Review: Roam Recordings was set up by Jason 'JP Soul' Peters and Jeni 'Jeniluv' Erickson in 2001, and has since put out records by the likes of Demarkus Lewis, Rhythm Plate, Hesohi and Dino Lenny. For their 100th release/20th anniversary, though, they've avoided the obvious 'best of' route and instead serve up 21 brand new tracks coming from a mix of familiar names (Emperor Machine, DJ Rocca, Tronik Youth) and newcomers. The overall vibe leans towards cosmic and Italo disco, but that's a very broad-brush picture - there are tracks here that could, variously, be filed equally well under house, techno, electro, Balearica or prog. Psychedelic electronic disco at its best.
Review: A round of applause for Dave Harvey's Futureboogie label, which is closing its doors after a decade in which it's releases got stronger and more varied year on year. This superb compilation acts as the imprint's final testament, offering no less than 20 previously unheard nuggets from the Bristol-based imprint's nearest and dearest. Given the wealth of high-grade material on show, singling out highlights is tough, but our current favourites include the echoing,'80s alternative pop-meets-proto house dubbiness of Tech Support's 'Writers Block', the alien synths, glassy-eyed stabs and bustling electro drums of Warehouse Preservation Society's 'Ron's House', the kaleidoscopic house psychedelia of Manami's 'Nacros.Is', the bleeping, drug-fuelled oddness of Chez De Milo's 'Need Someone' and the breakbeat-acid insanity of Hard Ton's 'Don't Believe The Hype'.
Review: By now, we should all know what to expect from Toolroom's "Poolside Ibiza" compilation strand, namely groovy nu-disco, house and laidback Balearic beats inspired by afternoons spent lounging by the water in stonking White Isle heat. Naturally, there are plenty of gems to be found amongst the 40 unmixed tunes selected by chosen DJs Moullinex and Xinobi, from their own collaborative post-punk/dub number "X Marks The Spot", to the slick '80s synth-pop dreaminess of Tensnake's fine remix of Xinobi's "Far Away Place" and the drowsy, Morricone-influenced soundscape weirdness of Simple Symmetry's remix of Moscoman's "I Ran". Throw in some seriously good cuts from Felipe Gordon, Donald Dust, Pin Up Club and Meera (whose carnival-ready boogie jam "Fine Without You" stands out), and you have a fine collection of summery cuts.
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