Review: The Swing Bot - a masked French producer who made his name with re-edits of Glenn Miller and Edith Piaf, took the leap into original productions in 2018 and has been a stalwart of the electroswing scene ever since - impresses greatly with this debut full-length for Brighton's Freshly Squeezed. Opener 'Waves Of 84', for instance, carries echoes of early DJ Sneak in its dusty trumpet snatches, while the quirky, jazzy leftfield pop of 'Flowers' would, in any sane world, be heading straight for the Top 40. Sure, there are plenty of standard issue oompah-loompah beats and looped-up horns (see 'Dizzy Street' or 'The Tailor') but by casting his net just a little wider,The Swing Bot marks himself out as a talent to keep an eye on.
Review: When in search of nostalgic ballroom and swing numbers from yesteryear that have been dressed up in a new kind of neon to fit modern dance floors, Freshly Squeezed remains on point as always. This hefty compilation brings in a decadent treasure trove of big band numbers that in their original form may be nearing 100 years of age! All the proper label mates are there like JAWN with the brassy, jazz tones of "The Jam", Tune In Crew's exotic "Bangalore Swing" and Atom Smith's vocal and electro-mashing "Girl Lookin' Good" to Pisk and those classic horns that are "Jumpin Jive".
Atom Smith - "Bright Like Hollywood" (feat BURKEY) - (3:56) 125 BPM
Review: The guys at Freshly Squeezed have delivered us a delicious treat with this one as we delve into series 2.2 of 'Blue Cover', a fantastic collection project designed to bring out the most creative swing infused creations. Wolfgang Lohr kicks us off in collaboration with The Speakeasy Three for an authentic big band 4x4 fusion. Next, Nat Gonella and Pisk provide us with more horn led grooves before Atom Smith turns up the sauce alongside Miss Emmma on 'Not Sorry Charlie'. BURKEY then joins Atom Smith on the catchy riffs of 'Bright Like Hollywood', before we finish up on The Swing Bot's masterpiece in 'Midnight Purple'.
Review: Dealing strictly in extended collections, Funk Fusion continues its extensive work into 2015 with a 22-track compendium of killer edits, bootlegs and reversions. With an emphasis on fine-tuned, low-swung party jams; highlights include the subtle acid treatment of En Vogue ("Get It"), silky, synth-slapping disco boogie ("Mistery Island"), badass blue grass ("Bluesy Bounce"), Chic-style Public Enemy subversion ("Funky Enemy Number One") and smoke-stacked skank science ("Method Man"). Fusion by name, funky by nature: no party should be without this collection.
Review: For a label that only launched this spring, four volumes of creatively executed party jams is beyond impressive. We reckon this could be Funk Fusion's best yet, too. From Rhythm Scholar's respectfully tripped out twist on "Lucy In The Sky" to Fabioulous Barker's slap-bass blazed take on Skeelow via the funkiest ever version of 2Pac's "California Love", it's an impressive collection that leans towards the more subtle art of editing rather than crass bootleg cut-and-shuts and will have a lot more timeless appeal as a result.
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