Review: As one of the leading forces in worldwide bass music, AC Slater returns to his home imprint of Night Bass to unveil a fabulous selection of remixes, working directly off his critically acclaimed 'Hi8' album project. The line up is spicy to say the least, with the likes of Flava D, Sammy Virji, DALCO, NuKid, CID and more all getting involved for one the biggest remix projects bass music has ever seen. The two real standouts for us come from two brits however, as Bushbaby's colourful relick of 'Attitude' from AC & Taiki Nulight immediately catches our ears, alongside Drinks On Me's smooth and well thought out overhaul of 'Every Pigeon Is a Dove', featuring the wonderful vocal layers of Murkage Dave.
Review: It's been a long time coming, but after a long run of exciting single drop, Night Bass founder and all around dance music legend: AC Slater lands on his home imprint for a brand new album project. The project features the previously released single 'Final Fantasy' but as a club mix alongside a bag of incredible collaborative additions, including Dread MC, Jay Robinson, Chris Lorenzo, Murkage Dave, Taiki Nulight and more. With twelve tracks of the highest quality, AC has really set the bar super high, with particular highlights including the high energy collaboration with Jack Beats, Sinden and Flowdan entitled 'Boss Like That', along with the tasty house tones of 'Feeling Awake'.
Review: In the 90s AC Slater was the totally ripped jock in Saved By the Bell, but now however, it's the name of an LA bass maniac. Arriving on his own mighty Night Bass Label, My Peoples is a two track EP that continues to bring the sub-heavy heat to the USA. The title track is a storming 4 x 4 thumper with hip-hop samples and a stop-start dynamic that'll stop you resting on your laurels. Next up "Psycho" is a throwback to the deep and jazzy garage/house of the 90s - imagine vintage Van Helden with a firecracker in his tracksuit!
Review: American bass music is always produced big and tough. Hailing from LA, AC Slater's Night Bass label excels at this particular breed of shizzle. Here Slater shares a release with Taiki Nulight who presents "Super Doopah Legend" - a sizzling anthem with ascending/descending bass riffs, comedy vocal samples, build-ups and a general ghetto bounce. Slater himself also provides "Head Knockin", a strong 4 x 4 vehicle, featuring weird low squelches and dubbed-out lasers. Another quality joint from Night Bass then.
Review: In three years the Get Twisted operation has put out as many compilations, and on this one DJ Q delivers some thumping pop-step in "Dreams". Furthermore there's the deep and dark bassline house of "Cut It Push It" by Riddim Commission and Taiki Nulight, while H Two O's "Need You More" is a sublime slice of haunted electro-house. And for some tropical acid and warped R&B vocals check out "Gossip" by Nick Tee.
Review: Two premiere league UK bass enthusiasts Low Steppa and Taiki Nulight get their jack on for AC Slater?s Night Bass: ?Nose Powder? punches with a simple-but-deadly one note bassline technique. Warping, morphing and twisting all the way until we hit the classic garage chords on the breakdown; this guarantees hype on the floor. ?Nu Jam? rolls with slightly deeper feels as brushed hi-hats slink and slide over a slightly subtler bassline while an ominous sub hums with venom beneath. Killer.
Review: Wow, what a run it has been for the Night Bass team who hear touch down with their one hundredth official release, celebrating one of the most exceptional catalogues within the entire bass music spectrum. They have pulled together an exquisite line up for this one, featuring a tonne of high end names, including founder AC Slater alongside Chris Lorenzo, Flava D, Shift K3y, Jack Beats and more. For us there are a couple of clear stand outs on this one, the first of which has to be the long awaited release of Taiki Nulight and Dread Mc's bassy roller: 'Kush'. We also love the smooth subby bops of Sinden's 'Work That', along with the incredibly unique drum work of 'Ugly' from Petey Clicks.
Review: It's that time of the year again as we welcome back the wonderful Night Bass crew for the 10th edition of their 'This Is Night Bass' series, featuring some of the biggest and most popular names the scene has to offer. The tracklist boasts a fabulous combination of established talent and newcomers, as we see the likes of Taiki Nulight, NuBass, Dommix, The Sponges, CAPOZZi, Sage Armstrong, Sqwad and more join forces to create a sumptuous collection. Our highlights have to include Riddim Commission's super smooth 'In My Soul', alongside the groovy horns of 'Funky Soul', from Nicky Genesis, Jace Mek's techy influxes on 'Bring It Back' and the stripped back debut of Tengu with 'Bad Girls'.
