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Baddy On The Floor
Baddy On The Floor - (3:42) 124 BPM
Review: Jamie xx and Honey Dijon team up for a floor-filling heater on "Baddy On The Floor," coming hot on the heels of a string of Jamie xx releases over the past few years, including "idontknow," "Let's Do It Again," and most recently, "It's So Good" in January. The track is a disco house fusion, pulsing with a classic energy. Jamie xx expertly weaves a sample of Keni Burke's "Let Somebody Love You" into the production, creating a sense of nostalgic familiarity. Honey Dijon adds their signature touch, infusing the polished sound with a hint of underground club magic. 2024 summer banger!
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YO289DS
15 Apr 24
Hit The Tracks EP
Hit The Tracks (feat Sansy - original mix) - (5:40) 122 BPM
This Feeling (feat Kria McKenzie - original mix) - (5:56) 126 BPM Hot
Dance (feat Carla Sceno - original mix) - (7:01) 120 BPM
This Feeling (feat Kria McKenzie - Birdee remix) - (6:48) 123 BPM
Played by: CheapEdits, Andy Buchan
Review: Brazil's Hugo Doche returns to East London-based label The Disco Express with three fresh slices of contemporary disco/disco-house. 'Hit The Tracks' features a very pop-oriented vocal from Sansy but also sports some excellent sax work, the Kria McKenzie-sporting 'This Feeling' has something of the lounge-y vibe of late 70s Brazilian disco but also comes accompanied by a significantly more house-ified remix from Birdee that for this reviewer is the standout track on the EP, while finally 'Dance' features Carla Sceno on mic duties and rocks crisp 4/4s and a fat funk bassline.
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XPRESS 68
12 Apr 24
Falling EP
Falling - (5:29) 123 BPM Hot
Move - (5:44) 124 BPM
Review: This Falling EP, a collaboration between Adana Twins and Upercent on TAU, epitomises the seamless synergy between these seasoned artists, delivering a strong statement within the melodic techno domain. Featuring tracks "Falling" and "Move," the EP blends emotive vocals, pulsating basslines, and a refined mix of electronic elements that err toward the TAU sound. Adana Twins' dynamic range and Upercent's avant-garde soundscapes converge here at large, showcasing a deep emotional resonance and meticulous attention to sonic detail in the project. "Falling," the titular track, sets the tone with its undulating bassline and poignant male vocals, while "Move" offers a more urgent tempo and powerful kick drums, crafting a dance floor-ready anthem of romantic yearning.
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TAU 052
12 Apr 24
Musica E Computer
Iris - (2:32)
A Corrente Alternata - (3:37) 125 BPM
Un Segnale Di Speranza - (5:07) 125 BPM
Accelerazione - (3:56) 120 BPM
La Domenica Del Villaggio - (0:43) 76 BPM
Errore Di Calcolo - (4:53) 125 BPM
La Memoria Dei Sistemi - (4:49) 127 BPM
Una Nuova Era - (3:06) 80 BPM
Review: Fabrizio Mammarella and Rodion deliver a momentous release with Musica E Computer - recorded in the legendary Marche Synth Museum in Italy. The opening track "Iris" sets an exceptional tone, exploring eerie, metallic tropical landscapes, while others like "A Corrente Alternata" and "Un Segnale Di Speranza" showcase Mammerella and Rodion's unmatched partnership, crafting enigmatic, timeless earworms with driving basslines and arcane vocoders. Throughout the album, the duo seamlessly blends synthetic and organic sounds, offering a geographic coda to the Italian region's rich musical history. Musica E Computer culminates in "Una Nuova Era", a transcendent homage to the recording synth drenched studio the album was recorded in which makes for some Italorama to the fullest!
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SLOMO 052
18 Apr 24
SCRUUSB023
My Mom Was Cool - (6:21) 122 BPM Hot
Let It Shine - (6:48) 124 BPM
Played by: FINGERMAN
Review: Six months on from his Scruniversal label debut, which we rightly waxed lyrical about, sometime Super Spicy and Elephant Chords contributor Nico Cortazzo drops a speedy sequel. Cortazzo hits the ground running with 'My Mom Was Cool', a sample-rich fusion of colourful nu-disco and string-laden disco-house flavours piled high with jazzy guitar licks, kaleidoscopic synth sounds and fuzz-fuelled electronic bass. He opts for a dreamier and smoother sound on the wonderfully saucer-eyed 'Let It Shine', a genuinely brilliant slab of tactile and enveloping deep house bliss. The man's got serious skills!
