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Blueprint

Blueprint

Blueprint Records has been driving the raw techno scene forward since its inception in 1996 by James Ruskin and Richard Polson who recorded the label’s first release ‘First Contact’ as Outline. A lucky encounter with Oliver Ho led to both the label’s second release and Ho’s debut release, ‘The Gathering’. Since then all three artists have released countless records on Blueprint, alongside other reputable techno stalwarts including: Mark Broom, Ben Klock, Rommek, Surgeon, Blawan, Randommer, Broken English Club and more.
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Temporary Vandalism EP
Catharsis - (5:06) 132 BPM
Conduit Of Chaos - (5:01) 134 BPM
Played by: S-File
Review: Dustin Zahn returns to Blueprint to deliver a four-tracker that resounds to understated force. "Rotator" is an atmospheric, rolling track. Led by dense, tribal drums and featuring mysterious synth lines, it's a subtle but impactful track. "Conduit of Chaos" is based on a similar premise - although on this occasion, the rhythm is more stripped back and is powered by impactful claps. The pulsating, clanging bass at the heart of "Catharsis" lends it the requisite punch for its flowing groove. The title track is the most up-tempo track on the release - and it sees Zahn deliver a gradually building, vocal-sampling percussive sucker punch.
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BP 074
22 Mar 24
Techno
Puritan EP
The Hunt - (4:55) 133 BPM
Trench - (5:22) 133 BPM Hot
Chambers - (5:51) 133 BPM
Descent - (4:53) 133 BPM
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BPD 04
01 Dec 23
Techno
Set In Stone Trilogy
Obsidian (original mix) - (7:42) 130 BPM
Arkose - (6:11) 132 BPM Hot
Obsidian (Makaton remix) - (6:23) 130 BPM
Flint (O/V/R remix) - (7:27) 132 BPM
Review: Originally issued on vinyl back in 2018, this three-part release from Rommek Boyer is now available digitally. Trilogy covers a lot of ground. There's the hypnotic drones of "Komatiite", which will appeal to fans of Abul Mogard. The dense muddy drums of "Obsidian" are also shot through with dreamy tones. On "Rhyolite", Rommek ventures down a different path, with rickety broken beats underpinning menacing synth sweeps, while the brooding bass-led "Greywacke" follows a similar path. On "Scora", Rommek delivers a masterclass in slow, building techno as brooding tones and jagged feedback are set to funereal drums. Blueprint also commissioned remixes, with Makaton's angular rhythmic take on "Obsidian" and Broken English Club's death march version of "Komatiite" really impressing.
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BPD 02
11 Aug 23
Techno
Sense Of Purpose
Bare Hands - (5:08) 132 BPM Hot
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BP 066
07 Oct 22
Techno
Neutrino EP
Mirage - (5:18) 134 BPM
Review: While Kr!z originally made his name through DJing and running the seminal Token label, increasingly he is becoming known as a producer. This release on James Ruskin's Blueprint serves as a reminder of his skills; "Vortex" and "Mirage" are searing minimal techno workouts, powered by an expertly weighted combination of raw analogue tones and rasping percussion. On "Neutrino Systems", he ups the intensity levels to deliver a Millsian peak-time track, led by a looped, visceral riff and a relentless rhythm, while "Levitate" is an insistent minimal stomper that keeps on building - making a fitting finale to this fine, hard-hitting release.
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BP 064
06 May 22
Techno
Raw Regimen EP
Poly Pressure - (5:49) 134 BPM
Review: Kerrie makes her debut on Blueprint with her most intense work to date. The title track is inspired by the extreme end of Jeff Mills' sound, with wave upon wave of dark analogue tones building over a dense, grimy rhythm. In contrast, "Native Intelligence" sounds like a follow on from Sandwell District's style, powered by a rumbling bass and stepping beats, with these elements interspersed with bleak tones. "Polly Tension" is an angular, stripped back rhythm that teems with acid-soaked energy, while Kerrie heads in a different direction on "Turning Point", with more mellow tones unravelling over an understated arrangement.
