Review: Electronic music superstar Anyma (aka one half of Tale Of Us) unveils his highly anticipated sophomore album, Genesys Part II - which follows the success of his debut, Afterlife LP. Showcases Anyma's evolution as a melodic techno producer, the album features 21 tracks split into two distinct components. The first section chalks up a chunk of original compositions, including standout singles like "Pictures of You" and "Higher Power," along with collaborations with Chris Avantgarde, PARISI, Rebūke, and more. The second segment offers reimagined versions of tracks from both Genesys albums, featuring notable remixes by Eric Prydz, Adriatique, and Cassian. With its diverse range of sounds and collaborations, an impresisve and fully comprehensive second edition promises to be a pivotal moment in Anyma's career, dropping amidst the excitement of Miami Music Week 2024.
Review: Over the last few years, Martin 'Atjazz' Iveson has spent a fair amount of time mentoring Peacey, a young producer with oodles of talent. That much is proved by the rising star's expansive debut album, a superb 16-track set that combines sizzling colo cuts with a string of inspired collaborations. The Edinburgh-based artist sets his stall out via the luscious horn arrangements and immersive ambient electronics of 'Play It By Ear', before drifting between head-nodding R&B loveliness (Oveous hook-up 'Love In The Forest'), sensual and seductive, soul-flecked deep house ('Hold Me Back' with Clyde and Atjazz), mid-tempo boogie-soul ('Playground' with Rona Ray), dubby and dreamy downtempo grooves ('Last Night's Dream'), deep and techy, spoken word-sporting dancefloor workouts ('Culture Bandit' with Vanessa Hidary) and jazz-funk influenced excellence (LaRoye collab 'In The Distance').
Review: An exceptional EP showcasing rare South London British jazz funk, originally unveiled in the UK in 1984 by Tony Williams, a Jamaican-born producer renowned for his influential work on Funk Masters' jazz-funk classic, 'Love Money'. Resurfacing once more, 'Keep On Searching For Love' epitomizes the distinctive dub disco sound of 80s London, meticulously crafted with every element tailored to captivate disco enthusiasts. Featuring gated snares and captivating vocal performances by Linda Taylor, this track radiates with the brilliance of a supernova. 'Eastern Lady' presents an instrumental journey adorned with hypnotic basslines, drum machines, synths, and vibrant horn lines. Both tracks have been meticulously remastered from tape and are now elegantly repackaged for your listening pleasure. Keep the groove going!
Review: Ed Upton has long been one of British dance music's most prolific producers, with his latest album on Hypercolour - the typically vibrant Spiral Dance - marking his 24th full-length excursion as DMX Krew since 1996. Its' 13 tracks are typically vivid, inventive and entertaining, with the Bedford-born producer rushing between intergalactic electro ('Always Hats'), sub-heavy UK techno futurism (the bleep-influenced 'Bathtime Bobby'), house-tempo dancefloor IDM ('Spiral Dance'), Spacetime Continuum style ambient techno (the chill-out room friendly 'Back To '92'), synth-laden analogue cheeriness ('Is This Normal'), heady beat-free soundscapes ('Hammer Slowly Forming'), early Autechre style electronica ('Ankle Grinder') and sweaty acid house ('FM Assembly').
Review: Germany's DJ Friction once more dons his Frico re-editor's hat and serves up another brace of reworks of classic tracks from days of yore - more specifically, in this instance, days of early 80s boogie yore. First to get the treatment is 'Never Let You Go', a 1982 cut by UK outfit Savanna. Frico's remake is very faithful to the original, but most importantly he leaves the fine scatting section towards the end intact... doo doo dah-dah! Frico then turns his attention to 'Sparkle', another 1982 jam, this time by veteran Japanese singer-songwriter and producer Tatsuro Yamashita. Boogie lovers will be in raptures.
Review: Monty Luke's Nightdubbing project on Rekids was designed to showcase the Black Catalogue boss's deep love of dub-infused house and techno. This 13-track album combines previously unheard cuts with nine tracks previously showcased across a pair of EPs of the same name. It's a fantastic set all told, with highlights including the smacked-out electro-dub headiness of opener '40 Acres and a Terrabyte', the extra-percussive deep dub-house hypnotism of 'Bob Molly', the after-hours friendly minimalism of 'Star Storms', the Detroit-goes-dub techno pulse of 'New World/Old Future', the classic dub techno warmth of 'Dark Paradise', and the dub-wise deep house dreaminess of 'Avantgarde Dancehall'. Throw in a handful of tidy ambient and digital dub tracks, and you have a genuinely superb long-player.
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