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871294 4444995
05 Apr 24
05 Apr 24
Review: Over the last few years, Martin 'Atjazz' Iveson has spent a fair amount of time mentoring Peacey, a young producer with oodles of talent. That much is proved by the rising star's expansive debut album, a superb 16-track set that combines sizzling colo cuts with a string of inspired collaborations. The Edinburgh-based artist sets his stall out via the luscious horn arrangements and immersive ambient electronics of 'Play It By Ear', before drifting between head-nodding R&B loveliness (Oveous hook-up 'Love In The Forest'), sensual and seductive, soul-flecked deep house ('Hold Me Back' with Clyde and Atjazz), mid-tempo boogie-soul ('Playground' with Rona Ray), dubby and dreamy downtempo grooves ('Last Night's Dream'), deep and techy, spoken word-sporting dancefloor workouts ('Culture Bandit' with Vanessa Hidary) and jazz-funk influenced excellence (LaRoye collab 'In The Distance').
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ARC 230AD
05 Apr 24
05 Apr 24
Review: "I'm Your Baby Tonight" isn't just a rehash of the past; it's a full-on nu-disco makeover. Mint Disco takes the well-loved melody and injects it with a shot of modern energy, creating a fresh dancefloor banger. The result is a captivating mix of the familiar and the new, a delightful balance of warm nostalgia and innovative spirit. This track goes beyond being a song; it's a sonic journey that warps time. Mint Disco's production magic breathes new life into the iconic tune, transporting listeners to a space where past and present blend seamlessly. The experience feels completely new yet undeniably connected to the original's charm.
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MINTD 001
05 Apr 24
05 Apr 24
Played by: GATY LOPEZ
Review: Nick Curly showcases his mastery of the underground house scene with the "Come Right Back" EP, released through Cécille Records! Hailing from Mannheim, Germany, Curly's influence spans two decades, with his imprint 8bit shaping the city's distinct sound. "Come Right Back" kicks off the EP with Curly's trademark swinging drum groove, fused with a filtered disco loop and choppy stabs, crafting a dance floor-focused workout. On "Arkum", Curly delves into deeper, darker realms, blending organic percussion and gritty bass stabs with tension-building strings and spoken word vocal chops, resulting in a loop-driven, subtly unfurling peak-time tool with its subtle intricacies.
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CEC 054
12 Apr 24
12 Apr 24
Review: Wallace's first outing on Rhythm Section International was genuinely brilliant, so hopes are naturally high for the rising star's sequel. Check first deep, dubby and driving title track 'Papertrip', where echoing, dub techno style motifs, restless piano riffs and infectious hand percussion hits rise above a kick-drum-driven beat and a jazzy bassline, before admiring the ragga vocal-sampling speed garage revivalism of 'BB' (note the nods to mid-90s MK and a genuinely weighty bassline). 'The Function' joins the dots between skippy US garage rhythms and ultra-deep, dubbed-out house, while 'Backwaters' adds sunrise-ready sounds and psychedelic electronics to another deep, skippy and sub-heavy house groove.
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RS065D
05 Apr 24
05 Apr 24
Played by: Dan Speed
Review: D'EAUPE, the forward-thinking record label spearheaded by electronic music duo Shermanology, unveils a stacked remix package for their previous Roots EP. Featuring a impressive lineup of artists, each naturally brings a twist of style to the original numbers. Rene Amesz leads the charge with his pumping remix of "Jabula", blending Verseless & King Her's vocals with some heaving beats. Hector Couto pulls out the filter sweep in his remix of "Touch" while SYREETA's dubbed-out breakage of "Jabula" offers a fresh perspective with a flow of dynamic house rhythms and heavy bass weight undertow. WZA's club mix of "Hijos De La Noche" turns the saw waves and garage vibes up to 10 leaving Chico Rose's reimagining of "Coco Loco" to hold down a super solid and techy groove. Sherminated.
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DE011R
05 Apr 24
05 Apr 24
Played by: Andy Vann/Grass Green
Review: Kerri Chandler continues to mine the untapped depths of his musical vaults and here serves up a third dose of previously unreleased gems. Chandler first offers up 'Let It (Give Me Back My Love)', a typically joyful, hip-swinging and effortlessly groovy chunk of vocal deep house featuring Abbie Lee, before reaching for fluid piano motifs, super-soulful male vocals (possibly his own) and Kenny Dope style broken house beats on 'Another Dawn'. 'The Bassline (Kerri's Dark Mix)' is a moody, percussive and infectious slab of early morning house, while 'The Breeze (Original Mix)' is a drum machine driven box jam that deftly showcases Chandler's immense skill as a beat programmer.