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BP 063
11 Mar 22
Techno
Blueprint25
Various
James Ruskin - "The Outsider" (Luke Slater's ME remix) - (8:15) 130 BPM
James Ruskin - "Wisdom Of Youth" - (5:19) 131 BPM
O, V & R - "Post-Traumatic Son" (Marcel Dettmann MDR version) - (5:28) 130 BPM
Truncate - "Process" - (4:51) 132 BPM
Rommek - "Arkose" - (6:11) 132 BPM
Makaton - "High Priestess" - (7:08) 134 BPM
James Ruskin - "Weakness Of The System" - (5:45) 132 BPM
Review: To celebrate its twenty-fifth anniversary, Blueprint has delved deep into its back catalogue. "Post Traumatic Son", a collaboration between label owner James Ruskin and Karl O'Connor, features three times in remixed form, with DVS1 dropping a deep take, Robert Hood turning the track into an angular, metallic jacker and Marcel Dettmann remodelling it into a grainy Berghain stomper. In as much as dance floor tracks like "Son..." and the coruscating, gnarly rhythm of Outline's "Encounter" have defined the label since the start, so too does its more abstract work. A shadow of textured sound looms over Ruskin's "Correction Centre A"; Samuel Kerridge's "Operation Neptune" is a trip into the world of grungy electronics, while Lakker's "Static & Amp" fuses haunting vocals with a hissing, humming groove.
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BP 2021
29 Oct 21
Techno
Chapter One
Page 1 - (6:12) 130 BPM Hot
Page 2 - (5:38) 134 BPM
Page 3 - (6:09) 134 BPM
Page 4 - (5:57) 134 BPM
Review: The latest release on Blueprint marks two milestones in its journey. This EP sees label owner James Ruskin team up with DVS1 to celebrate its twenty fifth anniversary, but this collaboration started five years ago when the opening track, "Page 1" was first released. Deeper and more atmospheric than typical Ruskin material, its loping groove and cavernous effects made it one of the most popular tracks when Blueprint marked its twentieth birthday. Of course, the pair make up for this esoteric approach with the bee-sting loops and airy synths of "Page 3" and the stripped back, steely rhythm of "Page 2", which unravels to the sound of noisy tones. "Page 4" completes the release with staccato drums providing the backdrop for swirling, eerie synths.
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BP 062
08 Oct 21
Techno
Hand Over Control
Hand Over Control - (5:47) 134 BPM
Rising Tides - (5:15) 134 BPM
Studio 5/4 - (5:53) 133 BPM
Wet Hot Heat - (5:40) 134 BPM Hot
Review: As part of its 25-year celebrations, Blueprint invites Dustin Zahn to make his debut on the label. Control pushes in many different directions. The title track is a loose tribal groove that resounds to clanging percussion and rolling drums, while on "Studio 5/4" the veteran US producer creates a throbbing groove as the basis to deploy a cacophony of buzzing, noisy synths. Changing tact again, Zahn moves into stripped back territories for the loopy rhythm and insistent stabs of "Wet, Hot Heat", while on "Rising Tides", a dense, stepping rhythm and insistent, Sleeparchive-style tones complete this exemplary release.
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BP 061
03 Sep 21
Techno
Basement Jams 2
Drive - (3:52) 132 BPM Hot
Review: The second instalment of Broom and Ruskin's Basement Jams series follows in the same vein as last year's first volume. "Latch" is a lithe, linear track that resounds to a warbling acid line and a snaking groove, while on "Twister", the duo opts for a more visceral take, with rough drums and loose percussion providing the basis for tweaked 303 sequences. "Zone" is similar to "Latch", with a funk bass-line supporting dubbed out chords and filtered hi hats. Rounding off this fine second volume of Basement Jams is "Drive", where the storied techno pair twist news sounds and shapes out of their 303 against a dense, steely rhythm.
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BP 060
11 Jun 21
Techno
Shortcut
Shortcut - (5:51) 134 BPM
Hang Up - (4:30) 132 BPM Hot
Review: British techno veteran James Ruskin resurfaces on his esteemed Blueprint label, for a series of executions in direct impact techno. As fierce and as functional as you'd surely expect, the three cuts on his latest Shortcut EP feature all the hallmarks of his idiosyncratic sound. Starting with the slow burning title track: an off-kilter expression in greyscale futurism with a seething atmosphere throughout. Picking up the pace next is the rolling, bass-driven stepper "Hang Up" which will captivate you with its intricate rhythm programming, and ending with the chilling and dystopic ambient journey of "Drums Eyes".
