Review: Sub-liminal take a moment to look back over almost six years of hard graft at the future talent coal face. Having been responsible for so many bangers from so many now household names, it's a mean feat boiling it down to this mere 50 heavyweight highlights. All the label's key names are on board; Guzi, Dreadnaught, Nick The Lot, Too Greezy, Kumo, Version, Vital, Pyro, Motiv and many more dust off their past heavers, hurters and head-slappers to reflect on everything Sub-liminal has stood for and encouraged so far. From the deeper, more subtle bubblers (Sam Harris - 'Coffee Machine') to the most outrageous funk-ups (Warhead - 'Cranked') this EP has everything. When the Riddim hits you, you can't say no...
Review: Digital Terror have had a sick last twelve months and this VA shows off some of their best cuts from the year, featuring acts like Jayline, Dutta, SL8r and more. Those latter two collab in serious style on 'The Pain', which cuts down into the range with fire and fury, angled sharp basses knifing through the frequencies with the grace and decorum of an elephant in heat. Jack The Ripper lands with supreme heaviness on 'Direction Course', Spaow brings the old-school vibes on 'Gallopo' and the collaboration of the album comes from the dream team of Jayline, Bou, Dutta and MC Dino who land with aplomb on 'Pico Skank'. Seminal.
Review: So it doesn't feel like we've had much of a summer this year. It also feels like the arts are being hung-up to dry right now. But at least the good folk at Sub-liminal care for us.... To mark the (albeit raveless) sunny season, they've put together a 50 (yes, fifty) track collection from some of the most exciting names in the game. From Dunk to Xav, RV to Warhead, Agro, Guzi, Shayper, Damage Report and so many more, this is the 'Summer Selection' we all totally need and deserve right now. Highlights include the Remarc levels of badness on Guzi's 'Area 51', the tension and staggered creepiness of Yatuza's 'Clich?' and the broadsword swathes of Motiv's buzzy bumper 'Necroplasm'. And that's just three out of 50. Thank you Sub-liminal. We need this more than ever right now.
Review: Everyone likes a good compilation, right? What's better than having as big a range of artists as possible in one condensed place? It's essentially an album with the ease of listening of a single, so we're all for it. Subliminal have come out with the 2020 edition in their Riddim Return series and it's packed full of bangers, across a range of styles, and it's one of those albums which doesn't try to be cool or sophisticated by chucking in a few fillers for the sake of diversity - it's just hard stuff here. It works great, with Sam Harris' tendency for muscular minimosity coming on loud and clear on Boom Ting, a wickedly devilish and driving roller.
Review: Forget your daft screechy dubstep variant of the same name, Sub-liminal deal strictly in proper riddims. Wobbly riddims, fat riddims, stinking riddims, gully riddims. They have done for almost five years now, and this new Riddim Return collection is a reminder of just how much ground they cover, how many super talented darksmiths they work with and how much skin of yours their releases will melt. Highlights on this 50 track strong collection (yes, 50!) come from every angle but you'd be mad not to lick a shot from Agro & Raz on their melted bass weird-out "Ah Like It", do air trumpet to Warhead's "Cop Killa" or get wonked the heck out by Leaf's concrete steps on "Hold Up". Dig hard and take a deep breath... You're in riddim country.
Review: Bou and Dutta's new imprint Diamond Audio has been pulling out all the shots the past year, its foundation directly off the back of Bou's increasing success in the scene. Unsurprisingly then, Version's new single is firmly in Bou's jump-up stylistic frame and bloody hell, it hits hard. 'Cisskill' is the glitchier of the two and crams in more of that same jump-up sound, with knifed up points and jagged edged all over the shop. It's a fat track and one designed for the dancefloor. 'New Delusions' is murkier and is in more of a Dispatch vein, with a seriously weighty back end and permanent sense of growling aggression all the way through. This is very, very heavy.
Review: This is a big release, both literally and metaphorically. Sitting at 58 tracks, it's clear that the Dub Damage crew wanted to pack as many of their best moments as they possible could into the album. If you're a jump-up fan, think of this as a bit like the holy grail of jump-up and the inclusion of remixes and originals from dons like Original Sin, Annix, Turno and Sub Zero cement that fact. Aside from those legends, DJ Alpha comes through with 'The Man With The Golden Gun', a riotous blend of punched out bass synths, whilst Kre & Basshoven low-key steal the show with 'Toronto Blue'. A fat album this, and a lesson in how to do compilations right.
Review: Sub-liminal sleepers this one is for you... The UK label have just repurposed and repackaged some of their many successes on this epic 20 track compendium. Ranging from the white knuckle neuro pace of Fena's "Viral" to Dominator's gamechanging grumpy-bass twist on Agro's "Noise Complaint" via Dialogue's ultra-grot wobbler "If You Can't Beat 'Em", Tyrant's Nightflight-style jungle slap-about "Bomb", Agro's sinful stepper "Tank" and many more, this is a perfect snapshot of the label's breadth, weight and uncompromised sound so far. Riddim stinkers.
Review: Smashing down the doors of 2018 with a cheeky multi-artist EP: Sub-Liminal start business for the year with two deadly amazement sessions. Firstly Subzero takes Agro's 2016 smasher "Dub Fi Dub" and tears it a new one with a whole new layer of diesel powered bass while Version runs point with "Plissken", a scuffed-knuckle sandpaper funk roller that's loaded with electrified sizzled bassline and rattled drums. Pure power jams.