Review: It's been somewhat of a quiet start to the year for Shift K3y, who has been one of the most prominent figures in UK Dance music over the past few years, constantly pushing out original material laced with intense creativity. This EP see's him return to his tip top best as 'To The Floor' shuffles into play with it's unique, crunchy synthesized leads and bubbling 4x4 rhythms bringing a serious dose of dancefloor energy. On the flip, we are joined in collaboration mode by the legendary Taiki Nulight, one of Night Bass's most consistent flag flyers. He gets busy the hard hitting jacking drums and hypnotic percussive loops that inhabit 'SC4RY'.
Review: New State have the honour and privilege of unveiling this extremely hard hitting original collection from the living legends: Stanton Warriors, with their new album project 'Dance Floor'. The album from start to finish gives an excellent showcase of what is going in bass music worldwide, with a selection of originals from their in house label: Punks and more. From listening through, our highlights have to include the subtle, techy flavours of Foundry's 'About Your Love' remix, featuring Lily Mckenzie, along with the punchy collaboration with Taiki Nulight entitled 'Beat Up' and of course Left/Right's spooky rethink of the title track 'Rise'.
Review: The Night Bass crew just keep on throwing out KO punches. Hot on the heels of the label boss AC Slater's debut album Outsiders and the killer V/A "Summer Phases" EP comes this rampant four-tracker from UK machine twister Taiki Nulight. It's some of his deadliest material, too; "Dead End" is drunken wobbler where the bass leads you down some very dark pathways, "Horn Porn" (a collabo with the ubiquitous Lorenzo) is a high frequency flexing soul-shaker with a series of system-slapping drums while "Everybody In The Club" (with Mikey B) adds a little off-beat ruffage with a seriously aggy hornets-nest bassline. "Trippin' Up" closes the show with one of Taiki's heaviest designs to date. Broken, groaning, gnarly and metallic, Taiki's taking no prisoners today mate.
Taiki Nulight & Cause & Affect - "What You Gonna Do" - (4:11) 127 BPM
Villan Dub - (3:49) 127 BPM
Review: Within the UK Bass scene, there are few who can be held in higher acclaim that Brighton's own Taiki Nulight, who has been at the forefront of bass music for pretty much the entirety of the scene's modern existence. This album showcases everything that the man is about, from the UKG inspired flavours of the title track 'Murky Manor', to the more futuristic and experimental stylings of 'Iconic', alongside Dread MC. Other highlights include the circular percussive movements of the 'The Business', the tearout tones of 'Primal' and of course the three high profile collaborations alongside fellow bass heavyweights: AC Slater, Chris Lorenzo and Cause & Affect.
Review: Taiki Nulight's recent antic on Night Bass are steadily earning our attention and praise, not least because of their sheer carelessness for all the latest trends and sub-genre-fascination. The producer, who comes out of an excellent recent appearance alongside Low Steppa, goes dirty and loud with a no-nonsense, jungle-ridden bass monster built strictly for the dance floor. "Dominos", on the other hand, is a UK house bastard boasting a steady bit of beats, but an utterly deranged pile of sonics. It's one for the heads.
Review: With a title like "Piano Cannon" you'd be forgiven in thinking Taiki and Low Steppa have cooked up a house cut of such funky proportions you'd think it was gilded by Morillo's mum herself. But no; the pianos barely get a look-in as the two hot-to-trot producers lay down a shuffling, mildly broken house shuffled coded with computer bleepery where the full emphasis on dark missions rather than any OTT evangelism. "Lazer" maintains the chugging spirit as we're peppered with tripped FX over another heads-down UKG style beat and some slippery low-end dynamics.
Review: Long term Night Bass flag flyer Taiki Nulight returns to the ever-impressive imprint with his long awaited Broken Ribs' EP, which is stuffed to the brim with bass heavy goodies. We begin with the title track which is a dancefloor weapon, from the high intensity build ups of the intro to the incredibly unique synth design of the breakdown. Next we move into the more stripped back 4/4 arrangements of 'U Know' before landing on the highly anticipated sub heavy collaboration with Inkline entitled 'Cynic'. Finally the EP rounds up with it's second collaboration, this time with Stranger, as the pair pull together a selection of weird and wonderful synth sounds and skippy drum patterns resulting in a high energy banger.
Review: For Brighton producer Taiki Nulight, he couldn't be more excited to release on Los Angeles-based Night Bass. This is a culmination of years of DJing and collaborating. His last LP Murky Manor was the soundscape of his life to date, claiming it was so important for him as an artist to do a full album - one that showcased the full depth and breadth of his sound. The themes continue on the Soundwave EP. The moody bounce of the title track and its druggy vocals, the intoxicating late night shuffle of "Lil Mama" and crossing over into minimal tech house on the tunneling "Turn It Up" - this one is fierce!
