George Dancer - "Destroy The Computer" - (7:52) 117 BPM
Review: With 30 tracks to choose from, you certainly can't fault this latest collection of re-edits from Manolo Brigante's Vienna-based WE MEAN DISCO!! stable on the value for money front. You might, admittedly, question whether a collection that packs reworkings of Chic's 'Good Times', Marvin Gaye's 'What's Going On', James Brown's 'Sex Machine' and Peter Gabriel's 'Sledgehammer', among others, can really set sail under the 'deep disco' flag and keep a straight face. But never mind that, because there are some very playable remakes on offer here for sure, ranging from the lightly beefed-up to the truly transformational - as well as plenty of less obvious sources to keep the 'spotters happy.
Review: French label Beaumonde specialise in reissuing lost or forgotten global music recordings, mostly from the 70s and 80s. This new album-length collection, though, finds them handing over the keys to their archives to some of today's hottest up-and-coming producers - the fruits of whose labours range from Jet Boot Jack's remix of Acayouman's 'Take You Down', which should work on any floor where disco is played, to Bully Boy & TeeTwo Mariani's much more reverential Refix of Beliz's 'Mazunga'. The scales tilt quite heavily, it has to be said, in the latter direction: as such, this is an album that will appeal mostly to fans of Balearic, cosmic and global music styles, but that's worth checking by open-minded disco spinners of all persuasions.
Review: Valique's V's Edits reworks have long been some of the most popular re-edits on this platform, with DJs responding not only to their floor-friendly nature but also the wide range of sounds and styles he turns his hand to. So, what's on offer this time around? Well, for starters Yellow Blues is raising money for victims of the war in Ukraine, a country to which Valique has family ties. As usual, it's a mixed bag of goodness, with highlights including a squelchy, TB0-303 speckled take on a Johnny Cash classic, the chugging nu-disco/swamp blues fusion of 'Was It Worth It?', a fine revision of Rodrigues classic 'You Can't Get Away', a housed-up tweak of an old Doors gem ('Learn To Forget') and a toe-tapping, club-ready revision of Kenny Rogers' sing-along 'Just Dropped In (to See What Condition My Conidtion is In)'.
Review: Act of Sedition's latest expansive collection of re-edits and reworks, Perfect Pitch, is subtitled 'loose grooves for lazy days' and that's an apt description of the pleasingly warming, afternoon-ready soul, yacht rock and disco revisions on show. The vibe is mostly head-nodding rather than arms aloft, but that's no bad thing. You'll find plenty of playable fare amongst the 13 tracks on show, with our picks including the slow-motion disco-funk of Vibes4YourSoul's 'Dance All Night', Pete Le Freq's tasteful rework of Stevie Wonder classic 'Living For The City', the sun-drenched, loop-powered soul shuffle of Frankee More's 'It's Walter' and the percussion-laden South American disco-reggae madness of 'Rita' by Ferdinand DeBeaufort.
Review: An album's worth of re-edits here, but there are re-edits and there are re-edits, aren't there? At one of the spectrum you've got the five-minute, 'will this do?' variety that loop up a chunk of some 70s/80s/90s pop hit and stick a four-four kick underneath it; at the other end, you'll find producers who'll take their source material and mangle and reshape it so much that the end result is arguably more an original (albeit sample-based) production than a re-edit. And we're definitely in the latter camp here, as tracks from artists as diverse as Archie Bell & The Drells, Creative Source, 60s soul diva Maxine Brown, Rose Royce and Yes get treated to a hefty dose of that good 303 medicine - with generally very playable results.
Review: This impressively expansive collection from experienced remixer Valique showcases some of the best downtempo and Balearic edits from his popular V's Edits series. There's certainly plenty to get the blood pumping and the juices flowing throughout, from a chugging, ten-minute take on Pink Floyd ('Brickwall') and a pleasingly squelchy take on Daft Punk and Pharrell Williams' 'Lose Yourself To Dance' (here renamed 'Lose Your Elf'), to a chunky dub-house re-imagining of Jimmy Cliff classic 'The Harder They Come' and a loopy, hypnotic, mid-tempo disco-rock revision of T-Rex ('Jewelry'). Throw in party-hearty takes on cuts from Marvin Gaye, Michael Jackson and the Beach Boys (an odd but impactful reimagining of 'Good Vibrations') and you have a great value compilation.
Review: Six re-edits from five different artists make up this latest missive from the WE MEAN DISCO!! camp. Kid Paris mines late-period Michael Jackson, Philly Vanilli loops up Lamont Dozier's original 1977 version of 'Going Back To My Roots' before taking a turn for the Latin on 'Los Cubanos', RoofTopDisco look to Geman-language new wave/disco of the early 80s and Phil Potts bites Gwen Guthrie's Levan-produced 1982 gem 'It Should Have Been You', but it's closer 'Your Brother' by Mister Larry that's the killer - not sure of the source but it'll be a proper treat for lovers of trad-style US garage.
