Review: As an imprint, 1985 have always championed the weird and wonderful, which is why this fabulous new four track adventure from Tsuruda fits so perfectly. We begin our treacherous tale with 'Fugitive', which sees the man himself, Mr Alix Perez arrive on collaborative duty, supplying us with a truly magnificent journey through syncopated rhythm and synthetic action. Next, 'Kaioh' once again throws us wonky drum arrangements and other-worldy soundscaping, drawing us in with some fantastic compositional value, before the creeping melodic manoeuvres and grizzly low-ended writhes of 'Out Of Pocket' launch themselves forward. We then dive down a whole new hole of sonic depravity, as the gut-wrenching synth swipes of 'Migi' provide us with a suitably eye-opening outro. What a project it is!
Review: This one is dedicated to all the giddy aunts out there! 30 tracks of forward-focussed bass innovation from one of the most influential shows to have emerged in recent years: Noisia Radio has helped to expose so much exciting new talent and here they bring together just some of the highlights. Ranging from super experimental to absolute gully gold, among the big hitters from Noisia themselves we have trippy, drunken freestyle bass from Bleep Bloop and Tsuruda, savage break wizardry from the likes of Howitzer, 23rd century spooky funk from Samba, beautiful glitched-out steppy funk from the mighty MRSA (AKA Mat Zo) and absolutely loads more. This is an immense package of tracks right here. Just like every Noisia Radio show.
Alix Perez & Monty - "Good To Me" - (4:54) 174 BPM
Bredren - "Swayed" - (5:56) 174 BPM
Monty - "Decisions" - (4:53) 174 BPM
Razat - "Simplicity" - (5:01) 172 BPM
Review: 1985 Music was founded by Alix Perez a year or two ago and, since then, has rapidly become one of the premier destinations for forward-thinking sonics that inhabit the 85-170bpm spectrum. With a fresh roster including Monty, Submarine and Perez himself, Edition 2 is a showcase of both the producers and sounds that Alix has in his orbit. There are too many outstanding tracks to recount here, but 'Drones' by Cesco stands out as one of the most creative: a subby, stepping halftime cut with an ingenious drum pattern. There's weighty rollers, too, including 'Swayed' by Bredren and 'Good To Me' by Perez and Monty, both of which are sublime examples in minimal construction. A truly sick collection of tracks.
Review: Here we take a peek at the weird and wonderful as Bleep Bloop unleashes his journeys through distortion and departures from formality in his brand new 'Prologus Auxilium' project. Let's first take a look at 'Killing Machine (feat Nebr The Tiger)', which is a seriously intense journey through organized chaos as waves of unpredictable distortion form the underbelly over which Nebr runs wild with crazy lyrisicism. To follow, the scattered rhythms and sweeping soundscapes of 'Impel Tiltskin' occur before we hit the post-dubstep arrangements of 'Santoryu'. We finalize with the more structured half time LFO's and lethal sub pressure of 'Tremors', following a more precise dubstep layout.