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BP 058
12 Mar 21
Techno
Basement Jams
Pr1 - (4:40) 132 BPM Hot
Ocs - (4:53) 134 BPM
Tkn - (5:16) 132 BPM
Sn7 - (3:22) 134 BPM
Review: Mark Broom collaborated with James Ruskin on Domwen back in 2018, and now the pair come together again for Basement Jams. This is a direct dance floor EP and sees the UK techno veterans deliver rough and raw tracks. "Pr1", with its tweaked wiry groove, is a good example of their approach, while on "Ocs", the pair up the tempo and intensity levels to deliver a bubbling, insistent track. On "Tkn", Ruskin and Broom veer into Hood-style territory for a visceral, analogue workout, while closing out the release is a more gritty, restless take on Detroit minimalism in the form of the doubled-up claps of "Sn7".
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BP 057
27 Nov 20
Techno
Temper Tantrum EP
Temper Tantrum - (6:52) 133 BPM
Narcissism Of Small Differences - (6:34) 132 BPM
Implicit Bias - (6:32) 134 BPM
Shatter That Glass Ceiling - (6:09) 131 BPM Hot
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BPD 01D
12 Mar 20
Techno
Consumer Patterns
Consumer Patterns - (7:54) 134 BPM Hot
Social Acceptance - (6:33) 134 BPM
Weakness Of The System - (5:45) 132 BPM
Review: 2020 looks set to be a busy year for James Ruskin; already he is about to deliver an artist album with Mark Broom as The Fear Ratio for Skam, while also preparing to release Consumer Patterns, his first solo EP in five years. The title track is a pile-driving affair: led by rolling snares and visceral, noisy riffs, it unfolds to a frenetic tempo. "Social Acceptance" sees the Blueprint boss head in a more hypnotic direction with frazzled synths looped to infinity. In contrast, on "Weakness of the System", Ruskin heads down an esoteric route, with dreamy synths underpinned by an abstract, glitchy backing.
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BP 056
31 Jan 20
Techno
Reality Broadcast Off
Reality Broadcast Off - (7:36) 132 BPM
We Are Everywhere - (5:30) 133 BPM
Disaffection - (5:23) 132 BPM Hot
Review: Reality is James Ruskin's first solo Ep in a number of years. The Blueprint owner's absence has left techno a poorer place, but as Reality.. shows, he hasn't lost his magic touch. The title track is a streamlined, linear affair that showcases his ability to craft functional but distinctive dance floor tracks. Similarly on "We Are Everywhere", Ruskin carves out a firing techno track that progresses through visceral builds as it peaks and drops. He leaves the best till last: "'Disaffection", with its grimy acid lines and tight rhythm, sounds like the kind of track that you would expect to find on a vintage Lost Recordings release.
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BP 054
19 Jul 19
Techno
Domwen
Screwface - (5:09) 132 BPM
Review: James Ruskin and Mark Broom have a history of collaborating together that goes back the best part of a decade, and Domwen on Ruskin's label finds them in fine form once again. The title track is a dense banger that resounds to pummelling kicks and dense textures, while at its heart an eerie riff filters its way through the arrangement. "Screwface" is leaner and laced with acid as the pair drop firing percussion and wave upon wave of filtered builds. Finally, "Okt" sees the formidable pair strip their sound right back to a tough, grinding rhythm track - ideal for DJs who love looped techno.
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BP 53
07 Dec 18
Techno
Metamorphic - Set In Stone Trilogy Remixes
Obsidian (Makaton remix) - (6:23) 130 BPM
Flint (O/V/R remix) - (7:27) 132 BPM
Review: This is the final instalment of Rommek's Set In Stone project and sees Blueprint call on some of techno's best known artists to provide remixes. First up is Makaton's take on "Obsidian", with the UK producer dropping razor-sharp metallic riffs over a dense stepping rhythm. Oliver Ho's Broken English Club project is next up with a radically different rework, turning "Komatiite" into a slowed down, atmospheric dirge. Label owner James Ruskin steers the release back to the dance floor with his hypnotic, orchestral take on "Grintstone", while he pairs up with Karl 'Regis' O'Connor for a menacing mid-paced stepping take on "Flint".