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SCRUUSB 023
05 Apr 24
If You Leave (Remixes)
Come On Now (Romanto remix) - (6:21) 110 BPM
Dimensions (Stephane Deschezeaux Organic remix) - (4:45) 110 BPM Hot
If You Leave (Rayko remix) - (6:04) 117 BPM
Review: Rare Wiri bring us three new rubs of the tracks that made up German nu-disco regular Andy Bach's 'If You Leave' EP, released in November last year. Romanto's take on 'Come On Now' strips away the deep house elements and transforms it into a hazy summer nu-disco jam, Stephane Deschezeaux's Organic Remix of 'Dimesions' injects a little more funk and soul into what was quite a trippy, Balearic-leaning original, before 'If You Leave' - a fairly 'accessible' and pop-oriented nu-disco cut in its original form - gets handed over to label boss Rayko, whose rework gives it a deeper, more underground kinda feel.
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RW 242
15 Apr 24
Into The Infinity Of Light
Into The Infinity Of Light - (6:46) 118 BPM
Such A Vibration - (7:24) 108 BPM Hot
Played by: Rayko
Review: Leeds-based Jay Dixon AKA Jay-Son specialises in dark, moody electronic disco and has chalked up releases on such labels as Rare Wiri, When Disco Goes Wrong, Paisley Dark and Nein Records, among others. Here he returns to the former with a two-track release: 'Into The Infinity Of Light' is a throbbing, pulsating workout that blends influences from Italo disco, Belgian new beat, coldwave and acid house, topping the lot with rave-y "come on!" shouts, while the accompanying 'Such A Vibration' is a hazier affair that operates at a much slower tempo and makes good use of some classic Loleatta vocal snips.
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RW 241
08 Apr 24
I'm Your Baby Tonight
I'm Your Baby Tonight - (5:56) 120 BPM Hot
I'm Your Baby Tonight (instrumental mix) - (5:56) 120 BPM
Review: "I'm Your Baby Tonight" isn't just a rehash of the past; it's a full-on nu-disco makeover. Mint Disco takes the well-loved melody and injects it with a shot of modern energy, creating a fresh dancefloor banger. The result is a captivating mix of the familiar and the new, a delightful balance of warm nostalgia and innovative spirit. This track goes beyond being a song; it's a sonic journey that warps time. Mint Disco's production magic breathes new life into the iconic tune, transporting listeners to a space where past and present blend seamlessly. The experience feels completely new yet undeniably connected to the original's charm.
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MINTD 001
05 Apr 24
Dreamer
Dreamer - (3:52) 120 BPM Hot
Carry Them - (3:50) 120 BPM
Where I Hide - (4:31) 120 BPM
Review: A typically varied three-tracker here from Flevans, whose output has spanned breaks, nu disco, soul and more. The EP opens with 'Dreamer', which brings the authentically 70s-sounding disco vibes. Next up is 'Carry Them', a sweeping, dramatic but hard-to-pigeonhole concoction made up mostly of breakbeats and delicate pianos that comes topped with a soulful male vocal. And then finally there's 'Where I Hide', which again has a piano front and centre but this time in much more sprightly fashion, accompanied by a female vocal and underpinned by a solid but unassuming 4/4 kick. 'Dreamer' takes the gold for yours truly.
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JAL 458
12 Apr 24
Mascara De Tigre
Mascara De Tigre - (6:10) 120 BPM
Mascara De Tigre (Prins Thomas remix) - (8:38) 120 BPM
Dreamers - (5:52) 120 BPM
Drummer's Dance - (5:36) 120 BPM Hot
Review: For the latest missive on his long-running Internasjonal imprint, Norse disco don Prins Thomas has turned to first-time collaborators SONNS (AKA South Korea-based Frenchman Timothee Victorri) and Mexcian maverick Inigo Vontier, a producer renowned for the psychedelic nature of his dancefloor workouts. The headline attraction is arguably title tracl 'Mascara De Tigre', a pleasingly percussive, offbeat and mind-mangling affair that wraps hazy piano motifs, trippy electronics and tactile vocal samples around an unusual but addictive beat. Prins Thomas remixes, giving the track a sleazy Italo disco-meets-weirdo house flex, before the pair offer up two more tracks: the acid-flecked nu-disco shuffle of 'Dreamers' and the post punk-goes-dark disco flex of 'Drummers Dance'.
