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2
Played by: Marco Febbraro, Thang, Flash Atkins, Hot Toddy, Alkalino, Juno Recommends Experimental, Weedyman, Markus 'Fred' Scholl (go , DARK SKY, Abstraxion, Funk Sinatra, Somerville & Wilson
Review: Trust Maurice Fulton to surprise us. Having seemingly abandoned his Syclops pseudonym following the critical and commercial success of the superb 2008 full-length, I've Got My Eye On You, he's resurrected it for a surprise sophomore album. Predictably, A Blink of An Eye is a bit good. Picking up where the previous album left off, it delivers a warped fusion of titanium-plated electronics, leftfield acid jack, freestyle jazz flourishes and intergalactic mutant disco. Formidably twisted but hugely enjoyable, it gleefully charges off in many different directions, mixing shirts-off anthems (see the brilliant "Sarah's E with Extra P"), with curious percussion jams (the afro-centric "Jump Bugs") and curiously blissful, Boof-ish excursions ("5 In"). Stellar stuff.
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BT 12
31 Jan 13
31 Jan 13
3
Review: Just when you thought the remixes on 'The Resonance 1' couldn't get any bigger, along comes the second part of this Noisia-flipping series with even more staggering remix combinations. Mat Zo giving 'Cleansing' a twisted 23rd century G-funk polish, Skeppy bringing the dinosaurs back to life with his almighty percussive flip of the the famous 'Diplodocus', pioneering Virus architect Matrix turning 'Sinkhole' into a grizzled and bruised late 90s roller, Audio hammering the heck out of 'Sunhammer'... The list of this headliner remix b2b goes on and on. For an act who haven't been remixed many times, Noisia are definitely making up for lost time.
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VSN 090
18 Feb 22
18 Feb 22
4
Played by: Joachim Spieth, Shadow Dancer, Ben Sims, Mike Absolom, Baldino, Carl Cox, Click Box, Juno Classics, Juno Classics, Realmz, Peder Mannerfelt
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WARPCDD3
17 Dec 14
17 Dec 14
6
Played by: Stupid Human, Chris Coco, Juno Recommends Experimental, Enzo Canale, Paul Barkworth, DARK SKY, Astroboter, Nick Warren, Ogris Debris, Amirali, Daft Punk, Bob Moses
Review: Primarily comprised of previously vinyl-only tracks released by Kieran Hebden on his own Text imprint over the past 18 months, you'd be forgiven for wondering if Pink should be treated as a proper Four Tet album or not. The answer is an emphatic yes; although several of these tracks are more dancefloor focused than we've seen previously, the melodies and textures are unmistakably Hebden. "Locked" for instance has the loose rhythmic structure and bass weight of dubstep but the kind of acoustic textures of his Rounds era material, while "Lion" combines Border Community style minimal techno with the unmistakable Hebden glockenspiel. "Jupiters" experiments with swung garage beats in an unmistakably UK Bass style, while "128 Harps" is a whipcrack MPC workout given his light melodic touch and "Peace On Earth" is a beatless 11 minutes of analogue kosmische. But it's the centrepiece of Hebden's Fabriclive mix, the brilliantly moody "Pyramid", and the loose limbed jazz-house of "Pinnacles" that really set this album apart from his other long-playing efforts, two examples of timeless dance music which demonstrate why after nearly 15 years in the game Hebden is only improving with age.
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TEXT 018
20 Aug 12
20 Aug 12
7
Review: Electronic music's greatest Rupert is back! After a four year absence, Photek returns to a current climate of musical inspiration and endeavour perhaps similar in spirit to the days of jungle in which he made his name with such breathtakingly unique productions as "Ni Ten Ichi Ryu". In the period since then, Parkes has struggled adapt his own musical ideas to fit the contemporary template, with some more memorable than others (compare his Robert Owens collab "Mine To Give" with the hip hop styles of "We Got Heat"). "Avalanche" sees Photek embracing UK bass with resolutely impressive results, applying his own sonic identity to a rhythmic mid range thrust. Complementing this is the rumbling subterranean flex of "101" filled with dramatic excursions into cinematic synth outbursts, which gets given an excellent "Drum Machine" refix from Mr Bleeky himself, Boddika. "This City" veers into vocal breaks territory (eek!) whilst "Slowburn" returns to the shuddering dubstep template of the title track.