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BP 0522
26 Oct 18
Techno
Sedimentary - Set In Stone Trilogy
Arkose - (6:11) 132 BPM
Review: This is the second part of Rommek's Set in Stone Trilogy for Blueprint and sees the emerging producer embrace a range of styles. "Greywacke" is a moody stepper, led by robust broken beats and a searing bass, while on "Grintstone", he lays down a straighter techno arrangement, one that is swathed in atmospheric textures and led by pounding kicks. In contrast to these pieces, "Arkose" is more understated; revolving around break beats, the rhythm is stripped back and the synths that shine through are eerie and creepy. "Flint" sees him shift gears once again, taking the tempo down a few notches to replicate the disarray that the troubled US town of the same name suffers from.
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BP 0521
13 Jul 18
Techno
Igneous - Set In Stone Trilogy
Obsidian - (7:42) 130 BPM Hot
Played by: Phase Fatale
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BP 052
22 Jun 18
Techno
All Kneel
We Believe - (6:57) 130 BPM Hot
Reclamation - (6:03) 130 BPM
Review: With a title like All Kneel, Makaton is clearly having a laugh. That said, the UK producer, who usually releases on Token, isn't messing about when it comes to his music. "We Believe" revolves around a noisy, spiky rhythm and layer upon layer of textured synths. It's an abrasive affair, but the musical accompaniment ensures that it doesn't sound too visceral. On "Blood Purity", Makaton uses a similar structure, but this time around, the drums are cleaner-sounding, supported by a distorted acid line. "Reclamation" is a straighter track, led by a linear drum pattern and a surging, prowling bass, while on "There to Here (Noise)", Makaton's penchant for the unusual plays out in the form of what sounds like Henry Rollins taking about the hardcore (punk) scene against waves of white noise. Bizarre but brilliant.
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BP 051
27 Oct 17
Techno
Arcane
Forbidden Planet - (6:05) 130 BPM
Review: Rommek previously released on Sonntag Morgen and Weekend Circuit, and doesn't disappoint on this, his first release on James Ruskin's label. Combining atmospheric textures with robust broken beats and tough kicks throughout, on "Forbidden Planet", Rommek ventures into the kind of territory that the Blueprint boss himself normally inhabits. There, eerie bleeps unfold over mesmerising percussion and cavernous off beats. "Arcane" is even more utilitarian and sees the upcoming producer lay down a full on, hammering industrial workout, albeit with some atmospheric textures playing away in the background. "Archetype" is just as intense, but for different reasons; a muscular, predatory bass weaves and insinuates itself over a stepping rhythm and bleak soundscapes. Rounding off this impressive EP is the eerie, broken down "Doldrums".
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BP 050
26 May 17
Techno
Terminal 5
Process - (4:51) 132 BPM
Tribal Tool - (5:25) 132 BPM Hot
Review: Hot on the heels of a fine new version of Truncate's 2014 single "7_1" comes this fresh EP of dancefloor dynamite from David Flores's best-known project. Appearing on James Ruskin's long-running Blueprint label for the very first time, Flores kicks things off with the no-nonsense techno roller that is "Terminal 5", a dark, brooding foray into pitch-black techno territory typical of the British label's output. "Process" is similarly minded but slightly more positive in outlook, with mildly foreboding electronics and a repeated vocal sample riding a rubbery techno groove. "Tribal Tool", an exercise in drum machine percussion and dense African drums, completes a rock solid package.
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BP 049
12 May 17
Techno
When The Dead Rise From The Sea
High Priestess - (7:08) 134 BPM
Coast To Coast - (6:24) 130 BPM Hot
Through Fire & Water - (6:48) 130 BPM
Review: Steve Bailey's Makaton project is most closely associated with the singular Rodz-Konez label, but over the years, he has also released the project's uncompromising music on Token and Blueprint. Sea, his second outing on James Ruskin's label, starts with the oppressive bass and strings of "Durdle Door", before sliding into the high octane rhythm and dense, metal-plated drums of "High Priestess". Despite shifting so quickly between these contrasting styles, Bailey then moves again to a more stepping techno sound on "Coast to Coast", which has defined his output for Token. The final track, "Through Fire & Water", has found a natural home on Blueprint, as its visceral minimalism is redolent of James Ruskin at his most austere.