Sinden - "Swervin In A Lex" (feat Young Lyxx) - (4:26) 126 BPM
Dillon Nathaniel - "Can't See Me" - (6:46) 125 BPM
219 Boys - "Hooked Up" - (4:36) 126 BPM
Codes - "Brand New Drop" - (3:11) 125 BPM
Review: The rampage of the Night Bass collective shows no sign of slowing any time soon as they roll out another top draw compilation, this one consisting of six heaters under the name of 'Summer Phrases 2018'. Taiki Nulight and Hadean kick off proceedings with their tearout roller in 'No Attention', with 219 Boys following up on some sublow flavours in 'Hooked Up'. Codes then provides some techy tastings on 'Brand New Drop' before Bijou teams up with Davonyea Marcel for the experimental stylings of 'On Read'. Sinden & Dillon Nathaniel finish up the EP in style with their explosive outings on 'Swervin In A Lex' and 'Can't See Me'. Another top draw outing for the Night Bass camp.
Review: As two of the standout acts to release projects across 2018, we are sure Punks are very excited to be welcoming back both Inkline and Taiki Nulight, who get together on some heavyweight business across two originals here. We begin with looking into Inkline's solo original and title track 'Take Me Out'. This one is a twisted ball of unorthodox synth distortion and broken beat rhythms, perfectly capturing Inkline's signature style. On the flip side, carnage breaks lose and Taiki Nulight jumps into the frame on 'FR'. What an absolute madness this original is as the pair bring a combination of metallic bass twists and unpredictable drum lines with outstanding results.
Review: The team behind the Nightbass movement continue their incredible journey through 2018 here with yet another solid compilation, really pushing the Night Bass sound right through to the year's end. This project is made up on 9 original records, including top draw creations from the likes of AC Slater, Bijou, Cause & Affect, Taiki Nulight, Bassboy and more, making up a spectacular line up to say the least. For us the instant highlights on this one have to include 'The Freq' from 219 Boys and 'Church (feat Dances with White Girls)' from Sinden & Petey Clicks, both of which encapsulate the darkened futuristic bass stylings of Night Bass perfectly!
Review: There aren't many labels operating within the spheres of bass music that are able to keep pace with the freight train that is Night Bass, who seem to be dropping a top draw release every three weeks at least. This latest project sees them compile the second edition of 'Night Bass Remixed', featuring some heavyweight recreations from the likes of APEXAPE, 219 Boys, Proxy and a bag more high profile names. For us, the immediate stand outs on this one have to come from Codes & Stranger who rework the magnificent 'Big Riddim' featuring Jamakabi, along with Taiki Nulight's powerful overhaul of the classic 'Keepmastik' from Phlegmatic Dogs.
Review: Well well well, we have to say we heard tell of a mega compilation that was set to be emerging out of the bass scene in the near future, but nobody could have predicted it to be this powerful as Holy Goof unveils his Globes compilation, championing all aspects of 4x4 bass music to the maximum. We see A-list appearances from top to bottom with Notion, Chris Lorenzo, Fine Art, Skepsis, FooR, Bushbaby and more all gracing the listing with top draw originals. For us the immediate standouts on this one have to include the emotional expanse of Freddie Martin's 'Stubborn', which comes complete with cracking original vocals, along with the rapid fire LFO shells of Livsey's 'Supersonic' and the big room synths of Skue-K's 'Flows'.
Review: It has to be said that the combining of the terms 'night' and 'bass' does create an extra heady image of nefarious nocturnal shenanigans. Night Bass is a Los Angeles party, the popularity of which proves that America, currently in the early throes of EDM mania, is starting to look deeper for their dancefloor kicks. This compilation, featuring both new and established talent, captures their scene perfectly - highlights including the atmospheric tech-house meets bassline joint "Wild Fire" by Jack Beats, the sparse clickety-clack heavy bass house of "Gloom" by Jay Robinson and Taiki Nulight's staccato hip-house-step bouncer "Checking Out Time".
Review: The phenomenon that is AC Slater's Night Bass: a label, a party, a collective of like-minded spirits, a movement... In the space of a few years, they've dominated the low end game on a global scale. Their debut remix collection is another bedpost notch as they take each other's favourite tracks and versionise the dickens out of one another. Highlights include Phlegmatic Dogs' warped bass, slo-mo break-charged twist of "Gonna Be Mine", Petey Clicks jack-happy slapper take on "Nose Powder" and Landis LaPace's technoid shake up of "Guttural". File under heavyweight.