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PPRO 14DS
01 Jan 00
01 Jan 00
8
Various
Review: Released by Belgian label La Musique Fait La Force, this extensive compilation designed to complement Jozef Deville's documentary The Sound Of Belgium includes nascent and trailblazing productions from the likes of Klaus Schulze, Front 242, Neon Judgement, Lords of Acid and CJ Bolland, while other notable classics include Joey Beltram's "Energy Flash", Outlander's "The Vamp" and Emmanuel Top's "Acid Phase". In total, it features 60 tracks of new beat, industrial and rave music from '80s Belgium, rendering it a defining compilation for the curious and interested to the more hardcore EBM enthusiast.
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LMFLF 193D
07 Oct 13
07 Oct 13
9
John Talabot / Various
Harmonious Thelonious - "The Grasshopper Was The Witness" (Elmore Judd & Rowan Park remix) - (4:56) 120 BPM
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K 7312DTM
11 Nov 13
11 Nov 13
10
Various
Review: The Late Night Tales crew are certified specialists when it comes to compilations and the label have quite the catalogue behind them, featuring mixes by the likes of Bonobo, Belle & Sebastian and even Fatboy Slim. This time the compiling credits are anonymous, meaning that the label have taken it up to themselves to compile this After Dark Nocturne release. The tracks are unmixed, as is usually the case, so you can pick and mix as many as you like, or simply go for the whole lot! There's plenty of gold in here and the compilation spans quite a diverse set of music from the shady house of Tornado Wallace to the Italian pop of Adriano Celentano on "L'unica Chance". There's also some more minimal numbers by the likes of Alex Metric, gnarly electro beats by Hotel Motel and plenty more. Dive in, it's a guaranteed party bomb.
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ALNDR 41
10 May 15
10 May 15
12
Played by: SELECTO, TRINIT, Shadow Dancer, ALLMOSTT, Apparat, The Timewriter, Lifting Gear Engineer, DJ ESKREAMA
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BPC200CD DELUXE
11 May 09
11 May 09
13
Review: And they just keep on coming... This is the sixth instalment of Noisia remixes from some of the brightest and most twisted minds across the electronic board. From newcomer to veteran, the remix doors are open and rules are out of the window. Highlights on this particular collection include the return of the mighty Sleepnet who effectively remixes himself to dramatic effect, the almighty breaks lashing from Glitch Mob, the unholy 4x4 neuro twist up from Black Sun Empire and Nikki Nair's amazing twist on Split The Atom that includes Foreign Beggars bars never before released! RIP Ebo! An honorary mentions goes to Koarse, too, for his gabba shake-up finale. The first remix of 'Dead Limit' so far, this sets the benchmark high. Long may the Resonance series continue.
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VSN112D
26 May 23
26 May 23
14
Played by: Paul Langley, DJ Mau Mau, Maelstrom, Shadow Dancer, Alkalino, Juno Recommends Electro, Dominik Eulberg, Erdbeerschnitzel, DARK SKY, Kito Jempere, Resident Advisor, Seth Troxler, Sepia, James Zabiela, Lone, Icicle, Benji B, Zylva
Review: It's rare that an electronic album is the biggest album of the year, or at least the most hyped. That's certainly the case with Syro, Richard D James first official release under his Aphex Twin moniker for some 13 years. So, is it any good? For starters, it sounds like an Aphex Twin album. Listen through to the 12 tracks, and many of his familiar staples are present - the "Digeridoo" era rave breakbeats, the mangled synth-funk mash-ups, the intoxicating ambient-era melodies, the warped basslines and the skittish drill & bass style rhythms. There's madness, beauty and intensity in spades. In other words, it's an Aphex Twin album, and - as so many have pointed out since the album's release was announced - there's no-one else quite like Richard D James.