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INTSS 012
12 Apr 24
The Hunter
Alnitak - (6:18) 126 BPM Hot
Alnilam - (4:39) 128 BPM
Mintaka - (6:15) 123 BPM
Alnitak (Void Complet remix) - (6:34) 129 BPM
Review: Not be confused with Nang disco veterans Kim & Buran, Buran are the Manchester duo of Ian Scott and Josef Wretham, and on this four-track EP for Insult To Injury they showcase a sound that sits somewhere between acid house, dark disco and techno, with analogue synths firmly at the heart of all they do. The first track, 'Alnitak', is a pure vintage-style acid workout, before things get a little more esoteric as 'Alnilam' throws world music influences into the pot. 'Mintaka' then pushes us firmly into techno territory, with Void Complet rounding out the EP by giving 'Alnitak' a spaced-out nu-disco makeover.
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ITI# 23
10 Apr 24
Choir EP
Choir EPEXCLUSIVE
Don't Forget (About Me) - (6:39) 116 BPM
Get Lucky - (6:15) 116 BPM Hot
Burning Down The House - (5:40) 103 BPM
Review: Leeds' own disco don Andy Buchan returns to Hot Gorilla with an EP consisting of what are, essentially, three nu disco-fied cover versions - specifically, his takes on 'Don't You (Forget About Me)' by Simple Minds, 'Get Lucky' by Daft Punk and 'Burning Down The House' by Talking Heads. But there's a twist - as the EP title suggests, each of those covers has been augmented by the employment of a full choir on vocal duties. It's an approach that may prove a bit 'Marmite' (for this writer, the treatment works best on 'Get Lucky') but it certainly makes a change from endless re-edits...
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HGR 046
05 Apr 24
World Series, Vol 3
Que Pasa - (5:07) 119 BPM
Conmbe - (5:08) 125 BPM Hot
Donme - (4:56) 117 BPM
Review: Argentinian producer and re-editor Alexny returns to Furious Mandrill with the third installment in a series that draws heavily on world music influences, though whether the three tracks here are re-edits or original productions is a little unclear. Either way, 'Que Pasa' is, unsurprisingly, a Latin-flavoured affair with dense layers of percussion and a one-line vocal, 'Conmbe' is a somewhat funkier affair with a full male vocal in an unknown language and some energetic guitar work that hints at highlife, while finally 'Donme' is a deep, shufflin' groove with choral vox (again in an unidentified tongue) and probably the best bet for non-specialist floors.
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FEP 027
17 Apr 24
My Lovin'
My Lovin' (extended mix) - (6:03) 123 BPM
My Lovin' (Elektrik Disko extended mix) - (5:13) 124 BPM Hot
Review: A couple of giants of the Aussie disco/disco-house scene collide as Glitterbox fave Dr Packer and Elektrik Disco join forces on an irresistible slice of Saturday peaktime disco-house action. Screamalong diva vocal? Check. Pyow-pyow-pyow stabs? Check. Handclaps? Check. Hands-in-the-air pianos? Check. Fat, squelchy funk bassline? Check! That's the Extended Mix, anyway... you also get the Elektrik Disko Extended Mix, which has a similar overall MO but rocks a different, walking bassline and is a bit less sonically busy, making this latter rub perhaps the pick for more underground/less commercial floors. File under 'infectious'.
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FP 013/01Z
05 Apr 24
Ladies On Mars Best Mixes, Vol 2
Various
Dennis Jones - "Celebration" (Ladies On Mars extended remix) - (6:52) 122 BPM Hot
Javier Penna & DiscoRocks - "Sure Know Something" (Ladies On Mars extended remix) - (6:52) 122 BPM
Dennis Jones - "I Was Made For Dancin'" (Ladies On Mars Club dub remix) - (6:24) 127 BPM
Dennis Jones - "Fireworks" (feat Ruff Diamond - Ladies On Mars extended remix) - (5:52) 132 BPM
Jimmy Brixton - "Bowie On Mars" (feat Frida Bollani Magoni - Ladies On Mars Club dub remix) - (5:02) 122 BPM
Villanis - "Get Up Girl" (Ladies On Mars extended remix) - (5:20) 122 BPM
Dennis Jones - "Going Back West" (Ladies On Mars extended remix) - (6:20) 119 BPM
Review: Since emerging in the late 2000s, Jonathan Braverman AKA Ladies On Mars has not only delivered tons of tasty original EPs, but also countless quality remixes. Here he takes a second trawl through his 'remixography', offering up seven more catalogue highlights. There's a swathe of re-rubs of tracks by Dennis Jones, including a suitably joyous nu-disco 'extended remix' of his 'Celebration' cover, an Italo-disco-meets-disco-funk 'Club Dub' of 'I Was Made For Dancing', and a deliciously detailed and sun-splashed extended rework of 'Fireworks'. Elsewhere, the Argentina-based producer delivers a wonderfully low-slung, Bobby Orlando-influenced nu-disco tweak of Jimmy Brixton's 'Bowie On Mars', and joins the dots between Italo-disco and 'French Touch' disco-house on an energetic revision of 'Get Up Girl' by Vilanis.
