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Arts
Browse the latest digital releases on Arts
Review: After a series of releases for labels like Apotek and Knotweed, Non Reversible debuts on Arts with a stunning EP. The title track is based on pounding drums and resounds to a mixture of sweeping, epic filters and surging acid lines, like Mark Williams meets Emanuel Top. On "Transcendence", a similar rhythmic approach applies, with the fast-rising artist dropping a looped vocal sample against the backdrop of tranced out synths that shimmer and cascade their way to a fitting climax. "Hypnotism" is set to a similar pace, with Non Reversible delivering a fast-paced roller that is redolent of the more frenetic end of loop techno labels like Primate.
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ARTSX 014
04 May 20
Techno
04 May 20
Techno
Various
Julian Muller - "Rising Voices" - (6:43) 138 BPM
Judas - "J_EX4" - (5:52) 129 BPM
Introversion - "Cataphiles" - (6:56) 130 BPM
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ARTSCOMP 2019
30 Dec 19
Techno
30 Dec 19
Techno
Various
Forward Strategy Group - "Lovejoy" - (7:06) 130 BPM
I Hate Models - "Izanami" - (9:01) 140 BPM
Played by: Juno Recommends Techno
Review: It's fair to say that this release has been a labour of love. Five years in the making, label owner Emmanuel has chosen a collection of tracks from his dream team of techno producers. This means that ASC's breathy ambience "Stasis" sits beside deep, at times acid -soaked pulsing rhythms from Boston 168, Unbalance and Forward Strategy Group as well as peak-time rollers from emerging artists like Cleric and industrial bangers courtesy of scene veterans like Dustin Zahn. While the inclusion of producers such as Subjected and the fast rising I Hate Models is sure to put increased focus on this compilation, its real, lasting value are the more cerebral contributions such as Emmanuel's own "Bridge of Quietness".
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ARTSBOX 001
04 Feb 19
Techno
04 Feb 19
Techno
Played by: Juno Recommends Techno
Review: Vinicius Honorio outta Brazil slips out a fourth release for the year on the impenetrable ARTS label following stints on Drumcode and Planet Rhythm among others before that. Going hard as f*** on industrial acid tracks like "Stardust", percussive, dub techno and warped tribal elements push through to the surface on "Le Boi". Groovier, almost housed-up rhythms hit the beat in "They Are The Same" with its narrative vocal and storytelling, with a burning rhythm-track and warehouse groove sealing the deal in "Ebb & Flow". It's ARTS, it's techno.
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ARTSX 021
28 Dec 20
Techno
28 Dec 20
Techno
Review: It's been four years since Tim Tama's debut on ARTS, and in the interim, his profile has continued to rise, with acclaimed releases on PRSPCT SSSPCR and Dreamscape. "Essence" kickstarts the EP with epic synth lines and hypnotic break beats, a compelling combination of big room techno and 90s trance. The title track follows a more linear path, with Tama dropping a dense, looped groove and slick percussion, with these elements providing the basis for emotive, filtered builds. "Yowoja" is deeper, as the Dutch producer veers towards cinematic soundscapes, supported by resonating kicks, while "Temperance" is a melancholic, mellow techno jam in the Border Community vein.
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ARTSCOLLECTIVE 034
04 Mar 22
Techno
04 Mar 22
Techno
Played by: Juno Recommends Techno
Review: Following a series of well-received releases on Par Avion and Glass Talk, Henry Greenleaf debuts on ARTS. Caught is sure to turn a lot of heads; the title track is a Detroit-influenced stepper that uses tripped out samples - is it a voice or a synth? - while on "Pass Up", Greenleaf focuses on a similar approach, but this time puts expansive textures at the heart of his broken beats. On "Sign Replacement", he heads towards the dance floor, but his approach is unconventional, with a wall of glitchy bleeps fused with his relentless breaks. "Formula" is another rich amalgamation of sound, with slowed down sirens and gloopy tones unravelling over tight drums.
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ARTSX 019
02 Nov 20
Techno
02 Nov 20
Techno
Review: Yan Cook is one of modern techno's most consistent producers, hitting the target with tough, impactful tracks. This release on ARTS is no exception, and gets under way to the sound of the title track's hypnotic pulses and atmospheric synths. "Infrared" is tougher, resounding to rolling tribal drums, insistent filtering and understated vocal samples. "Olympus Mons" sees Cook go deeper, with warm synths, outer space bleeps and crisp claps to the fore, but it's only a temporary divergence: "Shapeshifter" places the Ukranian artist at the very heart of the dance floor, with menacing, Mike Parker-style tones unravelling over heavy kicks.
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ARTSCORE 014
08 Mar 21
Techno
08 Mar 21
Techno
Review: Pause delivers the latest EP on the established ARTS imprint with the innovative Coureur D'Etoiles. It's all about the bass on the title track, with a woozy low end underpinned by subtle minimal beats. "Blind Light" is of a similar disposition. Led by spaced out filters and rickety drums, it sees Pause deploy a murky low end again. "Orage Magnetique" veers towards the Mike Parker school of speaker-levelling tones and static interference, albeit at a slower pace. "Masked Form" sees percussion filtered over a squelchy bass. Meanwhile on "Infinite Road", Pause picks up the pace in an unusual manner, dropping subtle off beats and a reverberating low end.
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ARTSX 043
08 Mar 24
Techno
08 Mar 24
Techno
Review: Over the past five years, ARTS has become one of techno's most consistent labels. Listening to Dark Matter 002, the latest release from the imprint's owner, Emmanuel, it's not hard to understand why. "Hype Beast" kick starts the EP with a stepping rhythm and filtered chord builds, that are not too far away from Shed's Equalized project. "Rejected" is a far straighter, linear affair, with the Italian producer laying down insistent riffs, tonal stabs and smart filtering, all over banging drums. Leaving the most unusual track to last, "Jungle Ting" sounds like it was inspired by early Oliver Ho, as layered textures and samples unfold over an intricate tribal drum sequenc
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ARTSLTDD 009
12 Mar 18
Techno
12 Mar 18
Techno
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ARTSCORE 001
10 Jul 17
Techno
10 Jul 17
Techno
