Review: Ukraine's Dub Killer doesn't mess around: both 2015 and 2014 saw the release of three full length albums. Will he keep up this prolific tradition? Possibly, although the wait between Abyss and his last album Caravan is the longest wait we've ever had between albums (six months FYI) Those who know Dub Killer's output will know the wait's been worth it as we dive deep into his own abyssal universe. And if these words don't convince you, the unruly amen slappery of "Vision", the prangtastic cavernousness of the title track, the stark intertwined acid/vocal texture of "Pulsar" and the hypnotic drumwork of "The Voodoo Shamans" certainly will.
Review: Super-prolific dank vibe engineer Dub Killer lays down his fourth long player in the space of 12 months... And it's one of his best yet. Caravan see the Ukraine artist dig deeper into the endless polyrhythmic of the genre, testing different grooves and drum elements amid the foggy atmospheres he weaves; the nagging cymbal splashes and heartbeat kicks on "The Law", the hooky techno-like drive and tribal tones of "Hold On", the bare minimalism of "Fear" are just three examples of Dub Killer's murderous technique. Broken neatly with the refreshing vocal presence of ZiaFlow, this works as really well seamed album just as much as the individual tracks do in the dance. Journeys.
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