Review: As January nears its bitter end, it seems this the time to release mega compilation albums. AEI, the company behind Get Darker, UKF and D&B Arena unveil their next project: Get Darker Presents: This Is Dubstep 2012. And what an album it is. Bringing in all the flavours of contemporary dubstep, it succeeds in providing a sweeping panorama of an increasingly fractionalized scene. From the deeper sounds of Author, VIVEK, Kryptic Minds, Icicle & Distance and Phaeleh, through material from scene pioneers such as Horsepower Productions, Skream and Benga, to the more aggressive sounds of Gemini, Flux Pavillion, 16 Bit and Nero, it's all covered. A brilliant "who's who" of dubstep in 2012 - highly recommended.
DJ Madd - "The Life You Chose" (Distance remix) - (4:38) 140 BPM
Stinkahbell - "Film Noir" - (5:37) 140 BPM
Sleeper & Thelem - "Arrakis" - (5:15) 140 BPM
Kryptic Minds - "The Divide" - (5:32)
Various - "This Is Dubstep 2013" (continuous DJ mix - part 1) - (1:13:24) 140 BPM
Various - "This Is Dubstep 2013" (continuous DJ mix - part 2) - (1:09:30) 140 BPM
Review: Sixth in the series, This Is Dubstep is one of the more comprehensive, on-point series the scene has given us (ie: many!) Across the 40 tracks every single shade is covered; from rave-tinged (Noisia's remix of "Smack My Bitch Up") to all-out technicolour bass (Drumsound & Bassline Smith), This Is Dubstep 2013 pays respect to all corners of the dance - including the really far-out experimentations of Mala and his Cuban project. With exclusives such as V.I.V.E.K's "Barcelona" and Killawatt's "Single Entity" thrown in for good measure, this isn't just a summary of today's dubstep; it's a slice of the future too.
Review: Rewind: it's the summer of 2012 and Kiwi duo Truth make their Artikal debut with a weeping, mournful paranoia piece "Babylon London". It becomes a deep dubstep anthem of the season. Back to the future: Artikal founder J:Kenzo flips the vibe for a 172 jungle makeover. Maintaining the cries and soars of the original, but adding a whole new sense of energy and activity in the drums and basses, it's an exemplary lesson in contemporisation. Massive.
Review: Whether it's as a performer, a producer or a label head honcho, J:Kenzo has never done things by halves, so Artikal's debut long player was always going to be special. 15 exclusive cuts from the label's talented family and friends, this collection of contributions doesn't just document where bass music is at, but where it's heading. Each track is a highlight in itself, but it's cuts like the slinky hypnotic groove and cosmic congas of TMSV's "Scorpion", Sleeper's star-gazing, dub-drenched sub science of "Coxsone Dub", Skeptical's lesson minimalism and aggy restraint ("Skavenger") and Eshone's treacle-like dirge "Qualia" that really represent the depth, scope and vision of Artikal. Designed for the dance, arranged so well it works as an entire listening experience, Artikal don't do things by halves.
Review: Oh gosh. Total Science ante up for the summer with this exceptional V/A EP on their CIA imprint. Kicking off with a crucial new remix of their classic "Nosher" by their new hybrid gang comprising themselves, DLR and Hydro, full breadth and variation abounds as we dip into the gilded soul of Zero T & Phase's "Talk To Me", the gnarled grizzles and dubby danger of their own "Devil's Gate" with Scar member Script and the grand finale; a heavyweight purring roller from two of the most respected newcomers in the game right now: Ill Truth and SATL. Each one a persy for different chapters of the night, any further information is classified.
Review: The rule of three... In maths it describes the way of finding a number in the same ratio to a given number as exists between two other given numbers. In writing it's a structuring principal that leads to a more effective message of punchline. In drum & bass it means a sick new EP on Total Science's CIA. Ironically it's a from a duo and it's four tracks long but that hasn't stopped the Bristol pair running amok through the styles; the bubbling, Bingo Bass style funk of "So Addicted", the creepy graveyard funk of "Ghouls", the spine-melting break-ravaged "Bounty" and the tunnelling dubby synths of "Rule Of Three". Rules are made to be broken.
Review: New Zealand's Truth duo have appeared on pretty much every dubstep label that's worth being seen on these days. From Tempa to Deep Medi Muziq, they've clearly instilled a respect from their contemporaries, and they are arguably the leaders of Kiwi bass at the moment. Deep Dark & Dangerous is their own label, and "Devils Game" kicks off the imprint's third instalment with a furious wall of bass that blasts a monumental wave of chaos and doom the beats down below. "Smoke" is comparatively deeper and more gentle in its approach, and is guided by the r&b-style vocals of Animal, while Quest accompanies the darkroom stepper that the dup has preferred to dub as "Untitled". Nasty business.
Review: An all-star lineup is an understatement here as some of the best in dubstep team up on Deep Dark & Dangerous for an absolute corker entitled 'Freak Show'. Long term genre favourite: Youngsta pulls together with the ever-creative sounds of Truth and a breath of fresh air from Stylust, resulting in a whirlwind of demonic melodies, colossal drum designs and writhing bass patterns, making this a real monster you can expect to hear at festivals and in clubs all around the country.