly-named "Acid Swirls", while representing a more sombre, subdued style is Oscar Mulero's broken beat remake of End Train's "Into The Sun's Maze". Deadbeat drops a high-paced minimal techno groove in the shape of "7th and 33rd", while Triple Vision scores a coup by securing the services of Steve Bicknell - the Lost founder's contribution is the suitably textured and otherworldly "Constant Movement". He's not the only high-profile name to line out for this edition and I Hate Models delivers the rattling, glitchy techno of "Beloved & Damned".
Review: Efdemin's 2008 mix CD on Curle, Carry On - Pretend We're Not In The Room showed that he was as adept and inventive behind the decks as he was in the studio. A decade later, the same holds true for the follow-up mix, Naif, but this time the boundaries are more blurred. Consisting of 29 unreleased tracks - 10 from the German producer himself and 19 from like-minded artists - the selection runs the gamut, from the hazy, abstract tones of WaWuWe's "Beams" and DIN's noisy "Glide", into hypnotic dance floor techno such as "Laveline", Efdemin's bleep-y collaboration with Konrad Springer, the glorious mid-tempo minimal roller "Watte" - recorded as Sollmann & Gurtler and then 'versioned' by Efdemin and expansive dub tracks from Pom Pom and Marco Shuttle.
Review: According to Infrastructure NYC head Function, this compilation was compiled like an album and involves not only the core group of artists but also connects the dots between the label's past, his Berghain 07 mix CD for Ostgut Ton, the legendary Sandwell District days and the respective history of the artists. Infrastructure Facticity spans "a narrative ranging from lush, ambient electronics and post-club diversions, to contemporary club techno and back again." British artist Robert McNally provides the artwork and musically the highlights are not so much the dancefloor ready bangers, which are mainly quite good, rather the moments of restraint such as Vatican Shadow's brooding and almost Boards Of Canada sounding "Swords Over Paradise", the slow burning reduced acid of Cassegrain & Tin Man's "Open Sea" and Rrose's finest moment yet, "Cephalon", which can barely be described in words!
Review: To mark the twentieth anniversary of the foundation of his label, James Ruskin has put together this massive compilation. It includes long-term friends and associates of the label - like Oliver Ho, Regis and Luke Slater - as well as newer additions to the roster, including Lakker and Rommek. Apart from uniting artists from different generations, the compilation also showcases the label's various hues; from the broken beats and intricate rhythms of Ruskin and Regis' O/V/R project and the hypnotic soundscapes of Lakker's "Orange" to the trace stabs and 10 tonne kicks of Regis' "Party Spoiler Too" and the chaotic industrial rhythms on Truss' "Wanastow", this compilation offers to newcomers an invaluable introduction to Blueprint, or to long-standing fans an indispensable reminder of why the label is unique.
Review: It seems Function is a fan of Cassegrain & Tin man material as he's just signed them up for his next release on Infrastructure New York. For this second Berghain 07 sampler, Function's appetite for boomy, acid techno is whetted by the collaboration's "Oxide". Meanwhile, former flatmate Ed Davenport, aka Inland, delivers "Sca Fell", a subaqueous workout that would get the Mike Parker seal of approval. DVS1 throws down some trademark warehouse beats with some caustic stabs to boot, while Steve Bicknell delves even deeper into the abyss than he did on the first sampler, with a track that's as menacing and frenetic as what Drexciya can be.
Review: It's always a good day for techno when new Steve 'master of the loop' Bicknell material arises, just like it's done here on the first sampler for Function's Berghain 07 mix. "Odyssey #1" is a distorted gyration through fizzy atmospheres and chocked bleeps, while Post Scriptum's rolling "Human Timescales" is a cross between the Hauntologists sound and the beats heard on Tobias' Leaning Over Backwards album, also released on Ostgut Ton. There's some transatlantic vibes on LB Dub Corp's "So Much", while the emerging Blue Hour sees his zapping drum track keep the sustain on his synth locked for the entirety of the track.