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WARPCDD 247
22 Sep 14
22 Sep 14
15
Review: Emotional Especial return with a release from Romanian duo Khidja that comes packing some excellent remixes from senor Fairplay and Juju & Jordash! Brought to the attention of EE thanks to Hardway Brother Sean Johnston, who returned from a Bucharest DJ gig singing the praises of two young DJs, Khidja's productions are as impressive as their selections on the evidence here. "Mustafa" is more immediate with shuffle percussion, swirling sirens and acid bubbles leading to a perfect horn break. In the hands of Mr Fairplay, the track takes on anthemic qualities; the stabbing bass and build have allegedly seen howls of appreciation when it's dropped at A Love From Outer Space. "Abdul" finds Khidja in a more calming mood reminiscent of Art of Noise, though the kick and bass ensure there is plenty of rhythmic emphasis, whilst the Juju & Jordash remix edges towards a Balearic digidub vibe.
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EES 006
07 Apr 14
07 Apr 14
17
Review: If you were judging Kieran Hebden's 11th Four Tet studio album merely on the way it's presented, you'd immediately think he'd spent the last two years immersed in early '90s ambient house albums. While it's unlikely he's done that, it's fair to say that New Energy does owe a debt to classic electronica sets from that period. For all the exotic instrumentation and subtle nods to post-dubstep "aquacrunk" experimentalism and chiming, head-in-the-clouds sunrise house, the album feels like a relic of a lost era. That's not meant as a criticism - New Energy is superb - but it is true that his choice of neo-classical strings, gentle new age melodies, sweeping synthesizer chords and disconnected vocal samples would not sound out of place on a Global Communication album.
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TEXT 046D
29 Sep 17
29 Sep 17
20
Played by: Chris Coco, Shadow Dancer, Eleven8, Deepchild, Dirt Crew, Alkalino, Night Tracks, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Jesse Somfay, Liz-E, Alert, Slam Mode, AWITW
Review: Given that his sound has now been referenced by countless imitators, it's testament to Burial's enduring appeal that the announcement of a new EP on a Sunday in February was enough to shake the online music press out of their collective stupor. As an EP it more than stands up to his previous work, and it may even be better than last year's Street Halo EP - where the brilliance of the title track left the EP quite top-heavy, there's no such complaints on Kindred. If UK garage was the touchpoint for his earlier releases, this EP sees Burial further developing a sound that has few obvious points of comparison, whether it's the savage, gnarled bassline of the title track, or the shambling house of "Loner", characterized by its hollowed out arpeggio and ambient crackle. But it's "Ashtray Wasp" that provides the most breathtaking moment, seeing the producer using the distinct musical language he's created and bringing confident melodic elements into play. Of course such descriptions seem trivial when trying to describe this EP - even for Burial it's far beyond what his peers and imitators could ever imagine making.
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HDB 059
30 Sep 15
30 Sep 15
26
Review: While JDStreams is usually tagged under the techno files, we like to think of his work as a vast, unchartered territory for all things groovy...and head-banging! Returning to Waste Music Busters, the enigmatic producer comes through with "Grace In My Mind", a one-off bombshell that'll appeal to the breakbeat heads and hip-hop junkies, alike! With one, rolling bassline to push the tune forward, it's a single-minded bullet aimed at one thing only - getting peeps to get up and dance! Headsy, vibesy, whatever you want to call it - this is the illest gear in the broken beat game, this week.
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361497 8831107
29 Nov 17
29 Nov 17
27
Played by: Ben Sims, Paul Mac, FLEKITZA, Juno Recommends Techno, Confetti Bomb, Klute (Commercial Suicide)
Review: It's over 25 years since Baby Ford decamped to the studio with, alternately, Mark Broom and the late Ian 'Eon' Loveday to re-examine the depths and possibilities of collaborative underground techno. The result, as we now know, was a giant step forward into a new sound, with a new label, Ifach, that would go on to define the blueprint for a more minimal sound it would take others a decade emulate. Monolense, four bittersweet, emotional, stripped bare explorations of techno has long been sought-after, commanding high prices on the secondhand market, and is finally getting a re-release. This is not just a moment in time, but a bookmark in UK techno history.
