Review: Bryan Gee and V Recordings do not mess around. They never have in the past, they're certainly not right now in the present and judging by this highly anticipated Future album, they're going to mess around any time ahead. 25 tracks from some of the biggest, best and baddest names in D&B (Dillina, Serum, Benny L, Paul T & Edward Oberon, Roni Size, DJ Marky, Drumsound & Bassline Smith, Bladerunner, Saxxon, the list goes on) this one's been a long, long, long time coming... And it's been well worth the wait. From L-Sides massive remixes of Dillinja and Krust to Need For Mirrors super-revved "Lambo" to Benny L's incredible remix of "Days", this sums up why Bryan and his label are as influential and respected in the game as they are today. Don't mess around.
Charlie Rotten - "The Myriad Part 3" (continuous DJ mix) - (16:49) 181 BPM
Review: Sub-liminal are one of those very prolific, very underground labels that tends to go unnoticed yet releases some absolute bangers. So, getting a whole compilation full of them from a variety of up and coming producers is only going to go one way - hard. The first tune - 'Iggy' - from Garry K & RV is an instant stand out, a wobbling riff of force and hurting energy, all tied up in a jump-up sized package. 'Vultures' by Zapya and MC Karter is another top-level cut, a skippy drum-line and menacing vocals sit above a fiercely minimal roller that clicks and clanks with satisfying precision. There are a bunch more excellent tunes on this release, so go check them out.
Review: What is there to say about Shogun Audio that hasn't already been said at length directly into your ear at 3am? Friction's brainchild has become one of the scene's biggest, most successful and perhaps most importantly one of the most highly-regarded labels in recent years. A decade might not be a long time in D&B talk, but 10 years has been long enough for Shogun to put its stamp on almost everything making its way from the underground and into the blinding light of day. From the experimental sounds of Alix Perez, Rockwell and Icicle to the spellbinding Technimatic, right through to the chart-bothering escapades of Camo & Krooked, this is a flip through the highlights of Shogun's life. In case you forgot, it's been a brilliant one so far. Roll on the next 10 years.
Review: Jay Cunning's Sub Slayers get busy with a brand Bass Selection compendium. Giving the artist full artistic duties without compromise, King Yoof has taken the opportunity to amass some of his best soundsystem-tuned rolling skank-up bangers. From breaks to dubstep to D&B, the whole breakbeat spectrum is covered with special attention paid to dubwise and dancehall vocals. Highlights include a mid-zeros style electro-bass twist on Barrington Levy ("Murderer"), the stabby steppy paranoia of "Big Belly Riddim" and the evergreen harmoniousness of Aswad on Rhythm Riders' "Give Me A Sign". That's just three of 20 unmixed bullets ready for your playlist consumption. Get busy.
Review: From the vaults of Reinforced Records come 11 full-on party bangers from rave and hardcore original Manix. The Manix combination of uplifting piano anthems, hard hitting breakbeats and hardcore synths was a winning formula for Reinforced from 1991 to 1995, and influenced numerous producers to get in on that dangerous combination of high-life vocals and dangerous beats. This remix album is a collection of remixes by Manix for artists from the Reinforced roster including Nookie, Tek 9, One II One and Delirium. A huge release for fans of rave, breaks and drum & bass fans, it's a history lesson and a fresh take on the modern influx of retro sounds all at the same time. Sorted.
Review: Cor blimey, Jungle Cakes aren't messing around with their Welcome To The Jungle series are they? Hot on the heels of Ray Keith comes another stone cold OG; Nicky Blackmarket. Digging deep across the classics and sparking up a whole forest of fresh fires, it's a 40 track, 2 mix, 10 FX tool trove of pure jungle magic curated with the wide-armed style you'd expect from an originator. With classic ranging from well known such as "Incredible" and "Pulp Fiction" to cult such as "Keep It Raw" and "Gangsters" and upfront jams flexing from all the right names (Serum, Aries, Serial Killaz, Drumsound & Bassline Smith), Blackmarket has absolutely smashed this out of the mark.