Review: Following the success of the label's first digital-only compilation, Lock and Load, Act of Sedition boss Bully Boy has decided to repeat the exercise. Like its predecessor, Perfect Pitch largely sidesteps re-edits featured on physical releases, instead delivering a bumper selection of previously unheard reworks. Those who prefer their edits gently beefed up with the addition of club-ready beats will find plenty to enjoy, from DJ Steef's tweak of Van Morrison classic 'Into The Mystic' and DJ Laurel's chunky revision of disco-funk slammer 'Peace Pipe', to Sucka Tommy's bustling rework of Paul Simon's 'Me and Julio Down By The School Yard' and C Da Afro's disco bumper 'The Sunset Groove'. If tape-style rearrangements are more your thing, we'd heartily recommend the edits from Al Kent and SanFranDisko.
Review: Serbia's Disco Fruit label offer digital buyers another high-VFM collection of tracks that were previously only available on wax, with the album's 31 cuts coming from just six artists including scene faves Tonbe and Loshmi and label regular Evil Smarty. Between them, they run the gamut from scorching, bottom-heavy funk (Evil Smarty's 'The Get Down', Dave Allison's 'Ain't Nuthin To It', Loshmi's 'Drugstore') to deep n' soulful house (Tonbe's 'Broken Heart'), via Gradient Logic's glacial boogie nouveau and jazzier cuts like Dave Allison's 'Trade Off' and Tonbe's 'Something Jazzy'. It's more one for the jazzbos and funkateers than outright disco dollies, admittedly, but on the whole that's probably a good thing...
Review: Serbia's Disco Fruit bring us a digital collection of tracks that were (mostly) previously only available on wax. Label boss Tonbe supplies four of 'em, and with most of the rest coming from equally familiar names such as Dr Packer, Hotmood, Mitiko and Loshmi, you know the bar's set high! Stylistically, the album ranges from authentic-sounding low-slung funkers like Hotmood's 'Let's Ride' and Tonbe's 'Gem Picker' to the breezy uptempo soul of 84Bit's 'Mamma Jamm' and the boogie nouveau of Dr Packer & Loshmi's 'In Case Of Emergency', while special shout-outs go to Evil Smarty, who almost out-Fatbacks Fatback, and to Mitiko's excellent reworking of the mighty Janet.
Review: Neo Blues 3 announces its arrival via our most trusted Vehicle label that's been a port of call for disco edits for the world over. Turning in another four-tracks here it's spearheaded by the uber-warm kick, woofing bass and melodic percussion sequences of "Sea-Line". Harking back to the days when artists like Eddie C and Tornado Wallace were dominating the slo-mo, chugging disco sound, "Condition" adds yet another beefy boost to a Ken Roger's classic, while funkier soul and blues jams from Kings of Survival make the cut alongside that all time cinematic classic by Rodriguez's ("Sugarman").
Review: Since launching in 2017, Toulon-based imprint Act of Sedition has become renowned for the quality of its re-edit releases, many of which appear on rarely seen seven-inch "double-packs". This time they're trying something a little different by gathering together a swathe of previously unheard reworks on a must-check digital compilation. It's a fine set that touches on a number of interconnected styles and sounds, from loved-up Balearic nu-disco (Nu Pilgrims "Soul Shadow (Withers Shakedown)") and tooled-up Afro-disco heaviness (Belabouche's bouncy "Hey Africa"), to rushing revisions of stone cold disco classics (Monsieur Von Pratt's "Why", Reece Johnson's stomping "Piece of Mind") and head-nodding, toe-tapping soul (Mr Doris's "Hercules").
Review: With Italy hit hardest by the Coronavirus and lockdown right now, Milan crew, collective and glitterazzi Rollover keeps hope alive! Normally a trusted party for Milano's Apollo club (that's brought the likes of Tiga, Maurice Fulton, Ame and Bambounou to town), Rollover is the place and project for DJ duo and label owners Rocco Fusco & Tiberio Carcano to work their magic. In times of crisis Rollover presents a special initiative via their "ANYTHING GOES" edit service, welcoming voluntary contributions that pay homage to the spirit of Balearic music and beyond! Expect tracks from 2manydjs, Adam Port, Soul Clap, Boombass, Moscoman and Bill Brewster, among many others, with proceeds going to the official emergency fund set up by the Italian Civil Protection Department destined for the COVID-19 crisis in Italy.
