Review: Nottingham's Congi are duo Chord Marauders and Mimm Collective, who have got many heads nodding (out) to their killer releases on Deep Heads. Here though, they've aligned with Pressed for two slo-mo plunges into the deep end: "Paragon" is all echoes of urban ghosts and undulating bass, whilst "Disorder" features scattered stop/start beats and suspended synth suspense.
Review: What a spicy collection we have to dive into here as we check out the latest offerings from the Infernal Sounds crew, a fiery three way combination between FLO, OZ & Q100, delivering four system-ready pumpers. First up 'Cruizer' gives us a seriously weighty title track, sculpting sizzling synthesiser crunches and gnarly bass curls, tied up with animated sword-swinging percussion. Next, "Rewind" dives into a much more syncopated pattern, linking together spicy subs and aquatic FX, before the metallic crunches of 'Screwface' follow a similar rhythm with a lot more potency. Finally, a skippier number as 'Peeker's Advantage' takes elements of skippy UKG with tidy percussive pulses to round off a very exciting EP in style.
Review: We have come to expect nothing but top quality projects when viewing the latest Artikal Music releases, a stereotype they gladfully live up to here as Grawinkel is joined by a couple of very special guests for an explosive two tracker. We begin with the warbling bass tones and stunning drum processing of 'Reckless' which invites Busted Fingerz into the party. On the flip, we see Quasar get involved with some additional production work on system-ready sub slaps and aquatic textures of 'Data Dungeon'. Both tracks pack some serious umph on this one!
Review: This latest helping from the Bass372 crew sees us explore a pair of fun-fueled remix creations, exploring the much more dungeon-inspired end of the dubstep spectrum. First us, we take a look at the grizzly tones of OZ's 'Underdog' remix, taking Q1000 and PTF1987's plump original design and reworking it into a super skippy display of synth mounted sub-pressure, intertwined with a real cool collection of unique drum breaks and switch ups throughout. On the flip, Q100 then gets busy with another swampy rethink, giving OZ's 'Amber' original a system-ready shakeup, driven by colourful percussive intertwinings and gritty sub pulses. This is a fabulous pair of remixes and another success for the Bass372 squad.
Review: Whenever Monday comes around and we open up our upcoming releases folder and find a new release from the FKOF family, we genuinely jump for joy at this point, with their catalogue remaining so incredibly consistent for the last few years. We kick off this brand new four tracker from Q100 with a sizzler entitled 'Coleslaw', jam packed with speaker-busting sub movements and jolting rhythmic maneuvers, sending us left, right and centre right from the off. Next, the reese-driven madness of 'Cuticle' and skippy drum / explosive sub textures of 'Steppin' both provide us with some serious energy, before the sharpened snare slaps and bulging basslines of 'Yasno' put the final touches on the project. Outstanding work!
Review: As we now dive into this fabulous new four-tracker from q100 alongside the Bass372 team, it's safe for us to say that dubstep is in a very strong place indeed. This project kicks off with a serious slap as 'Fake ID' delivers a combination of spacey atmospheric designs with powerful, punching synthesizer action to really set alight the EP. Next, 'Bojack Riddim' unleashes a sizzling wall of sub, topped with syncopated wonky rhythms and some serious sidechaining, before the emotive melodic structure and shifting percussive drips of 'N-gon' take the EP to a completely different level. Finally, 'Platypus' gives us a subtle finale, with yet more fantastic bass design and clear, precise snare work working some real magic.
Review: It's always an exciting thing to see a new drop from q100, one of dubsteps most exciting sound designers of the modern era, who unloads a serious box of weaponry here, courtesy of Bass372. We begin with the creeping, dungeon-ready bass drones of 'Hallux', a title track dripping in squelchy, abstract synth creation, with the more stripped back sub squelches of 'High Score' and syncopated percussive pulses of 'Olivier Endowment' in hot pursuit. From here, more skulking shaker work as 'Kindest Soul Man' gives us a taste of something very new indeed, with q100's remix of Head Space's 'Bandito' providing one final sub-driven gutpunch to close off the EP with a slap.
Review: It would appear that Eyesome have unleashed a real Christmas treat with this one as they welcome the wonderful sounds of Q100 inside for a very tasty exploration into futuristic dubstep-inspired flavour. We begin with 'Adala', which alongside Ohwy unleashes an almost EDM-inspired take on the dubstep sound with huge, room-shaking drum processing and trap-like melodies to kick start the EP with a slap. Next, the haunting bell melodies of 'Descanso Drive' give us a taste of demonic delight, before eastern-inspired strings and shuffling drums of 'Kiisa' give us a sharp landing. Straight into a piece of techy-neuro fusion next as 'Randla' ups the pace with some brain-sizzling drum processing, before we jump into two very tidy remixes. First up, Qant gives 'Kiisa' a percussion-heavy once over, exploring glittering atmospheric pressure with a jittering melodic approach, before HOLDEM unleashes a freezing cold rethink of 'Adala', doused in system-shaking synthesizer switchups and bringing a close to a very well thought out selection from Q100.
Review: The Bass372 crew have unleashed a box of monsters with this exciting new collection, featuring some of the most potent dubstep producers currently working in today's scene. We open up the event with Q100, who delivers a subterranean onslaught with the dippy basslines and crunchy percussive squelches of 'Scoville', followed by Ninety who arrives with a sumptuous punch of dubwise heat on 'One-Eyed Mask'. From here, Q100 & PTF1987 welcome Bisweed inside on an official remix for 'Narva', a floaty, post-grime sweep through ethereal harmonics and harsh horn stabs, before the warbling sub triplets of 'X-RAY' are unveiled for a final slap of low-ended goodness from Oddkut. What a collection this is
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