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Blackest Ever Black
Browse the latest digital releases on Blackest Ever Black
Played by: Cargo Records UK
Review: To this day, Russia's TSB (????) has only released a handful of EPs for a handful of fledgling imprints making their way up the experimental house and techno ladder. Being called up to serve on Blackest Ever Black, Keiran Black's sublime London label, seems like a natural transition for an artist who is so perfectly poised to embrace the post-industrialist nature of contemporary electronic music, and his debut Sekundenschlaf perfectly bridges the gap between UK breakbeat and Russian 'slow' hardcore. This LP might well be on the strongest BEB offerings in recent years, giving listeners an opening into a new sort of sound, on the fringes of dance music. In fact, this is what we regard as the pinnacle of outsiderism, a curious, enchanting collage of fluid beats, wide-eyed synth shapes, and something we can't quite put our finger on. Highly recommended!
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BLACKEST 067
12 Jan 18
Experimental/Electronic
12 Jan 18
Experimental/Electronic
Review: Australian electronic dealers F Ingers - made up of Carla Dal Forno, Samuel Karmel, and Tarquin Manek - return to London's Blackest Ever Black unit with their follow-up to 2015's Hide Before Dinner, which was in itself a sublimely tenebrous assemblage of drones, drums and jaded cold-waves. Awkwardly Blissing Out offers the listener plenty of room for exploration, with its six similarly balanced tunes bouncing from highs to lows at a constant pace; with glorious hints of something Balearic, F Ingers manage to retain a sense of light-heartedness about their cavernous sonics, which upon first impression might come across as dark and crestfallen. In reality, this is an LP about the light at the end of the tunnel, or rather, about hidden moments of euphoria within our every emotion. Excellent stuff - highly recommended.
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BLACKEST 065
15 Sep 17
Experimental/Electronic
15 Sep 17
Experimental/Electronic
Review: Pessimist has been releasing drum'n'bass since 2010, but as this, his debut album shows, his music is hard to categorise. That said, a bleakly atmospheric streak runs through Pessimist. Allied with his innovative drum programming and ability to conjure up the most powerful sub-bass tones in electronic music, it makes for an unforgettable work. There are high-speed rollers like "No Matter What" to satisfy his core fan base, but when he moves into less defined areas, the album really shines. "Bloom" is a wild ride, all crashing cymbals and live drums, while the tribal groove on "Grit" is supported by a bass that is so darkly viscous, it could be mistaken for an oil slick. Best of all though are "Peter Hitchens" and "Spirals", where Pessimist creates morose moods over rattling drums and skeletal percussion.
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BLACKESTDL 017
25 Aug 17
Techno
25 Aug 17
Techno
Review: Blackest Ever Black is back with another release by Secret Boyfriend, the solo project of North Carolina's Ryan Martin, also one half of Boyzone and the man behind the Hot Releases label. This is his most recent effort for the label since his 2012 album This Is Always Where You've Lived, however he's had around half a dozen cassette releases on a variety of labels including his own Hot Releases imprint since then. For the most part these are sombre and reflective journeys for inner city introverts where dark ambient merges with shoegaze sensibilities swimmingly. But we particularly enjoyed "Little Jammy Centre" and "Stripping At The Nail" which are dusty, indie-goth gems reminiscent of Faith/Pornography era The Cure. Like pretty much anything on B.E.B., this is highly recommended.
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BLACKEST 045
26 Feb 16
Experimental/Electronic
26 Feb 16
Experimental/Electronic
Review: Blackest Ever Black's unwavering commitment to gracing 2014 with some of the most distinct sounds continues apace as their latest long player sees the return of William Bennett's Cut Hands project. Entitled Festival Of The Dead, this new album feels like the next logical progression in the Cut Hands sound, with the label describing it as "most potent distillation yet" of Bennett's "malign percussive energy". If you checked lead track "The Claw" which was made available to stream when BEB first announced the album, you will no doubt have an idea of what to expect but this relentless, bracing approach shown there is not the only card played by Bennett across the album. Indeed it's the moments where the sonics get twisted and chewed up (such as the suitably named "Parataxic Distortion") that prove most memorable.
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BLACKESTDL 010
30 Sep 15
Experimental/Electronic
30 Sep 15
Experimental/Electronic