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KT 033
12 Apr 24
12 Apr 24
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AGRIO 001
05 Apr 24
05 Apr 24
Review: Fresh from outings on 8Bit and Dirtybird, Audiojack return to the label they established way back in 2010, Gruuv. In keeping with the Yorkshire-raised duo's outings on the imprint, it's a tightly focused and club ready two-tracker. First up is 'Somebody', a rumbling, body-moving slab of 1997 speed garage revivalism - all Armand Van Helden 'dark garage' bass, dark synth strings, echoing vocal snippets and chunky house drums - which sounds like a genuine peak-time anthem in the making. They continue the "arms aloft" vibes on the similarly large title track, 'Release Yourself', which mixes vintage UK garage influences with nods to contemporaneous big room NYC house sounds.
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GRU 131
12 Apr 24
12 Apr 24
Jamie xx feat Honey Dijon
Review: Jamie xx and Honey Dijon team up for a floor-filling heater on "Baddy On The Floor," coming hot on the heels of a string of Jamie xx releases over the past few years, including "idontknow," "Let's Do It Again," and most recently, "It's So Good" in January. The track is a disco house fusion, pulsing with a classic energy. Jamie xx expertly weaves a sample of Keni Burke's "Let Somebody Love You" into the production, creating a sense of nostalgic familiarity. Honey Dijon adds their signature touch, infusing the polished sound with a hint of underground club magic. 2024 summer banger!
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YO289DS
15 Apr 24
15 Apr 24
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ARLO 009
12 Apr 24
12 Apr 24
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5021732 238405
12 Apr 24
12 Apr 24
Reel People, Muhsinah & Mark Francis - "Something New" (Mark Francis extended edit) - (6:09) 117 BPM
Mr Milk Dee, Jill Rock Jones & Sean McCabe - "2 Positions" (Sean McCabe Cosmos dub) - (5:21) 121 BPM
Lydia Harrell, Turbojazz & Sean McCabe - "Heard It All Before" (Turbojazz & Sean McCabe remix) - (7:04) 120 BPM
Diephuis, Turbojazz & Sean McCabe - "Listen To This Drum" (feat Ursula Rucker - Turbojazz & Sean McCabe remix) - (6:57) 124 BPM
Jimpster, Rich Medina & Sean McCabe - "This Thing" (feat Turbojazz - Sean & Tommy's Old Skool dub) - (5:41) 121 BPM
The Layabouts, Omar & Sean McCabe - "As Long As You Believe" (feat Turbojazz - Turbojazz & Sean McCabe remix) - (6:22) 123 BPM
Review: Foliage Records presents the next version of their compilation series Deep Rooted via Bristol legend Sean McCabe! This eighth edition unearths some fresh gems from trusted stalwarts like Atjazz and Jimpster, with Sean McCabe himself throwing down twice with Karmasound in "A New Day" alongside others like Harold Mathew's Jr in a extended vocal mix of "This Place" to something else with Turbojazz and Monica Blaire in "Don't Look Down". Full of pure house vibes, McCabe takes on Taliwa in a remix of "Music For My Sun", while other stand out numbers include Blaze's deep and stuttering "Celestine Prophecy" and Black Sonix's percussive "Afrotone". Don't sleep on McCabe's Deep Rooted mix either to see how well all of this curation comes together.
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FNDC 008
05 Apr 24
05 Apr 24
Review: Nine months on from the release of the throbbing and pulsating 'Zombie Dance' on Permanent Vacation, Zombies in Miami return to their Creatures of the Night label - the Mexican duo's first appearance on the imprint since 2022's fine collaboration with Lauer, 'Michelada Brothers'. On 'The Rhythm', the duo takes a different tack, dispensing with nods to Italo-disco in favour of weighty tribal house beats (think late '90s Junior Vasquez and Danny Tenaglia), restless electronic bass, echoing vocal snippets and mind-mangling effects. It's genuinely fantastic and comes backed with two tidy reworks: a pots-and-pans-percussion propelled dancefloor dub by Cani, and the sleazy, low slung and stretched-out 'Factory Setup' remix.
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COTN 005
12 Apr 24
12 Apr 24
Review: Professor Oz's latest release on Rezpektiva isn't your average album. It's a treasure trove of unearthed gems, a 8 tracks compilation showcasing the French producer's visionary work from 1986 to 1995. Entitled "The Lost Experiments," these previously unreleased tracks feel remarkably fresh despite their age. Remastered from the original DAT tapes, the album brims with infectious energy. Professor Oz, a self-proclaimed "sonic wizard," weaves dusty breakbeats and proto-techno grooves into a heady concoction. Tribal drumming and swirling, trance-like synths add a touch of the exotic, while the album's progressive song structures and pulsating acid basslines ensure it remains firmly rooted in dancefloor territory. These tracks prove that even decades later, Oz's forward-thinking sound and genre-bending production still feel innovative and exciting.
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3617385 216239
05 Apr 24
05 Apr 24