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BP 048
06 Jan 17
Techno
Wind Up And Squeeze
Candid - (7:00) 130 BPM
Wind Up & Squeeze - (5:43) 130 BPM
Warm Bodies - (6:28) 130 BPM Hot
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BPLTD 008
19 Dec 16
Techno
Structures And Solutions
Various
O & V & R - "Metal Slipper" - (7:19) 131 BPM
Lakker - "Chain Of Combs" - (6:00) 130 BPM
James Ruskin & DVS1 - "Page 1" - (6:13) 130 BPM
Makaton - "Slur" - (7:04) 134 BPM
Planetary Assault Systems - "Pull" - (7:36) 131 BPM
Regis - "Party Spoiler Too" - (5:09) 134 BPM
Randomer - "Sheen" - (6:59) 130 BPM
Rumah & Progression (UK) - "Speak & Spell" - (5:56) 130 BPM
James Ruskin - "6teenth" - (5:22) 132 BPM
Tessela - "Rub" - (6:11) 130 BPM Hot
Review: To mark the twentieth anniversary of the foundation of his label, James Ruskin has put together this massive compilation. It includes long-term friends and associates of the label - like Oliver Ho, Regis and Luke Slater - as well as newer additions to the roster, including Lakker and Rommek. Apart from uniting artists from different generations, the compilation also showcases the label's various hues; from the broken beats and intricate rhythms of Ruskin and Regis' O/V/R project and the hypnotic soundscapes of Lakker's "Orange" to the trace stabs and 10 tonne kicks of Regis' "Party Spoiler Too" and the chaotic industrial rhythms on Truss' "Wanastow", this compilation offers to newcomers an invaluable introduction to Blueprint, or to long-standing fans an indispensable reminder of why the label is unique.
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BP 2016
24 Jun 16
Techno
Burning Heretics
Genuflect - (6:39) 130 BPM
Played by: Paul Mac
Review: Blueprint's 20th anniversary celebrations wouldn't be complete without a new EP from British techno veteran Oliver Ho, who first appeared on the imprint way back in 1996. Opener "Burning Heretics" is a typically no-nonsense affair, with Ho effortlessly joining the dots between contemporary Surgeon, modern industrial techno, and the ragged intensity of purist acid house. "Worship" is deep, out-there, metallic and partially ambient, while "Control" is a near perfect exercise in bouncy acid techno. Finally, Ho presses the button marked "tribal" on the loose-limbed, broken techno brilliance of "Genuflect". As the old cliche goes, this is "all killer", with "no filler".
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BP 045
16 May 16
Techno
Moth Hole
Boiling Point - (7:05) 130 BPM
Beyond Desire - (7:09) 130 BPM Hot
Solvent - (6:56) 130 BPM
Played by: Rodhad
Review: London based producer Romek Boyer aka Rommek follows up releases on Weekend Circuit and Sonntag Morgen with a Berghain ready and absolute killer for James Ruskin's Blueprint. He wastes no time getting down to business on "Moth Hole", a pulverizing peak time monster with industrial strength groove, bleepy sonar aesthetics and massive menacing pads: sold yet? "Boiling Point" or "Solvent" are high octane peak time journeys in the vein of Rodhad or Post Scriptum; proper futurist groove assault! On the flip we have 'Beyond Desire", probably the most restrained effort on here. It's a dark and brooding, body bashing modern industrial workout that fans of AnD or Killawatt will appreciate.
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BP 043
22 Feb 16
Techno
Pluralism
Pluralism - (6:39) 130 BPM
Desire - (6:30) 131 BPM
Demonstration - (6:39) 130 BPM Hot
Played by: Kessell
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BP 042
21 Dec 15
Techno
Nothing Can Be Held In Our Hands For Long
4 Point Suspension - (7:38) 134 BPM Hot
Six Feet Under In Love - (6:57) 134 BPM
Cold Black Heart - (7:11) 134 BPM
Review: Having disappeared from view at the tail end of the noughties, veteran UK techno producer Makaton returned to action last year with the typically bombastic Ra Ra Replica EP on Token. Here, he continues his comeback by delivering a trio of tracks on James Ruskin and Richard Polson's similarly vintage Blueprint label. He begins with the creepy intensity of "Point Suspension", where crackling kick-drums and relentless cymbals combine with ragged, acid-influenced electronics to create a suitably psychedelic mood. Twisted, oddball electronics also form a key part of the slightly deeper and slower - if no less impressive - "Six Feet Under In Love", while "Cold Black Heart" is a quirky chunky of floor-friendly glitch-funk.
