Review: Edu Imberon dips his toes into the waters of pop music on "Inside". The bassline is lazy but somewhat malevolent and is supported by thundering claps and a sweeping synth that divebombs in over the arrangement like a hungry flock of seagulls. Yet despite this resolutely underground backing, Imbernon makes space for Triumph's breathy, androgynous vocals and a trippy synth that oozes melodies. The remixes push "Inside" to a poppy place; Kellerkind's version contains a fluid electro bassline and some spacey synths, with the vocal turned into an effortlessly narcotic experience, while the Niko Schwind version has a distinctly 80s flavour thanks to its 808 drums and new romantic synths.
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