Review: With Italy hit hardest by the Coronavirus and lockdown right now, Milan crew, collective and glitterazzi Rollover keeps hope alive! Normally a trusted party for Milano's Apollo club (that's brought the likes of Tiga, Maurice Fulton, Ame and Bambounou to town), Rollover is the place and project for DJ duo and label owners Rocco Fusco & Tiberio Carcano to work their magic. In times of crisis Rollover presents a special initiative via their "ANYTHING GOES" edit service, welcoming voluntary contributions that pay homage to the spirit of Balearic music and beyond! Expect tracks from 2manydjs, Adam Port, Soul Clap, Boombass, Moscoman and Bill Brewster, among many others, with proceeds going to the official emergency fund set up by the Italian Civil Protection Department destined for the COVID-19 crisis in Italy.
Gene Williams - "Don't Let Your Love Fade Away" - (2:46) 95 BPM
Esther Phillips - "Home Is Where The Hatred Is" - (3:25) 99 BPM
Velly Joonas - "Kaes On Aeg" - (2:52) 98 BPM
Francis Bebey - "Sanza Nocturne" - (5:51) 95 BPM
Donnie & Joe Emerson - "Baby" - (4:10) 91 BPM
Lydia Lunch - "You, Me & Jim Beam" (Exclusive Spoken Word Piece) - (4:25) 96 BPM
Late Night Tales: Badbadnotgood (continuous mix) - (1:08:19) 98 BPM
Review: Beyond all the clubbing action, another often forgotten tradition of the 90s was the post-club 'all back to mine' session. The air thick with 'smoke', a curated chillout mix by an established dj would sort everyone out. The Late Night Tales series continues that tradition and here we have a new volume curated by Canadian quartet BadBadNotGood. The album features 21 cuts from their record collections woven together in a hazy nocturnal fashion. Highlights include the psychedelic electronica of "Oh Honey" by Delegation, the seductive 60s folk-soul of "Kaes On Aeg" by Velly Joonas and the campy synth-boogie of "Disco Dancer" by Kiki Gyan.
Review: Six years after the release of their first inspirational Late Night Tales mix, fey Scottish post-indie miserablists Belle & Sebastian unveil a second volume. Given the unusual and exciting nature of their first collection, hopes are naturally high for Volume 2. Thankfully, it's every bit as odd, enjoyable and enlightening as the first edition. Psychedelic folk-pop, Indian soul, Balkan beats, Spanish crooners, Chanson ballads, film soundtrack compositions, Gold Panda, The Lovin' Spoonful, dancehall, The Pop Group and Pete Shelley all feature, alongside a range of thrillingly strange records that defy easy categorization. As a collection of music, it's breathtakingly brilliant, while the accompanying DJ mix is wonderful.
Review: When Eskimo Recordings approached Bill Brewster with the idea of putting together a compilation exploring his epic record collection, the acclaimed journalist and DJ decided to take a widescreen approach. While the CD and vinyl versions are split into multiple, themed editions ("Post-Punk", "Balearic" and "House"), this vast, 41-track digital edition gathers everything together in one place. Predictably, it's a hugely impressive and eye-opening set, with Brewster serving up largely obscure or long-forgotten cuts that range in scope from trippy, dubbed-out post-punk disco, jaunty jazz-funk, synth-heavy boogie and heavily percussive Afro-disco grooves, to saucer-eyed European synth-pop, the dub techno of Maurizio, Swag's early UK tech-house and the East Midlands deep house bump of Charles Webster's "A Love From San Francisco" project. In other words, it's a cracker from start to finish.
Review: Blank & Jones are a German electronic music duo, consisting of the members Piet Blank and Rene Runge: better known as DJ Jaspa Jones, together with their producing partner Andy Kaufhold. For the sixth edition in their esteemed Chilltronica series, they serve up night music for the cold and rainy season. Beside some wonderful new compositions, the curators introduce us to artists like Berlin house music legend Sven Weisemann - who makes a surprising appearance with his ambient piece "Falling Leaves". UK producer Antonymes also appears with the evocative mood lighting of "Film One" and the sexy noir electro-pop of Danish trio Silent Riders' "I See You" sounds like it could have been on the soundtrack to Nicolas Winding Refn's 'Drive" soundtrack. In the words of Blank & Jones themselves, this compilation should be enjoyed as a complete work in one through listen, much like a classical composition and preferably with headphones of the highest sound quality. That's what makes the Blank & Jones compilations so unique: they bring you to something undiscovered.
Review: Bob Blank is one of New York?s most revered producers of all time. This compilation from Strut, is the very first retrospective on him and his work at his independent studio, Blank Tapes. This was one of NYC's most influential spots during the city's thriving art scene of the mid 70s and 80s. This exclusive compilation even includes the very first track ever recorded at the studio in addition to some hidden gems that have come straight from the studio's vaults.