Review: The three artists here are all well-known names these days, having been smashing the jump-up circuit for a number of years across the UK. They've all made a load of massive tracks and the three of them have collaborated on two remixes that make for a wicked EP. Jayline is on remix duties with 'ESP' and it's made us wonder how he packs so much sheer energy into his synth lines and the clarity he composes throughout the range is properly sick. Shadre & Salvage jump on 'Valhalla' with ease, getting straight to it with a quickfire intro that descends into a hellishly aggressive mash of bass synths of varying persuasions. Sick release this.
Review: Nuusic have proven that they're more than capable of releasing tunes which don't mess about but which carry an air of respectability as well, music that's for the dancefloor but that doesn't sacrifice itself for that purpose. Kumo fits in with that trend. The Pinger is a release full of stripped back, industrial sounds but that still actually sounds really nice, a T>I esque four-tracker that's weighted in all the right places. Bonus points for the background bongos on 'Stubbed'.
Review: Full moon madness: south coast riff wizard Lupo gathers his pack for a late night prowl of the murkiest proportions. Each track features a kindred rising spirit as Lupo rolls out an immense collaborative package where every track hits with a different slant. Just check the variety and spread between the bass depth plunges on "Finger Of Doom" and Dispatch-style restrained and you get an understanding of the badness breadth we're dealing with here. You'd be howling to miss this...
Review: Nussic are developing a bit of a reputation for spewing out some of the most venomous beats in the business and their talent for pushing some of the best artists on the jump-up spectrum is undeniable. Motiv is holding up that standard with his debut EP on the label and he's doing it in style, something clear right from the start of this EP. 'Gallows' reels you in with a lovely intro, it's upbeat beginnings quickly regressing to a really sick wall of pure energy that's reminiscent of Kings of the Rollers and insanity more generally. The rest of the release is equally aggressive, 'Fakes' being another highlight. Sick release.
Review: Nick The Lot and Teej are two of the most prolific producers around in the new school of emerging talent, producers who walk the line between riotous jump-up, teeth-cutting minimality and back to basics jungle goodness. This single on Pick The Lock is their latest showcase and it's a doozy, with 'Simulation' stepping to a funky beat yet baring its teeth with a fierceness familiar to those who have heard these two's previous work. 'Broken Record' is irresistibly bouncy and there's a clarity and a sharpness to this track which will please fans in all camps of the genre. Big.
Review: Fresh from his appearance on the Weapons Of Choice Wild Bunch compilation, Oli Lewis steps up to Sub-Division with his biggest release to date: the six track heavy "Too Hot" EP. Instantly rattling cages with the ludicrous bassline on "Jeroboam", Oli gets to work on us limb by limb; "32 Papers" nibbles at all our digits as we pull furious gun fingers, "I'm Feeling High" eats us at the knees thanks to its wriggled-out bassline and endless twists and turns, "Too Hot" goes right for the jugular with its ominous hollow tones while "The Fog" scoops out our brain like ice cream with its high frequency bass groans. Last but not least we see Lewis team up with Teej for a full bodied feast on the slinky-but-sinister "Soundboy's Dead". Sizzling.
Review: We do love a good ol' collaboration EP as it's always nice to see artists coming together under the purview of a label in order to further each other's respective sounds. Tarz, Vital, Tee and Mass have done exactly that, the result being a wicked little EP that's full of variety from start to finish. Vital and Teej steal the show with 'Good Sensi', a bouncing number that's quaint yet full of that raw attitude which so endemic to D&B at the moment - a top, top tune. Lovely liquid also abounds on this release, Vital's 'Don't Pretend' had a superb melody, whilst Tarz's 'Abstract' kicks the whole release off in beautiful fashion. Definitely cop this EP.
Review: Co-Lab have always been able to push music that's made for the dancefloor but whcih draws upon disparate strands of the genre's stylistic heritage, from the rawness of jump-up to dabbles in the lighter side. Teej also has that flexibility and his Chaos Theory EP shows that he knows his way around a minimal tune, as all four tracks flex their muscles in a subtle manner that's not right in your face but still makes its presence known. 'Escalation Protocol' is just that, with a withering, stabbing sub-bass and snapping percussive line that just rolls and rolls. Top stuff.
