Kenneth James Gibson - "Disinclined To Vacate" - (6:32) 106 BPM
Mikkel Metal - "Shame" - (5:07) 133 BPM
Wurden - "Panorama" - (6:50) 100 BPM
Review: Cologne's Kompakt label requires no introductions, so we'll stick to our words and leave it at that. They do, however, like to release a diverse and immersive variety of electronic music, and this latest comp, Pop Ambient 2018, taps into the sort of mood that's occurring throughout our society. Kompakt have always been good at reflecting what is happening to people, music and situations, with this new compilation executing that better than ever before. Each artist and each tune on here manages to offer experimentation and interpretation while still grasping at something that will appeal to the contemporary listener. No sound is out of shape, nothing is gratuitous. What's more, among the many excellent waves of beat-driven ambient flexing, you even get an appearance from the legendary Orb. This is one that will be remembered.
Review: Well it's that time of the year again. Wolfgang Voight compiles the best in ambient for his beloved label and it's more of the same high calibre ambient excursions you'd expect, like in previous editions. Starting off in truly breathtaking fashion with Stephan Matieu's "April Im Oktober", we're then treated to some new material by British icons The Orb, who present us with "Alpine Dawn" further testament to their otherworldly sense for sound. Label mainstay Mikkel Metal appears also with the sombre yet mesmerising cathedral drone of "Titan", as does Leandro Fresco, twice in fact. With both his sublime remix of Dave DK's "Veira" and his own "Configuracion de Atequa" featuring gorgeously uplifting tones reminiscent of old Gas material. Speaking of which, Voight himself appears with his mindblowing "Ruckverzauberung" from 2012 getting a brilliant modern revision by Thore Pfeiffer. Yet again, it goes without saying; this is essential listening.
Review: The longevity of Alex Patterson's Orb project never ceases to amaze. While the ambient outfit has gone through many changes since making its debut in 1989 - longtime production partner Thomas Fehlmann being the man at the controls these days - Patterson shows little sign of wanting to call it a day. Here the duo delivers their 21st album, returning to the stargazing obsessions that have served them so well over the years. Consisting of four typically epic workouts, Moonbuilding 2703 AD doffs a cap to many of their obsessions of recent years - hypnotic Berlin techno, classic ambience, woozy tech-house and dub, primarily - with the jazz-funk-meets-ambient dub flex of the title track standing out.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.