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While He Sleeps - (8:59) 120 BPM Biggest-selling track on this release
   
Kindt - (8:06) 124 BPM
   
Sebald - (9:48) 120 BPM
SIMPLE 0940
13 Sep 09
Deep House
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Low Point On High Ground - (9:41) 120 BPM
   
Low Point On High Ground (DJ Sprinkles Rock Bottom mix) - (12:52) 120 BPM Biggest-selling track on this release
   
Adultnapper - "North Of Us" - (6:17) 124 BPM
SIMPLE 1048
14 Sep 10
Deep House
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Appleblim & Komon - "Motion Blur" - (6:03) 123 BPM Biggest-selling track on this release
   
Appleblim & Komon - "Key Vision" - (6:50) 126 BPM
   
Komon - "Astir" - (6:09) 118 BPM
   
Appleblim - "Echo's Retreat" - (7:08) 120 BPM
Review: Bristol-based Kieran "Komon" Lomax and Laurie "Appleblim" Osborne deliver an impressive follow-up to the recent Jupiter EP, their first collaborative release. Like its predecessor, Motion Blur features a range of angular, off-kilter tracks that fuse their techno and deep house sensibilities with a range of bass music influences. The title track sounds like classic US garage given the loose two-step treatment, while the more atmospheric but no less rubbery "Key Vision" douses smooth textures in acid-flecked electronics and bubbling, horror-influenced chords. The EP is completed by two solo tracks. Lomax's "Astir" is woozy, melancholic and built around decidedly live-sounding drums. Osborne takes a different but no less intoxicating path on "Echo's Retreat", which is a heady chunk of otherworldly techno in his distinctive style.
AUS 1466
01 Sep 14
Deep House
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Appleblim & Ramadanman - "Sous Le Sable" - (10:05) 126 BPM
   
Martyn - "For Lost Relatives" - (4:54) 127 BPM
   
Martyn - "Electric Purring" - (3:57)
   
Pearson Sound - "Indelible" - (4:57) 126 BPM Biggest-selling track on this release
AUS 0920
25 May 09
Deep House
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Cirlces - (6:48) 129 BPM
   
NRG106 - (7:04) 125 BPM Biggest-selling track on this release
AUS 1462
16 Jun 14
Deep House
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Just - (6:12) 120 BPM Biggest-selling track on this release
   
Celeste - (6:03) 125 BPM
   
Back 2 U - (7:44) 122 BPM
   
Back 2 U (instrumental) - (7:44) 122 BPM
AUS 1580
22 Jun 15
Deep House
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You (feat Ejeca) - (5:35) 132 BPM Biggest-selling track on this release
   
Don't (feat Omar Odyssey) - (6:07) 120 BPM
   
You (feat Ejeca - Steffi remix) - (7:25) 65 BPM
AUS 1239
16 Jul 12
Bass
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Artis - (5:46) 122 BPM Biggest-selling track on this release
   
Ode Oshi - (6:26) 117 BPM
   
This Ones For You You Know Who You Were - (8:13) 125 BPM
AUS 1461
19 May 14
Deep House
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Anna Love - (7:49) 126 BPM
   
Dim Sum - (7:24) 128 BPM
   
Purple - (5:50) 125 BPM Biggest-selling track on this release
Played by: Pablo del Monte
AUS 1578
25 May 15
Deep House
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Homeboy - (6:37) 127 BPM
   
50% Maximum Power - (7:04) 124 BPM
   
Muscle Powers Final Hour - (10:01) 126 BPM Biggest-selling track on this release
Review: Gate is Nathan 'Bwana' Micay's third release on Will Saul's Aus, and sees the Canadian-in-Berlin drop more complex, futuristic house music. Opening track "Homeboy", with its granular percussion and one-note filtered stab, is redolent of big room minimal, while at the other end of the spectrum, there's "50% Maximum Power". Here, the beats are heavy, the claps crisp and the synths full of the bright-eyed optimism of early 90s techno-trance. Add in some well-placed screeches and the track has a real old school feeling. Finally, just to show that he is effortlessly chameleon-like when it comes to productions, Bwana drops the big diva wailing-house of "Muscle Powers Final Hour".
AUSDIGI 001
13 May 16
Techno
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Tengo - (6:34) 129 BPM Biggest-selling track on this release
   