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BP 041
16 Nov 15
Techno
The Coriolis Effect
Omnipotent 3 - (5:27) 130 BPM
Obscuro - (4:58) 130 BPM
CH1 - (5:32) 130 BPM
Review: London's Progression returns to Blueprint Limited with four high-powered slabs of machine noise, characterized most appropriately by the term 'techno'. This naughty, hand-stamped piece of wax is dark, foreboding and distinctly industrial in texture, where cuts such as "Omnipotent 3", "Obscuro" and "CH1" explore all of the genre's tricks and no nonsense sonics. The bleepy outlook of "The Coriolis Effect" is a particular highlight!
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BPLTD 007
28 Aug 15
Techno
SC1
SC2 - (5:29) 130 BPM
Review: Last year Rumah debuted on the Church label with the Stutter/Murmer EP, a record which seems to have grabbed the attention of Blueprint boss James Ruskin. This SC1 EP, a collaboration between Rumah and Progression, provides the label's BPLTD series with its first release that's not by Ruskin, and it's a minimal and dark affair. Respectively "SC1" and "SC2" are linear and progressive, dubby and downbeat - similar to a Truncate production - while "SC3" harks back to the days of early MDR releases. The final track, "SC1 (Creech)", then offers a broken beat alternative to the straight up techno before it.
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BPLTD 005
06 Oct 14
Techno
Slit
Slit - (7:47) 130 BPM Hot
Wisdom Of Youth - (5:19) 130 BPM
Review: James Ruskin has of course individually collaborated with Mark Broom, as well forming The Fear Ratio project for Blueprint, and he's worked with Regis as O/V/R, but a solo record from the boss on his own label hasn't been heard since 2009. Throughout the Silt EP, sounds from these collaborations creep in and out of the three productions, while the title-track sounds like something that would fit right into a [Phase] EP. There's a definite Warp, albeit Lakker and The Fear Ratio sonic to the melancholic "Wisdom Of Youth", while the murky slither of "Emotional Erode" is the EP's unexpected, ambient, and rhythmic dub-leaning highlight.
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BP 038
10 Feb 14
Techno
Arc EP
BKRO - (8:11) 131 BPM
ED - (4:42) 134 BPM
Review: This release proves again that it's the producers operating at the fringes who often make the most rewarding techno. Lakker are Dublin duo Dara Smith and Ian McDonnell, who for years ploughed a furrow that was inspired by Warp and Rephlex and which resulted in releases that embraced noise, high speed break beats and electronica. So when Lakker decided to focus primarily on techno, they brought with them their previous musical experiences. Unsurprisingly, their debut vinyl for Berlin label Killekill won support from Surgeon and Aphex or that James Ruskin signed their second release to Blueprint. Lakker's past is audible on "Evening Lemon" as detuned, manic piano playing and the sound of kids in a playground bubbles to the surface of a glitchy offbeat backing track - only to give way to a beautiful, dreamy synth. What's more interesting is their application of their left of centre thinking to traditional techno structures. "ED" is powered by crunchy, off beats and shards of glitchy percussion but it's the ghostly, filtered synth that lead it from the outer limits to the realms of the dance floor. Likewise "BKRO" starts with echoing, dubbed out drums and kicks low in the mix, as Lakker let the ghostly textures and melodic undercurrents occupy centre stage. Indeed, if there is a recurrent theme on Arc, it's the use of texture and sound design as a means of seduction and nowhere is the recurrent theme on Arc and nowhere is this more evident than on the title track. There, a dense, lumbering nouveau techno backing provides the backdrop for eerie Aphex-style synths that linger in the background, gradually get closer and then eventually dominate the arrangement as the beats lose their intensity and the electronic melodies prevail, arcing upwards the sublime.
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BP 034
18 Apr 12
Techno
Post Traumatic Son (Marcel Dettmann mixes)
Post-Traumatic Son (Marcel Dettmann Construction 1) - (5:41) 132 BPM
Post-Traumatic Son (Marcel Dettmann Construction 2) - (5:52) 130 BPM
Post-Traumatic Son (Marcel Dettmann MDR version) - (5:28) 130 BPM Hot
Played by: Trebor, Delko, Psyk, Speedy J
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BP 0303
28 Mar 11
Techno
Radiated Future
Distrust - (5:25) 130 BPM
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BP 028
16 Nov 09
Techno
Circuit
Way Of The Worlds/Transfer - (8:26) 133 BPM
Human/Part Of The Process - (11:20) 134 BPM
Profile/Time Out/The Hill - (11:21) 134 BPM Hot
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BP 023
26 Jan 04
Techno
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