Review: Katakana Edits first compilation, 2017's "Crate Diggin", was an epic collection of high-grade re-edits, mash-ups and reworks packed to the rafters with tried-and-tested dancefloor treats. This belated follow-up is even more epic, with the popular label squeezing in no less than 50 tracks that variously touch on riotous disco-funk, dub disco, new wave, disco-rock, deep funk, Afro-boogie, swamp funk, Latin beats, boogie, pitched-down chuggers, boogaloo, hip-hop and everything in between. You'd expect that standard to be high - it is a "best of" collection after all - and it is. If you need an instant armoury of scintillating club cuts, look no further.
Review: Fresh from the market, Disco Fruit offers up a suitably large pallet of juicy re-edits, tasty revisions and sun-ripened reworks. As you'd expect, there's plenty to get your teeth into from start to finish. Our highlights include the fuzzy 21st century disco-funk of Brian SNR's "Down For Some Loving", the bouncy, synth-bass-propelled funkiness of C Da Afro's "Music Is Love", the sleazy sweatiness of Frank Virgilio's flash-fried "Thick As A Brick (The ReThink)", the throbbing goodness of Loshmi's Italo-disco/80s rock revision "Palm Springs", the mid-tempo disco bliss of Mitiko's "It's Over, It's Over" and the disco-house bump of Tonbe's "Make It Last Forever".
Review: When Andy Bull AKA Bully Boy launched the Act of Sedition label a couple of years back his aim was to release "the finest 45 edits" on seven-inch double-packs. It's something of a surprise, then, to see the label land on digital download with a sprawling collection of previously vinyl-only reworks and bonus edits. Expect a gloriously vibrant and floor-friendly mixture of gospel-tinged psychedelic soul (Jimi Hendrix's "Freedom"), Clav-happy disco-funk squelch (Disco-Tech's "Assassination"), sweet disco sing-alongs (SanFrankDisko's "Get It Right"), sweaty punk-funk/dub disco heaviness ("Cavern Dance" by V's Edits), high octane disco-camp (Mighty Mouse's cheerfully silly "Got To Have Nothing") and much more besides.
Review: When operating under the V's Edits alias, re-edit maestro Valique can always be relied upon to bring the goods. It's little surprise, then, to find out that his latest collection of fresh cut-jobs - an epic affair featuring no less than 24 tracks - is packed to the rafters with high-grade fare. We don't have enough space to list all of the highlights, but we'd suggest checking out his rolling revision of Lee Dorsey's "Night People", the low-slung disco-funk heaviness of the Brass Construction rework ("Gotta Do It"), the intergalactic disco deepness of the Marvin Gaye revision ("Funky Space"), the lightly tooled-up, slowly unfurling take on Tom Browne's "Funkin For Jamaica" and the sweeping, string-laden disco brilliance of "Miracle (V's Edit)".
Review: It's time to jump into yet another top quality compilation project, curated by the combined sounds of both Jonnypluse and JPSTOL, two sounds that are really carving out a niche for themselves in a crowded breakbeat marketplace. This full tracklisting offers up seven original smashers from Jonny, along with a Cut & Paste version of 'Funky Time', with JPSTOL supplying two original creations for good measure. There are a few clear standouts with MC Coppa's vocal assistance on 'Never Get Old' being one of them, along with the high energy, shuffling breaks and bubbling bass tones of 'Drop This In The Middle'.
Review: With 15 tracks from nine different artists, this is the first compilation from Disco Fruit, making it the ideal opportunity to get acquainted with the Serbian label - or just great value for money if you're in search of some fine contemporary disco, funk and boogie grooves. Ranging from the sprightly jazz-house of Munky Five's 'Peace Of Jazz' to the Fatback funk of Mike Woods 'Get What You Need Y'All', via the Parliament/Zapp-esque squelch of JB Boogie's 'Party Underground', the attitude-y disco-house strut of Jack Roy & Peitzke's 'On The House' with its Scissor Sisters-ish vocal and Hiva's cheeky 'Superfreak'-biting 'Yea Yeah', there's no shortage of mirror ball goodness here.
Review: Three cheers for Valique's Vehicle label, which this month celebrates 13 years releasing hot-to-trot re-edits, reworks and floor-friendly fusions. To mark the occasion, the producer sometimes known as "V" has put together this expansive, 24-track collection of killer cuts old and new. It's a varied but universally club ready selection, with highlights including - but no way limited to - the silky deep house/disco fusion of KC&SUB's "Black Waters Hold (V's As It Used To Be Edit)", the soaring, shirts-off disco-house brilliance of V's take on Milly Jackson's "Baby", the dubbed-out Marvin Gaye revision that is Rocknrolla Soundsystem's "Troubleman" and a delightful slab of rubbery nu-disco brilliance from Feel Good Alliance (the mash-up style aceness of "Show Me Love", which joins the dots between Escort and Robin S in startling fashion).
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