Drop Mechanism - (7:10) 125 BPM
   
Due West - (6:15) 129 BPM
AUS 1577
04 May 15
Deep House
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Flute Dreams - (5:44) 126 BPM Biggest-selling track on this release
   
Flute Dreams (SMD remix) - (6:08) 126 BPM
   
Fizzle - (5:07) 126 BPM
   
Aomame - (6:11) 126 BPM
Played by: John Digweed, Monki
AUS 1472
29 Dec 14
Minimal/Tech House
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Move (Marcel Dettmann remix) - (5:46) 128 BPM Biggest-selling track on this release
   
All I Do (Ron Bacardi remix) - (6:25) 126 BPM
   
Keep Trying (Radio Slave Raw remix) - (9:36) 124 BPM
   
Feel (Yoruba Soul mix) - (10:00) 120 BPM
   
Keep Trying (Radio Slave 100 remix) - (11:46) 100 BPM
   
Keep Trying (D'Julz edit) - (7:01) 123 BPM
   
All I Do (King Britt Aira mix) - (7:19) 130 BPM
Review: For this expansive double-pack of reworks of tracks from Cassy's debut album, Donna, Will Saul has assembled an impressive cast of remixers. First out of the blocks is Marcel Dettmann, whose hypnotic, late night interpretation of "Move" fixes dubbed-out organ riffs to a bustling techno rhythm. Ron Bacardi's version of "All I Do" sounds like a cross between Twilo-era tribal house, and bumpin' old skool U.S garage, while Radio Slave is at his druggy, early morning best in stretching out "Keep Trying" (first on the club-friendly "Feel Raw" mix, and later on the K-hole embracing, pitched-down "100 Reasons Remix"). If that wasn't enough to set the pulse racing, there's also a brilliantly melodious and emotion-rich remix of "Feel" from Yoruba Soul.
AUS 102DG
02 Sep 16
Techno
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This Is How We Know - (2:29) 82 BPM
   
Feel - (6:18) 120 BPM Biggest-selling track on this release
   
Back - (4:44) 123 BPM
   
All I Do - (5:10) 126 BPM
   
Strange Relationship - (4:17) 93 BPM
   
Cuando - (2:14) 85 BPM
   
Route To Thonon - (4:49) 120 BPM
   
Keep Trying - (5:03) 123 BPM
   
Move - (6:42) 125 BPM
   
Without You - (4:31) 123 BPM
   
What If - (4:48) 123 BPM
   
You Gotta Give - (3:27) 107 BPM
AUSCD 007D
24 Jun 16
Deep House
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Back - (4:44) 123 BPM
   
Back (ItaloJohnson remix) - (6:37) 126 BPM Biggest-selling track on this release
   
Back (Mr. Tophat & Art Alfie's Karlovak remix) - (5:39) 123 BPM
AUS 1699D
08 Jul 16
Deep House
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Trust - (7:02) 123 BPM Biggest-selling track on this release
   
Lost At Sea - (8:09) 126 BPM
   
Hip Swing - (5:15) 134 BPM
Review: A stalwart of the burgeoning Berlin scene for several years, Cinthie is the DJ and producer behind top labels such as Beste Modus (with Steven ain't leavin) Unison Wax and We R House. She brings her infectious sound to Aus Music here on the Trust EP, where she once again looks to classic US house aesthetics but polishes them with an vibrant and modern edge. From the hypnotic bounce of the title track and its lovely marimba led melody, the funked/up polyrhythmic groove of "Lost At Sea" and its irrestibalt Afro influence or the striped back groove tool "Hip Swing" that is perfect tackle for the afterhours - Cinthie brings the goods once again.
AUS 134D
21 Dec 18
Deep House
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Mesmerizing - (6:59) 125 BPM
   