Review: Nuusic are a fairly new label that really don't mess around and their output tends to land on the tougher, more dancefloor orientated end of the spectrum. Rogue by Teej continues that trend, with four big cuts that are definitely set to blow up the dance. 'Question' has a distinctly Serum vibe to it, with a stuttering jungle break and a warped, stabby bassline that contorts itself around every corner of the range. Agro steps in for a stellar remix of 'Hydro' featuring MC Haribo, with a deep sense of rolling funk that permeated its back end - top tune.
Review: Over on Profound Beats, Teej is doing absolute bits with this EP. It opens with the title track, a Serum-esque array of drawn-out, dirty synths that stretch and stretch with an other-worldly quality that just sounds amazing. 'Paralysis' has a spooky intro full of the sounds of rain and a shivering girl, an eeriness which puts you in the mood for the unique, minimal-led steppiness of this tune. - a seriously cool bit of music. 'Razor Blade' is more minimal goodness, a proper little roller that creeps from phrase to phrase in menacing fashion, its horror movie-aesthetic worsened by the breathing and gasping you can hear. 'Valhalla' finishes things up in more rolling style, a fluid back end flowing in underneath yet more perfect drums. There's loads of detail etched in to every second of these tunes - sick.
Review: We are thrilled to take a peek at this super sharp new project from Teej which goes by the name 'The Hydro', courtesy of the Nuusic imprint. We begin this four track journey with a darkened plunge into 'Hydro (feat MC Haribo)', which sets the zone perfectly with it's haunted textures and earth shattering sub leads. Next, we are given the pulsating bass patterns and sweeping scores of 'Resonance' before we vacate to the subtle neurotic synths of 'Stygian'. The EP then draws to a close with the rough cut nostalgic breaks and grizzly reese leads of 'Thunder Thighs', topping of a great body of work.
Review: Nuusic are a fairly new label that really don't mess around and their output tends to land on the tougher, more dancefloor orientated end of the spectrum. Akuma by Teej and featuring Jappa, Disrupta and Riko Dan continues that trend, with four big cuts that are definitely set to blow up the dance. 'Akuma' has a distinctly Serum vibe to it, with a stuttering jungle break and a warped, stabby bassline that contorts itself around every corner of the range. 'War Cry' takes things more rolling with a wicked, snapping snare and a wobbling wall of sine basses to back it up, bringing a lovely clean feeling that's also on '16 Speakers'. Wicked.
Review: Latch Recordings have sensibly opted to put out a compilation to kick off the new year. Why's this sensible? Because everyone bloody loves compilations, even the small ones like New School Collection. This collection of some of the talents in the emerging jump up new school is big (obviously), exemplified best by Tribal's 'Movements', a rip-roaring display of the novel styles emerging in this strand of the scene. The other three also do the movement justice - big stuff from the Latch crew.
Review: Doe, a deer, a female deer. Ray a drop of golden sun. That's The Sound Of Music, circa 1965. Boh, a banger, an absolute banger. Whey, a drop of golden gunfingers. That's the 'Sound Of Nuusic', circa right about now as the Manchester based label let rip with their third V/A experience. Now an annual thing for the label, it's their biggest collection yet as it's super-charged with blaze-ups from the best in the new-gen game. From Sl8r's opener to Conrad Subs' grand VIP finale by way of cuts from the likes of Teej, Sola, Kuma, Epicentre, Kumarachi, Motiv, Selecta J-Man and many more on-point future headlining names, this isn't just the sound of Nuusic, it's the sound of now.
Review: Encrypted Sound haven't been around for that long and this is their fourth release, but the maturity is already evident in their selection and what better way to show that off than with a twelve-track VA LP. Joining the fray is a range of artists including Able,Teej and Toby Ross, the latter of whom has smashed it out the park with 'Sinister', a stripped back and infectiously bouncy tune that nonetheless hits beautifully hard, it's kick drum perfectly placed to add that extra lift off. Teej has been killing it on labels like Co-Lab recently and he does so once more again, with 'Erasure' resting on an inch-perfect snare drum that provides the base for its choppy main bass. Top work from the whole crew here.
Review: Brawlin Beatz has arrived with the second instalment of their mixtape series and it's unsurprisingly good. Full of big tunes from guys like Veak, Haunt and Meloki, it's the latter of these guys that takes the cake with 'Like Dis'. You've probably heard this one doing the round, but oh boy what a tune this is: a mash of grating metallic synths and punching drums all come together to make an unstoppably good piece of music. Don't sleep on the rest of these tunes though, and a special mention goes to Flava's 'Uzi'.