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Review: NYC combo 79.5 are, like Midnight Magic and Escort before them, a live outfit whose trademark sound and output is shaped by the rich musical history of the city they call home. That superb sound was outlined on last year's eponymous debut album, tracks from which appear in remixed form on this must-check EP. There are two takes on previous single 'Feel Like Dancin': an extended deep house take by Malik Hendricks with added Afro-house percussion, and an impressive low-tempo chugger titled the 'Generalisation Dub'. 'B.D.F.Q' also comes in two contrasting variations: the spacey electro-meets-ghetto-house flex of the Jubilee Remix, and an extended version of FSQ's Midnight Magic style neo-disco interpretation. A percussive and joyous J Kriv house revision of 'Our Hearts Didn't Go That Way' completes a fine package.
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RNTD 105
12 Apr 24
12 Apr 24
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RNTD105S 2
15 Mar 24
15 Mar 24
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STN 006
29 Mar 24
29 Mar 24
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PIFF 010
28 Mar 24
28 Mar 24
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761009 6009011
20 Apr 24
20 Apr 24
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361722 9451994
22 Mar 24
22 Mar 24
Review: Although it might still be too soon to call Texan producer DJ Poolboi a legend, his music is certainly starting to lean the way of legendary, with lo-fi house the artist's trademark. It's the boi's third album in four years across three labels and first on Shall Not Fade in which he's become something of a figure head, and Into The Blue Light signals potential for AOTY (Album of the Year). Filled with deep and impactful emotion, melancholy and warmth, it's a long player that pulls at the heart-strings while firing up the dancefloor with chords, keys and melodies that hit those sweet spots, while booming in kick, bass and drums. Highlights include opener, "Won't Let You Ruin My Mood", the pop-aqua rave of "For The Last Time" and some piano-driven Moby inspirations in "The Joy You Once Felt".
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SNFLP 015
08 Mar 24
08 Mar 24
Review: Ed Upton has long been one of British dance music's most prolific producers, with his latest album on Hypercolour - the typically vibrant Spiral Dance - marking his 24th full-length excursion as DMX Krew since 1996. Its' 13 tracks are typically vivid, inventive and entertaining, with the Bedford-born producer rushing between intergalactic electro ('Always Hats'), sub-heavy UK techno futurism (the bleep-influenced 'Bathtime Bobby'), house-tempo dancefloor IDM ('Spiral Dance'), Spacetime Continuum style ambient techno (the chill-out room friendly 'Back To '92'), synth-laden analogue cheeriness ('Is This Normal'), heady beat-free soundscapes ('Hammer Slowly Forming'), early Autechre style electronica ('Ankle Grinder') and sweaty acid house ('FM Assembly').
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HYPELP 026
05 Apr 24
05 Apr 24
Played by: Juno Recommends Deep House
Review: Brand spanking new remix package of Ede & Deckert infectious new wave post-punk anthem "Immer" has landed and receives the deluxe treatment with a diverse array of remixers giving their own spin to the tale of lover's emotion! Berlin's Narciss delivers two distinct interpretations, showcasing a fearless approach to emotional peaks with delightful precision, while the Venice Remix busts out some vintage charm, perfect for primetime - oh yeah. A Salford version caters to a more rugged dancefloor environment, let's say, while Cinthie's grassroots house rendition takes it back to basics with a nod to DJ Duke. Alongside that we have a Curses Vocal remix that maintains the original vibe while switching up the language, allowing Kid Simius to then add a playful touch of sound reminiscent to Miami Sound Machine and Yazoo!
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RB 123-12D3
15 Mar 24
15 Mar 24
Review: Dutch duo Fouk, comprised of Daniel Leseman and Hans Peeman, unveil their latest offering in the vibrant Mirage EP for Dam Swindle's Heist Recordings! Picking up from their Blue Steel EP of 2021, these four originals take in a blend of funk and disco influences while presenting a dynamic exploration of the pair's musical palette, leaning towards a club-centric vibe. The EP not only highlights Fouk's distinctive sound but also features a powerful remix of the lead track by the talented Hardgroove artist Elisa Bee, adding an extra layer of energy to the record!
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HEIST082D
19 Apr 24
19 Apr 24
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OOSSHA 002D
08 Mar 24
08 Mar 24
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SOHASO 038
08 Mar 24
08 Mar 24
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FDN 004
19 Mar 24
19 Mar 24
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REKIDS 236
22 Mar 24
22 Mar 24
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JGT 115
29 Mar 24
29 Mar 24
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361738 5183807
02 Apr 24
02 Apr 24
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9008798 611195
19 Apr 24
19 Apr 24
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TKT 007
05 Apr 24
05 Apr 24
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PL 139NEW
15 Mar 24
15 Mar 24
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091012 659867
08 Mar 24
08 Mar 24
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DW 002
20 Apr 24
20 Apr 24
Review: Monty Luke's Nightdubbing project on Rekids was designed to showcase the Black Catalogue boss's deep love of dub-infused house and techno. This 13-track album combines previously unheard cuts with nine tracks previously showcased across a pair of EPs of the same name. It's a fantastic set all told, with highlights including the smacked-out electro-dub headiness of opener '40 Acres and a Terrabyte', the extra-percussive deep dub-house hypnotism of 'Bob Molly', the after-hours friendly minimalism of 'Star Storms', the Detroit-goes-dub techno pulse of 'New World/Old Future', the classic dub techno warmth of 'Dark Paradise', and the dub-wise deep house dreaminess of 'Avantgarde Dancehall'. Throw in a handful of tidy ambient and digital dub tracks, and you have a genuinely superb long-player.
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REKIDS 237
29 Mar 24
29 Mar 24
Review: Chinese producer Mr Ho impresses muchly with this release on his own Klasse Wrecks label. '000 Baby' in its Original form is a delightfully diverse concoction that blends ethereal synths, a haunting, lilting female vocal, drums that nod to early 90s street soul, Rastaman shouts, a big fat bassline and, as we get into the second half, lots of pleasing acid squelch. As if that wasn't enough Bristol boy Jim Coles, better known as Om Unit, then gives the track a deep drum & bass makeover that's enough to get the hairs on the back of your neck standing up and no mistake, guv'nor. Top drawer bizniss for sure.
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WRECKS 048
25 Mar 24
25 Mar 24
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DD 12
22 Mar 24
22 Mar 24
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AN 052
20 Mar 24
20 Mar 24
Review: Running Back boss Gerd Janson has been a fan of Raphael Schon for some time. Last year, he reissued the German producer's 2021 breakthrough hit, 'Fiesta 2000', on the Misfit Melodies offshoot. Now he's gone further still, offering up an expansive EP of brand-new music by the producer, all of which is shot through with references to dance music's storied past. Our picks of a very strong bunch include the sparkling positivity of the 303 bass-powered 'Bearhit', the riff-happy retro-futurist smoothness of 'Do You Like That' - whose breakdowns and drops are suitably excitable - and the kaleidoscopic, near techno-tempo joy explosion that is 'Distant City Transport'. The more nu-disco and maximal house influenced 'Sometimes I Miss You' is also superb.
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RB 130D
12 Apr 24
12 Apr 24
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STVOL010S 2
19 Apr 24
19 Apr 24