Time To Move - (5:46) 124 BPM Biggest-selling track on this release
   
Dancing - (5:45) 125 BPM
Review: Cinthie Christl continues to go from strength to strength, with this impressive return to Aus Music following hot on the heels of a trio of versatile and club-ready EPs on her own Crystal Grooves imprint. Intriguingly, all three tracks on the "Mesmerizing" EP look to disco for inspiration, combining Salsoul style drum hits and sweeping orchcestration with bumpin' bass, vocal samples and drum machine kicks inspired by the Halcyon days of New York house. It's a winning formula all told; check, for example, the swirling samples and peak-time-at-the-Paradise-Garage flavas of "Dancing" and the undulating strings, heavy analogue bass and Todd Edwards style vocal cut-ups of the outstanding title track.
AUS 140D
24 May 19
Deep House
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No Love Lost (feat Kid A) - (4:10) 158 BPM
   
No Love Lost (feat Kid A - Seven Davis JR remix) - (7:23) 65 BPM Biggest-selling track on this release
   
Lacuna Slide - (4:15) 129 BPM
   
WAL - (6:35) 129 BPM
Review: Surprisingly, this is the first time Aus Music boss Will Saul has released on the label under his Close moniker, following the eclectic wooziness of his Getting Closer full-length for !K7. It's a bit of an all-star affair, with Second Storey (AKA old pal Al Tourettes) and vocalist Kid A coming along for the ride. While the bonus cuts explore familiar bouncy, off-kilter, heavily electronic house and techno territory, the real killer is "No Love Lost" - a Nicolette style post trip-hop jam which places Kid A's vocal atop heavy post-punk bass, dark textures and jazz-flecked, near jungle tempo rhythms. Man of the moment Seven Davis Junior provides a superb remix, too, re-casting the original as a two-step influenced chunk of loopy deep house.
AUS 1467
29 Sep 14
Bass
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Relapse - (7:35) 112 BPM Biggest-selling track on this release
   
Relapse (Cosmin TRG remix) - (5:39) 125 BPM
   
I Remember - (9:15) 116 BPM
AUS 1242
28 Nov 12
Deep House
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Auogeides 77 - (5:35) 126 BPM
   
Driftmore - (4:47) 128 BPM
   
Defrase - (5:24) 130 BPM Biggest-selling track on this release
Review: With a string of releases on Local Talk and Numbers to his credit, Deadboy now makes his debut on Will Saul's label. Combining his raw drums and rhythms with dreamy, bliss-filled chords on the title track, Deadboy has created a new vision for deep house / techno. It makes for a wonderfully evocative sound. There's a similar mood prevalent on "Defrase", where a rickety rhythm and snappy percussion provide the backing for a spell binding, chiming synth line. "Driftmore", with its rolling, linear groove and squelchy bass, is the most conventional composition on this release, but Deadboy imbues it with a soulful undercurrent that ensures it, like the other tracks, stand head and shoulders above other deep house releases.
AUS 121D
17 Nov 17
Techno
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Count On Me - (5:30) 124 BPM
AUS 1350
26 Aug 13
Deep House
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Smoke Stained Ivories - (6:50) 120 BPM
   
Guilty Measures - (6:37) 122 BPM Biggest-selling track on this release
   
RIP Vogel - (6:06) 122 BPM
   
Beckett's Racket - (6:13) 122 BPM
Played by: Vince Watson, Alkalino
AUS 1575
13 Apr 15
Minimal/Tech House
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Linda's Theme - (6:57) 122 BPM
   
Vocoders Revenge - (6:32) 120 BPM Biggest-selling track on this release
   
Day's With Poly - (6:05) 122 BPM
Review: Having made his Aus debut last year, restless producer Tom Demac makes his return to Will Saul's ever-dependable stable of talent with Linda's Theme. The title track is a raucous combination of raw, off-kilter drums and resonant 303 bass in the Gerry Read mould, characterised by its bold sample which sounds like it was ripped from a lost psychedelic 7" from the 1960s. "Vocoder's Revenge" is a little more what we'd expect from the producer, combining deep, sleazy sub bass and the titular vocoder which sounds like a codeine addled Daft Punk, while "Days with Poly" starts out as a stern tech house bumper before travelling into more emotive territory thanks to its soulful female vocal and warm pads. For peak time house fare, you'll find little better this month, that's for sure.
AUS 1458
31 Mar 14
Minimal/Tech House
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Wado Baya - (7:31) 126 BPM
   
