Review: Pronounced "adverb", this solo American producer lays down some beautifully textured and very glitched out bass-step on this release for Car Crash Set. "Lust" rips apart its atmospheric opening with a torrent of fierce leads, while "Colourful Eyes" sounds on a par with Rustie's sci-fi voyaging. Check out the maximal joys of "Sugar Glaze" as an excellent first step into the world of +Verb.
Review: Bristol's Actraiser drops a big, brash and bouncy set of deep funky riddims on this latest EP for Car Crash Set. Lead tune "Kong Riddim" is a dark, cavernous gem with an infectious set of UKF drums anchoring floating pads and subtle, echoed synth leads. "Adventure Island" on the other hand is heavier on the congas and the stacked snares, while "Bubblun" brings a joyous 2-step rhythm out to play and nestles it around spacey pads and female vocals shots. Quality modern funky to be ignored at your peril.
Review: Having previously had "The Bells" remixed by Girl Unit among others, Welsh funky merchants CRST return with a lean, stripped down VIP of "The Bells" which absolutely smacks you round the face with raw, focused club energy. With pitch perfect snares and motorik chords they really keep the funk fresh on a tune that clearly going to get a lot of love in the next few months. "Saturday Tingz" is just as vital - sampling some huge female vocals and chopping them over a highly percussive beat which CRST skilfully reduce down to a minimal stomp for breakdowns. Highly recommended!
Review: A label on a roll following great releases from CRST, 214, Mistamen and Kingthing Car Crash Set continue with these two new tropical heaters from Cardopusher. "Tarradella Nights" keeps things bubbly thanks to some distant and trippy organ sounds as well as a Balearic-meets-bruk out beat that's so good that it's just left to simmer and build rather than be disrupted with gimmicky fills or drops. "All Bellaca Parties" starts with a set of high-pitched 606 drum hits, a la Ramadanman, and quickly winds in some excellent urgent synths - fantastic stuff.
Review: Car Crash Set, a label ever ahead of the curve, present the debut from US production duo Celoso. On the strength of "Already Know", the pair have a bright future ahead of them; combining lithe ghettotech beats, effervescent R&B influenced synth work and a vocal hook that gets right under your skin, it's an example of how to combine several well worn tropes and come up with something fresh. Meanwhile, Tectonic's Distal steps up to provide a typically hard to pin down remix; taking in juke and dubstep, his version of the title track places the chopped up vocal on top of some jackhammer kicks and an almost eastern melody, whose laid back feel is entirely at odds with the frantic rhythmic flow.
Review: The sparse and multi-faceted sounds of Computer Graphics return to Car Crash Set after three years away from the label. Best categorised under the wider house umbrella, these two tunes are best described as playful and experimental dance tracks. "Prospekt", is wobbly and off-kilter, but the sounds are fresh and summery enough to be enjoyed by passive listeners other than the house heads. "Experiment" is more of a broken groove, and although there is a 4/4 beat to push the track ahead, the sounds and quirkiness of the percussion render this a delight not just for dancing but also for listening and vibing out. Tip!
Review: Car Crash Set welcome Cos BV back to their catalogue this week, although the producer is only back on executive terms, while the spotlight is taken by an interesting set of remixers. His "Knife" tune is remixed and rewired by all sorts of capable bass junkies, including his and 214's excellent dub version, a bundle of bass and irate vibrations, Ezekiel's killer broken beat cut, and the warm house waves provided by the Love Bites reinterpretation. Not one to miss from both label and artist!
Review: Cos BV's Sunset EP boasts four tracks that seem to be culled from the soundtrack to a long lost 80s movie. Opener "Rock To The Rhythm" is a pumped up sun-kissed synth disco argument between an over distorted kick drum and super cheery keyboard riffs, "Palms Sway In The Evening Breeze" is indeed a breezy mellow jam with shimmering Fender Rhodes ripples, swimming pool synths and atmospherics galore. "Sundown" is an edgier cut full of 808s and an air of mistrust (the drug deal scene basically) and "Speed Dial" is a menagerie of twisted and broken old soul loops. Badass!
Review: A truly mesmerising house tune from San Francisco's Cosmic Revenge, backed with some equally ace mixes from Ratcatcher and Beat Connection, making for a very strong single indeed from Car Crash Set. A delirious mixture of subtle pads, trippy arpeggios and laid back 808 drums characterises CR's original, which Ratcatcher (who previously collaborated with Doc Daneeka as Rodski) exploits for his minimal/tropical reworking. Beat Connection (who've just recently toured with Toro Y Moi) add a little more jacking skank to their version, boosting the spacey, sub-aquatic chords as well for good measure. Smart, forward thinking house at every turn.
Review: The latest in Car Crash Set's "No Northwest" series sees Vancouver's Daega Sound share the spotlight with Seattle's Kid Smpl for some deep and moody tech winners, including DS' tech-step menacer "Legion" and his equally crystalline and reverb-soaked half-stepper "Winter's Horse". Kid Smpl gets deeper and trippier on "Timber" and almost nails Sigur Ros' aquatic swoon on the excellent "Over".
Review: Atlanta's Distal drops a pair of future-bass winners on the Car Crash Set label, with the title tune leaning heavily on the techno side with a signature shifting arpeggio acting as a mainstay while the beats shift between moody half-step and full-on tech-stomp. In a Pearson Sound-style, "We Are VCR" is a chilly 808 'n' claps fest, topped off with some deliriously wonked-out leads twisting away in the background.
Review: Space trap meets cosmic juke by way of DJ Beeso updates his slim-but-satisfying repertoire with four more out-of-this-world cuts. "Hypnotic" lives up to its name with its woozy sample play and shuffling beats, "Searching" is a fizzy acid juke workout while "In Love2" takes us on a bumpy trip to a new universe with wavy, grainy synths. Finally "Zajj Lid2" brings the EP to a house-tinged close with dreamy vocal textures floppy softly to a hazy 4/4. Trippy yisting!
Review: Mysterious Japanese newcomer Doppio revs up to pole position with the militant, mechanical mastery of "Crash". All race-car traces, twisted engines and militant kicks, it should come with its own reinforced seatbelts. "Caxis" continues the rifle-like kicks with added industrial strength sheet-metal slaps. Finally "Carnival" takes elements of both (the kicks of "Crash" and metal clangs and bashes of "Caxis") and ties them together with ice-cold 22nd century bridges. