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Blackest Ever Black
Browse the latest digital releases on Blackest Ever Black
Played by: Cargo Records UK
Review: To this day, Russia's TSB (????) has only released a handful of EPs for a handful of fledgling imprints making their way up the experimental house and techno ladder. Being called up to serve on Blackest Ever Black, Keiran Black's sublime London label, seems like a natural transition for an artist who is so perfectly poised to embrace the post-industrialist nature of contemporary electronic music, and his debut Sekundenschlaf perfectly bridges the gap between UK breakbeat and Russian 'slow' hardcore. This LP might well be on the strongest BEB offerings in recent years, giving listeners an opening into a new sort of sound, on the fringes of dance music. In fact, this is what we regard as the pinnacle of outsiderism, a curious, enchanting collage of fluid beats, wide-eyed synth shapes, and something we can't quite put our finger on. Highly recommended!
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BLACKEST 067
12 Jan 18
Experimental/Electronic
12 Jan 18
Experimental/Electronic
Review: Australian electronic dealers F Ingers - made up of Carla Dal Forno, Samuel Karmel, and Tarquin Manek - return to London's Blackest Ever Black unit with their follow-up to 2015's Hide Before Dinner, which was in itself a sublimely tenebrous assemblage of drones, drums and jaded cold-waves. Awkwardly Blissing Out offers the listener plenty of room for exploration, with its six similarly balanced tunes bouncing from highs to lows at a constant pace; with glorious hints of something Balearic, F Ingers manage to retain a sense of light-heartedness about their cavernous sonics, which upon first impression might come across as dark and crestfallen. In reality, this is an LP about the light at the end of the tunnel, or rather, about hidden moments of euphoria within our every emotion. Excellent stuff - highly recommended.
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BLACKEST 065
15 Sep 17
Experimental/Electronic
15 Sep 17
Experimental/Electronic
Review: Blackest Ever Black is back with another release by Secret Boyfriend, the solo project of North Carolina's Ryan Martin, also one half of Boyzone and the man behind the Hot Releases label. This is his most recent effort for the label since his 2012 album This Is Always Where You've Lived, however he's had around half a dozen cassette releases on a variety of labels including his own Hot Releases imprint since then. For the most part these are sombre and reflective journeys for inner city introverts where dark ambient merges with shoegaze sensibilities swimmingly. But we particularly enjoyed "Little Jammy Centre" and "Stripping At The Nail" which are dusty, indie-goth gems reminiscent of Faith/Pornography era The Cure. Like pretty much anything on B.E.B., this is highly recommended.
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BLACKEST 045
26 Feb 16
Experimental/Electronic
26 Feb 16
Experimental/Electronic
Review: Carla dal Forno and Tarquin Manek together are Tarcar and they're here to sign off another winner of a year from the now cult-like Blackest Ever Black label. There isn't much that BEB haven't deserved a medal for, and they have yet again amazed us with their ludicrously on-point artistic repertoire! Mince Glace is a true thing of beauty, an album which doesn't give a damn about genre or style, but instead travels the treacherous paths between noise, drone, dub and pretty much any other genre of music! In our opinion, the nuttiest cit on here has to be "Emboldened" for it wavy jazz edge and far-out melodies, but be sure to also check out "Fireball" for a real spin down the wormhole. Lovely stuff from both label and artists. Don't miss it.
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BLACKEST 37
30 Sep 15
Experimental/Electronic
30 Sep 15
Experimental/Electronic
Review: Blackest Ever Black's unwavering commitment to gracing 2014 with some of the most distinct sounds continues apace as their latest long player sees the return of William Bennett's Cut Hands project. Entitled Festival Of The Dead, this new album feels like the next logical progression in the Cut Hands sound, with the label describing it as "most potent distillation yet" of Bennett's "malign percussive energy". If you checked lead track "The Claw" which was made available to stream when BEB first announced the album, you will no doubt have an idea of what to expect but this relentless, bracing approach shown there is not the only card played by Bennett across the album. Indeed it's the moments where the sonics get twisted and chewed up (such as the suitably named "Parataxic Distortion") that prove most memorable.
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BLACKESTDL 010
30 Sep 15
Experimental/Electronic
30 Sep 15
Experimental/Electronic
Review: F Ingers is an Australian trio made up of Carla Dal Forno, Samuel Karmel, and Tarquin Manek - a new and exciting outfit dealing in stone-cold electronics. "Escape Into The Bushes" is an opener fit for an apocalypse thanks to its shivery waves of ambience and hymns, while "Mum's Caress After Trip" is sinister and foreboding in a wholly different way, and "Tantrum Time" fully enters the doom with its drugged-out vocals and broken melodic patterns. These are just three of the most chilling sculptures inside, but it's clear that F Ingers will be around again in no time and that BEB have found material fit for their catalogue.
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BLACKEST 044D
04 Sep 15
Industrial/Noise
04 Sep 15
Industrial/Noise
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BLACKEST 003
23 May 11
Experimental/Electronic
23 May 11
Experimental/Electronic