Rhythm Girl Swing - (7:33) 123 BPM
   
Vibrations - (7:13) 120 BPM Biggest-selling track on this release
Review: Given their fine track record and high profile nature, it's perhaps surprising that "Rhythm Girl Swing EP" marks Detroit Swindle's first appearance on Aus Music. Label boss man Will Saul has once again proven his A&R credentials by picking three suitably strong cuts from the experienced Dutch duo. They begin in fine fashion with "Wado Baya", a rubbery chunk of hot-stepping Afro-house where bleeping electronic melodies and glassy-eyed chords rise above a snappy-but-bouncy groove. "Rhythm Girl Swing" sounds like a slipped and slightly skewed take on hypnotic mid-90s house - all trippy riffs and slowly rising filtered motifs - while "Vibrations" sees them join the dots between warm and woozy early '90s deep house and organ-rich New Jersey flavours.
AUS 143D
21 Jun 19
Deep House
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All Nite - (7:37) 123 BPM
   
Euphoria - (6:42) 123 BPM Biggest-selling track on this release
Played by: Spettro
AUS 1584
04 Sep 15
Deep House
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Henry 85 - (6:34) Biggest-selling track on this release
   
No More - (7:16)
   
Henry 85 (FCL Weemix) - (6:18)
SIMPLE 1252
11 Jun 12
Bass
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Careless - (6:31) 120 BPM Biggest-selling track on this release
   
Rise For Love - (6:41) 126 BPM
   
Esperanto Juggler - (5:51) 120 BPM
   
Words Later On - (6:55) 123 BPM
AUS 1351
30 Sep 13
Deep House
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Just Escape (feat Daudi) - (5:45) 105 BPM
   
With You - (6:48) 123 BPM
   
Just Escape (Justin Martin remix) - (6:12) 120 BPM Biggest-selling track on this release
   
Just Escape (Jacques Greene remix) - (10:09) 116 BPM
   
Just Escape (Justin Martin dub) - (6:12) 120 BPM
AUS 1573
16 Mar 15
Deep House
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Wondering Mind - (5:06) 126 BPM Biggest-selling track on this release
   
Paradox Garage - (4:50) 120 BPM
   
I'm Missin You - (6:27) 130 BPM
Review: Next up on Will Saul's tech house powerhouse is the return of NYC by way of New Haven maestro Drew Lustman aka FaltyDL with some energised modern hi-NRG vibes on "Wondering Mind". With its diva vocals, euphoric arpeggios and energised rhythms all working together for perfect dancefloor drama. Next up, the cleverly titled "Paradox Garage" goes for more reverse looking aesthetics on this evocative acid house tribute, awash in grainy lo-fi aesthetics, bumpy bass and jacked vocals on something reminiscent of classic 808 State. Finally on the flip, we have "I'm Missin You" which is also presented in a brazenly retro aesthetic with its grainy and saturated tape quality. Complete with Jamie Principle style vocals, disco guitar licks and all round neon-lit aesthetic which takes you back to the legendary Windy City days of Trax Records and WBMX Hot Mix radio late night sessions.
AUS 122D
15 Dec 17
Deep House
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Child (Geeeman rework) - (6:47)
   
Lights Out (Gerry Read remix) - (5:38)
   
Child (NY Stomp remix) - (6:15) Biggest-selling track on this release
AUS 1241
29 Oct 12
Bass
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Silhouette - (5:38) Biggest-selling track on this release
   
Silhouette (John Roberts remix) - (5:27)
   
Reset - (8:16)
AUS 1134
24 Jun 11
Bass
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Child - (6:36) 123 BPM Biggest-selling track on this release
   
Lights Out - (7:08) 127 BPM
   
Hindsight - (6:37) 128 BPM
   
Unilateral - (6:04) 126 BPM
AUS 1240
04 Jun 12
Deep House
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There Was A Time - (6:32) 128 BPM Biggest-selling track on this release
   
