Review: As debut EPs go, Yves Thomas's first outing - on Rekids, no less - is not only rather impressive but also notably expansive. Over the course of seven varied tracks, the London-based, Bristol-raised DJ/producer/vocalist fully turns his hand to enveloping, slow-burn ambient ("Brain Dead"), spacey and dreamy breakbeat-house (the superb "MA1"), more robust and bass-heavy - but no less melodically detailed -dancefloor fare (the raw and weighty "River"), hypnotic late night fare ("Elephant & Snake"), jazzy intergalactic broken beat ("Callout FM"), drowsy electronica/synth-pop fusion ("Pilot") and immersive, acid-flecked deep-bruk business ("Birds of the Barbican").
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