Review: Sleep D's Butter Sessions presents a full album release by Berlin-based Japanese producer Yuzo Iwata. After releases on Pluie/Noir and Malin Genie Music, not to mention his track "Acid House" appearing on the Butter Sessions Come Together 12" a couple of years ago, the label now plays host to Iwata's debut LP. Kaizu features the saucer-eyed beat exploration of "Neverland", the tripped-out slo-mo techno of "Shadow Of The Rock" to the enchanting polyrhythms of "Gamelion" and the off-kilter psychedelia of "Ancient Tape".
Review: Following a couple of relatively low-key releases on one of Melbourne's most admirable DIY labels, Paper-Cuts, Julien Huynh and Will Holden have trundled across town and joined Butter Sessions, which is arguably one of the Aussie city's most successful underground imprints. There's much to admire across the EP, from the heady, early morning psychedelia of opener 'Virtual Language', where trippy psychedelic lines, TB-303 bass and twinkling ambient motifs catch the ear, and the dub-flecked '90s ambient techno hypnotism of 'Pulsar', to the dreamy breakbeat-house bliss of 'Shapeshifting' and the positively Balearic electro warmth of closing cut 'Ocean Drifter'. It may be an EP firmly rooted in the past, but Shapeshifting is as appealingly mind-altering as they come.
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