Dance Floor - (6:36) 127 BPM
   
Oasis - (6:38) 126 BPM
   
Fiyaaaa! - (6:40) 126 BPM
   
Brothers + Sisters - (6:49) 124 BPM
   
His Eye Is On The Sparrow (feat Carol Otis) - (6:41) 126 BPM
   
Co Co - (6:16) 126 BPM
   
Song Like This - (5:24) 131 BPM
   
I Try - (5:33) 130 BPM
   
Generations From Now - (6:04) 79 BPM
Review: It seems to strange, in 2019, to think that Robert Hood was once best known for dark, pounding techno, such has been the success of his more house- and gospel-inspired Floorplan project in recent years. This third long-player finds the father-and-daughter duo in fine fettle, serving up 10 cuts that marry house and disco's sense of groove and musicality to the dancefloor energy that Hood learned during his Underground Resistance years, with wailing church organs helping to provide the album's standout moments on tracks like 'Dance Floor' and 'His Eye Is On The Sparrow'. An uptempo, genre-defying triumph.
AUSCD 012D
08 Nov 19
Deep House
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Knobbly Bobbly - (7:39) 122 BPM
   
Aegean Sea - (7:21) 120 BPM
   
Marimba Echoes - (7:43) 125 BPM
   
Marimba Echoes (Mall Grab remix) - (4:53) 125 BPM Biggest-selling track on this release
Review: Following last year's loan move to Shall Not Fade, Fold (AKA DJ/producer Rob Glassett) returns to his regular home, Aus Music. It's his first release on Will Saul's label for almost two years. There's much to enjoy throughout, from the tribal-inspired drums, humid aesthetics and deep Afro-house vibes of "Knobbly Bobbly" and even deeper "Aegean Sea" - a track that simply exudes drowsy, sun-kissed warmth - to the blissful melodies and snappy drums of the undeniably delicious "Marimba Echoes". Shall Not Fade regular Mall Grab provides a fine remix of that track in which he re-imagines it as an acid-flecked chunk of two-step, Afro-deep goodness.
AUS 128D
13 Jul 18
Deep House
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Calmer Mood - (6:40) 120 BPM Biggest-selling track on this release
   
Wallop - (6:32) 127 BPM
   
Dreamscape - (7:02) 130 BPM
   
Dreamscape (Kassem Mosse remix) - (4:52) 133 BPM
Review: London producer Fold has built up a small but respectable discography of 12" releases, largely for local capital concerns Man Make Music and Electric Minds. He's also got something of a penchant for humorous titles, which is on full display for this debut Fold 12" on Will Saul's Aus Music label. Calling your record Netflix and Chill might put off the house purists with no time for internet memes, but you can't fault the standards of Fold's productions here. Lead cut "Calmer Mood" features some fine sampling over skipping drums and a hefty bassline, whilst the appropriately named "Wallop" could be mistaken for a Maurice Fulton track. On the B-side, the drum heavy jungle-house hybrid makes for a refreshing change of tone and is backed by a killer Kassem Mosse remix.
AUS 1587
13 Nov 15
Deep House
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Rosie Lea - (6:57) 120 BPM Biggest-selling track on this release
   
Lenny's Jam - (6:50) 132 BPM
   
Tracksuits & Tennis Shoes - (7:45) 120 BPM
AUS 1695D
25 Mar 16
Deep House
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Wanna Go Bang - (6:25) 125 BPM Biggest-selling track on this release
   
Wanna Go Bang (Tribute instrumental) - (4:37) 125 BPM
   
Wanna Go Bang (Alden Tyrell remix) - (5:07) 125 BPM
   
Wanna Go Bang (Alden Tyrell instrumental) - (5:07) 125 BPM
   
Wanna Go Bang (instrumental) - (5:39) 125 BPM
   
Wanna Go Bang (Tribute To PHTR remix) - (4:38) 125 BPM
AUS 1582D
24 Jul 15
Minimal/Tech House
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Geeeman - "Wanna Go Bang" (Catz N' Dogz remix) - (5:11) 125 BPM Biggest-selling track on this release
   
Bicep - "The Game" (Catz N' Dogz Interpretation) - (5:24) 125 BPM
   
George FitzGerald - "Hindsight" (Catz N' Dogz edit) - (5:40) 128 BPM
Played by: DJ Mau Mau, Sam Redmore
Review: Polish power duo Catz 'N Dogz of the esteemed Pets recordings imprint take on three dynamic tracks from Will Saul's equally credible Aus Music and deliver their take. They certainly had their work cut out for them, but they deliver as always. Take for instance their booming, rusty and downright dusty rendition of "Geeeman's "Wanna Go Bang", their emotive deep electro version of Irish duo Bicep's "The Game" and of course their edit of ManMakeMusic head honcho George Fitzgerald's "Hindsight" where they get into some old school Relief Records style hard house business. All in all some very good tracks by Szczecin's favourite sons!?
AUS 110D
24 Feb 17
Minimal/Tech House
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The Prophetess - (5:57) 125 BPM
   