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IFACH 001
01 Jul 22
01 Jul 22
28
Played by: Red Star Arcade, Kisk, Chris Coco, Alkalino, TROBAR, Darius Vaikas, Djs: Most Charted - Deep House, Resident Advisor, The Timewriter, Dapayk solo, The Zars, Riton
Review: Off the back of their blossoming indie-electronica sophomore LP Cold Spring Fault Less Youth, Mount Kimbie undergo the remix treatment from three well-equipped and idiosyncratic artists. First up Kyle Hall brings the Detroit grit but balances it with his sensitivity towards UK concerns for an uptempo version of "You Took Your Time". DJ Koze brings a more tender kind of 4/4 full of esoteric melodic flourishes and the stark original vocal on "Made To Stray", and Lee Gamble rips it all up with his own aquatic blur of "You Took Your Time" that lets the drums fall muddily and the synths strain against a wall of sonic fluff, with fantastic end results.
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WAP 351D
28 Oct 13
28 Oct 13
30
Review: Hailing from Ecuador, Nicola Cruz is a mysterious producer whose fine work tends to appear on esteemed label Multi Culti. Here is back with more occultish offerings (to the gods), four in fact, all of which will have you feeling light headed and possibly even aroused. Spiritually of course. "Tzantza" opens as nocturnal shuffle in the jungle, kind of like an organic body music. Elsewhere "Bruzo" mixes off-kilter rhythms and cut ups tribal chants, "Danza De Vision" is a livelier affair that's adds pan pipes and electronic bleeps to the mix and "Rio Branco" is a linear fusion of minimal percussion.
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MC 030
23 Jan 17
23 Jan 17
34
Reeko / Various
Review: Oscar Mulero's Polegroup label closes the year with a mammoth compilation that defines the current state of the techno nation. As Unknown Landscapes shows, it is a diverse place. There's droning ambience from Daphne RXX, while Reeko, Reggy Van Oers and Mike Parker deliver bleep-heavy, hypnotic groove that draw on the influence of F.U.S.E and Sandwell District. Heads-down loopy fare is also catered for - with the spiky percussion and bleak filters of Jonas Koop's "Fu Factor" standing out - and the form also revisits the rough, analogue sound of the 90s thanks to Karl Bult and American scene veteran DJ Hyperactive's contributions.
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POLEGROUP 42CD
09 Dec 16
09 Dec 16
35
Review: As part of a cultural exchange programme that found Floating Points and James Holden travelling to Morocco to take part in a unique collaborative week next to the pool at the Fellah Hotel. Working with Maalem Mahmoud Guinia and his band, the British artists turned in their own versions from the sessions with excellent results. Floating Points takes a delicate approach to the source material, slowly feeding in considered synth lines to accompany the traditional claps, chants and guembri. James Holden meanwhile offers up three different tracks which instantly fall louder, working more effects processing into the mix and capturing a rough and ready African production vibe that equally complements the music.
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46BCD
20 Apr 15
20 Apr 15
40
Played by: Chris Coco, Juno Recommends Experimental, Chris Coco, Orthy, Top Billin Soundsystem, The Zars, Riton, Egokind
Review: Given that Four Tet's recent 0181 LP was comprised of material from Kieran Hebden's archives, and last year's Pink was largely compiled of tracks from the previous 18 months of 12" releases, it seems fair to say that Beautiful Rewind is his first proper album since 2010's There Is Love In You, and as such, it arrives with some degree of expectation. The past few years have seen the producer engage increasingly with the dancefloor, and these rhythms are most definitely present across the LP, particularly in the jungle breaks of "Kool FM", pirate radio-influenced techno of "Buchla" and hesitant dubstep style rhythms of "Parallel Jalebi". For the most part however Beautiful Rewind is as varied as the likes of Rounds and There Is Love In You, with the minimalist kosmische of "Ba Teaches Yoga", analogue gurgles of "Crush" and dawn chorus sounds of closer "Your Body Feels" all as beautiful as his most enduring tracks.
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TEXT 025D
04 Oct 13
04 Oct 13
41
Played by: Juno Recommends Drum & Bass, Juno Recommends Dubstep, Juno Recommends Experimental, Juno Recommends Bass
Review: Polish talent Satl returns to Lenzman's label The North Quarter with his most accomplished and wide-armed bodies of work so far. Taking us on a trip through his influences and widescreen musical vision, the album stretches from full-on technoid D&B ('Hard Times') to bubbling, twisted funk ('Werk It') via smouldering, unclassifiable dark soul ('Ride Or Die') and dreamy breakbeats ('Standing By') With many other sides to his sound revealed throughout, this is an exceptional and very impressive album.