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FBCLOMBMV 2
05 Apr 24
Altared Disco Vol 2
Dance - (6:11) 124 BPM Hot
Never Turn Back (Jaegerossa remix) - (7:49) 120 BPM
Feel - (3:32) 117 BPM
Played by: FINGERMAN, Soulfuledge
Review: Given that Divine Who is a gospel-disco rework project helmed by Greg Belson (one of the world's most renowned gospel diggers) and Midnight Riot chief Yam Who, you'd expect this second volume in their ongoing 'Altared Disco' series to be packed to the rafters with killer revisions of dusty and obscure gems. It is, of course, with the pair hitting the mark straight away with 'Dance' - a thickset disco-house affair in which soaring gospel lead and backing vocals rise above chunky beats, infectious piano riffs and swirling sonics. 'Never Turn Back (Jaegerossa Remix)' is another peak-time ready house-style revision of a piano-powered, hands-aloft gospel-disco treat, while 'Feel' puts a new spin on a slap-bass sporting chunk of early '80s gospel-electrofunk.
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DIVINEDISCS 002
05 Apr 24
Fungi Mama
Fungi MamaEXCLUSIVE
Along With You - (4:33) 121 BPM
Fungi Mama - (5:13) 122 BPM
Get Up And Boogie - (5:25) 110 BPM Hot
Ghost - (4:31) 102 BPM
Latin Hustle - (4:43) 117 BPM
Peek At You - (5:14) 122 BPM
Sexy Stuff - (4:53) 123 BPM
Played by: Kongisto
Review: Montenegro-based rework maestro Mitiko (real name Sasha Mitich) has been a busy boy this year, with this EP-turned-mini album marking his sixth missive of 2024 to date. There's plenty to get the blood pumping and the feet moving across the seven tracks on show, from the lightly housed up vocal disco rush of 'Along With You' and the filter-sporting Afro-disco joy of 'Fungi Mama', to the slow-motion disco-funk headiness of 'Ghost' and the build-and-release excellence of the stomping, string-laden peak-time disco of 'Peak At You'. Those seeking mid-tempo thrills are catered for via 'Get Up and Boogie', while 'Latin Hustle' is a memorable revision of a Spanish language dancefloor gem.
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DF 175
12 Apr 24
Oslo Love Affair
Oslo Love Affair - (6:28) 120 BPM
Just Think About That Feeling - (4:53) 125 BPM
At The Beach - (5:04) 120 BPM Hot
Review: Boblebad - that'll be Norwegian for 'hot tub' or 'jacuzzi', then - goes by the name of Ulf Moen Denneche in real life and hails, unsurprisingly, from Oslo. Here he comes to Citizens Of Vice with three tracks of (mostly) heavily electronic nu disco, with the title track a jaunty, lolloping affair sporting some Daft Punk-esque guitar flourishes, 'Just Think About That Feeling' a slightly deeper, spacier number built for late-hours play, and 'At The Beach' the quirkiest and least synth-tastic cut of the three with its sampled seaside sounds, insistent hand percussion, Spanish guitars and kiddy vox.
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COV 051
12 Apr 24
Slo Mo
Slo MoEXCLUSIVE
Acid Chugger - (7:15) 108 BPM Hot
Fro Mo - (7:46) 108 BPM
Jazz Kat - (6:06) 108 BPM
Something For Your Soul - (7:51) 108 BPM
Review: A four-tracker here from Chewy Rubs, coming on his own Bandolier label and operating, as the title suggests, at a slightly lower tempo than is his wont. The EP opens with 'Acid Chugger', whose very name kindly saves yours truly having to think of what to say about it! 'Fro Mo' is another midpaced affair topped with dialogue samples, 'Jazz Cat' opens with a "this is a how it should be done" vocal sample (the first of many) and has a party-hearty, Jalapeno-esque feel, before finally we come to 'Something For Your Soul', another chugging, throbbing affair with treated, spoken vocal snips and lashings of acid bass.
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BAN 051
05 Apr 24
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