Pleasure Groove - (6:20) 125 BPM
   
Cybord Acid - (6:28) 128 BPM Biggest-selling track on this release
   
Cyklone - (6:33) 120 BPM
AUS 133D
26 Oct 18
Deep House
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Baretta - (7:00) 120 BPM
   
LED - (7:17) 124 BPM Biggest-selling track on this release
AUS 1460
05 May 14
Deep House
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True South - (8:29) 120 BPM Biggest-selling track on this release
   
L Plate - (4:58) 120 BPM
   
L Plate (Tom DeMac remix) - (6:35) 122 BPM
   
True South (South Soul Project remix) - (5:44) 126 BPM
   
Whiles - (6:18) 120 BPM
AUS 1347
13 May 13
Deep House
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You - (6:29) 121 BPM
   
Yellow Cake - (6:24) 120 BPM
   
Robocop - (5:39) 125 BPM Biggest-selling track on this release
Review: Breaker Breaker head honcho Haider has caught the attention of Will Saul with his eclectic talent. Following his breakout EP for his own label, the 10961 EP is his debut for AUS music. Full name Haider Masroor, the German artist compliments the British label as its newly acquired artist. Features dusty minimal house like on "You" reminiscent of past contributions to the label by the likes of Matt Karmil, Motor City deep house influences by the likes of The Three Chairs on the sublime "Yellow Cake" and timeless electro vibe on "Robocop".
AUS 138D
22 Mar 19
Deep House
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Stillove - (7:15) 128 BPM
   
Weapon - (7:23) 125 BPM Biggest-selling track on this release
   
VOK - (6:44) 126 BPM
   
Sinkhole - (7:21) 124 BPM
Review: n the six years since he made his debut on Cecille Numbers, Huxley has racked up an impressive number of releases, showcasing his bass-heavy blends of deep house, garage and tech-house on the likes of Hypercolour and Tsuba. It's arguably Aus Music that he's most associated with these days, though, and here he returns to Will Saul's label with another pleasingly varied four-tracker. Opener "Still Love" builds steadily from a dreamy start, eventually turning into a stomping blend of bumpin' drums, heady vocal samples and deft melodies, while "Weapon" is a typically booming UK garage/techno hybrid. Flip for the early '90s revivalism of "Vok (Decent Mix)" - think bleep and rave hardcore influences - and "SinkHOLE", another bass-heavy roller.
AUS 1585
02 Oct 15
Minimal/Tech House
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I Want You - (4:27) 124 BPM
   
I Want You (club rub) - (6:05) 124 BPM
   
I Want You (Youandewan version) - (5:15) 122 BPM Biggest-selling track on this release
   
Sphere - (6:31) 126 BPM
Played by: Guy Gerber
AUS 1470
03 Nov 14
Deep House
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I Want You - (4:27) 124 BPM Biggest-selling track on this release
   
Barne Dance - (4:11) 132 BPM
   
Give 2 U (feat Femme) - (4:32) 83 BPM
   
MXR - (2:26) 85 BPM
   
Road Runner (feat Obenewa) - (5:21) 125 BPM
   
Reassign - (6:57) 121 BPM
   
Say My Name (feat Yasmin) - (3:33) 120 BPM
   
Wayfairer - (4:31) 125 BPM
   
Broken Dreams - (3:48) 123 BPM
   
Cakewalk - (5:30) 123 BPM
   
Callin (feat S-Man) - (3:38) 126 BPM
   
Never Easy (feat Thomas Gandey) - (3:53) 132 BPM
Review: This is a significant moment in the development of Michael "Huxley" Dodson. Following six years building his reputation via a constant trickle of singles, the London-based producer has finally delivered a debut album. It's a little more expansive and varied than many of his singles, and variously touches on many of his regular inspirations - UK garage, deep house and bumping techno, in particular - as well as some he's not previously explored (see the pitched-down rave breaks of "Give 2 U" and the "Circles"-ish liquid D&B of "MXR"). The result is a polished, floor-friendly set that impressively straddles the line between club tracks and home listening fodder.
AUSCD 005
20 Oct 14
Deep House
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Do U Feel Me (feat Roy Davis Jr) - (8:23) 126 BPM Biggest-selling track on this release
   