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NQ 040
18 Nov 22
18 Nov 22
43
Review: It may have taken a while - his massive debut single 'Hyph Mngo' was released 12 years ago - but Joy Orbison has finally got round to recording his debut album. It's a highly personal affair, peppered with speech snippets from various family members (including his mum, dad, sister, cousins and famous uncle Ray Keith). It's a device that works well, providing a unifying thread throughout a woozy, musically eclectic concoction that sees the now veteran UK producer give his distinct spin on ambient, slow house, two-step garage, deep house, post-dubstep beats, dubbed-out soundscapes, British bass music, experimental electronica, cutting edge deep D&B and much more besides. It's perhaps not the all-out assault on the dancefloor some may have expected, but it is a genuinely brilliant and entertaining album.
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XL 1188DA
13 Aug 21
13 Aug 21
46
Review: On Luxury Problems, Mancunian producer Andy Stott builds on the knackered house and techno sound showcased in last year's brace of brilliance, Passed Me By and We Stay Together. The album will contain eight tracks recorded in the last 12 months, with five of the songs featuring vocals from his old piano teacher who Stott hadn't seen since he was a teenager in 1996, with the opening track "Numb" seeing her looped and layered vocals exuding a cinematic quality. The paranoid, dense, slow-moving qualities that Stott has made his signature remain, but they've been toyed with and manipulated, and the vocal elements feel like a calculated gamble - one that has truly paid off. Highly recommended.
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LOVE 079
30 Oct 12
30 Oct 12
47
Various
Black Dog Productions (Xeper) - "Carceres Ex Novum" (chosen by Warp co-founder Steve Beckett) - (6:44) 98 BPM
Squarepusher & AFX - "Freeman, Hardy & Willis Acid" (chosen by Warp co-founder Steve Beckett) - (5:42) 82 BPM
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WARPCDD 202
28 Sep 09
28 Sep 09
48
Played by: Paul Mac, Mental Overdrive, Shadow Dancer, Alkalino, Juno Recommends Experimental, Mike Hindle - Immersed Audio, The Legendary 1979 Orchestra, Breakbeat.is, CARL TAYLOR, LARSSEN, George Fitzgerald
Review: That one of this year's best techno albums has been made by a Dutch dubstep artist and is issued on a label owned by an LA hip-hop figure says a lot about the increasingly blurred boundaries within which it operates. Ironically, the backbone for Ghost People is the purist-influenced Berghain sound that has dominated techno production in recent years. In fairness to Martyn, he makes no secret of this, even going as far to equating his European DJ dates to sonic fact-finding missions that informed the album's direction. However, it would be a mistake to assume that Ghost People is merely a replica of unflinching Berlin techno. Instead, Martyn uses it as a backdrop to tease out a range of directions. The title track contains references to the heady rush of rave, while "Twice As" revisits the Dutch producer's love of Detroit techno as sonic blips and spine-tingling melodies are married to more garage-style shuffling beats - perhaps the track's title is a nod to the London 2-step institution. On "Popgun", the producer briefly revisits lurching dubstep territories and there's even a tribute of sorts to Vangelis on the glistening synths of "Bauplan". That Ghost People covers so much ground while remaining close to the filtered rumble of tracks like "Horror Vacui" is an impressive testament to Martyn's supernatural production powers.
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BFDNL 025
24 Feb 14
24 Feb 14
49
Belle & Sebastian / Various
Review: Six years after the release of their first inspirational Late Night Tales mix, fey Scottish post-indie miserablists Belle & Sebastian unveil a second volume. Given the unusual and exciting nature of their first collection, hopes are naturally high for Volume 2. Thankfully, it's every bit as odd, enjoyable and enlightening as the first edition. Psychedelic folk-pop, Indian soul, Balkan beats, Spanish crooners, Chanson ballads, film soundtrack compositions, Gold Panda, The Lovin' Spoonful, dancehall, The Pop Group and Pete Shelley all feature, alongside a range of thrillingly strange records that defy easy categorization. As a collection of music, it's breathtakingly brilliant, while the accompanying DJ mix is wonderful.
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ALND 27
26 Mar 12
26 Mar 12
