Review: Emiel van den Dungen (aka Milio) and Raynor de Groot are on a roll at the moment, releasing a new EP every few weeks it seems, The outlet as always is Amsterdam's Atomnation, who now present their End Of Time extended EP, where the duo known together as Tunnelvisions serve up six tracks. It's quite the collection we must say, altogether outlining their impressive take on advanced deep house music. From the slinky and hypnotic trance reductions of opener "Acid Wonderland" and its infectious vocal atop, to the deep and meditative tribal syncopations of "King Cobra" as well as the generous inclusion of previous singles "Waiting For The Morning" and "Mirrored Identities". Ending with the title track, which is a bouncy and neon-lit title groove going down a surprising nu-disco route - in impressive fashion.
Review: Amsterdam's Atomnation return with homeboys Tunnelvisions, who follow up a terrific release a couple of weeks ago by the outfit's other half - Emiel van den Dungen aka Milio. Rest assured he's back with Raynor de Groot on the slinky and hypnotic deep house journey "Waiting For The Morning" which has a melodic and subdued sound that is the perfect sunset soundtrack if we've ever heard one. Followed by the groovy minimal house affair "Mirrored Identities" which borders on Italo disco moments with its vocoder flourishes and all round cosmic aesthetic.
Review: Amsterdam-based Atomnation return with more slinky and hypnotic house courtesy of Emiel van den Dungen aka Milio: one half of the duo Tunnelvisions. His sophomore EP features two tracks which again involved much experimentation with various equipment. There's the bouncy and ethereal tech house of "Moment Of Truth" and its icy dub techno influence, followed by the title track which is more influenced by UK tech house, yet features some sublime Roland 303 acid as featured on his previous EP - altogether taking you deep into the stratosphere.
Review: Part two of Tunnelvision's Celestial remixes on Yor Kultura include four artists: UK emotive house hero Mike Greene aka Fort Romeau delivers his idiosyncratic touch to the tribal house cut "Rafaka's Song", Berlin's David Mayer goes all magickal on the dancefloor drama of "Oishi's Sword", Madrid-based Italian Bawrut goes down a retro route on his rendition of "Imaja's Drum" and label bosses themselves Yor Kultura go down an arcane route on the spiritual raindance vibe of "Umaid Dance" which will take you deep into the Amazon.