Weapon 3 (dub) - (7:58) 126 BPM
   
Weapon 3 - (7:58) 126 BPM
Review: Rag & Bone is the latest in a long series of releases - including an album - by Huxley aka Michael Dodman for Aus, and sees him explore a big room sound. It also represents a major coup for the UK producer, who has managed to get Roy Davis Jnr to provide vocals for "Do You Feel Me". These are delivered in the American's trademark sultry, velvety tones - including the breathy 'walk with me / talk with me' vignette - and set against a backing of dub-fuelled drums. On two versions of "Weapon 3", including a dub take, Huxley goes for the jugular; the drums are pounding, the bass booming and the rhythm relentless, with just a vocal repeating 'love you baby' the only human element.
AUS 108D
09 Dec 16
Techno
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I Want You (radio edit) - (2:54) 124 BPM
   
I Want You (Deetron remix) - (8:04) 124 BPM
   
I Want You (Shenoda remix) - (6:01) 123 BPM
   
I Want You (Komon remix) - (6:18) 115 BPM
   
I Want You (extended version) - (8:16) 124 BPM Biggest-selling track on this release
Review: As his Blurred LP still leaves its crossover mark on switched-on ears all over the shop, Huxley dives back in to stand-out cut "I Want You" and gets a host of sympathetic Aus Music-related heads to take to the parts with their own distinctive creative visions. Deetron creates a delirious cocktail of wild synth tones and big room pressure on his version, while Shenoda ups the techno content with some tense percussion and poignant stabs. Komon cools proceedings down with a sensual, disco-infected shower of arpeggios before Hxley drops his own extended mix of the original.
AUS 1579
03 May 15
Deep House
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Inkwell - (6:07) 123 BPM Biggest-selling track on this release
   
Creeper (club) - (6:52) 123 BPM
   
Long Summer Night - (7:01) 124 BPM
   
Creeper - (7:26) 123 BPM
AUS 1355
06 Jan 14
Deep House
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Give 2 U (feat Femme) - (4:32) 83 BPM
   
Give 2 U (Club Rub) - (6:10) 126 BPM
   
Give 2 U (Will Saul/Komon remix) - (5:58) 123 BPM
   
Soopafly - (5:55) 125 BPM Biggest-selling track on this release
Played by: Sinden, Matt Darey
Review: Huxley's recent LP Blurred saw the rising UK producer offer a more comprehensive display of his production range, dipping more thoroughly into his influences for an eight-track set that covered UK garage, deep house, bumping techno and pitched down rave. This latter avenue was best explored on "Give 2 U" the collaboration with vocalist Femme, whose stirring tones were a perfect match for Huxley's winding production. It's got single material written all over it, so kudos to Will Saul for this EP, which features a darker house Club Rerub from Huxley himself as well as a brukkish remix from the Saul man and Bristolian Komon. Huxley fans will also appreciate the presence of a new production from the man that closes out matters.
AUS 1469
01 Dec 14
Bass
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Callin' - (6:31) 125 BPM Biggest-selling track on this release
   
Machina - (5:53) 120 BPM
   
Tendered Mess - (6:36) 125 BPM
   
Oil Spill - (5:55) 125 BPM
Review: Huxley's come a long way since his formative releases on labels like Cecille Numbers, Tsuba and Kolour Recordings. In recent times he's delivered the goods to Rinse, Hypercolour and Defected with last year's impressive Chatsworth Sound collaboration with Shenoda. His second EP for Will Saul's Aus Music is a varied affair with something to please everyone with a taste for UK flavoured house. It's a certainty the bassline of "Callin" will make this track a summer smash - festival dancers watch out - while the grittier low end frequencies of "Machina" are more suited to a underground club vibe. Huxley goes deeper into the minimal end of tribalish house music on "Tendered Mess" while "Oil Spill" is a signature of Huxley's trademark bassline style.
AUS 1465
18 Aug 14
Deep House
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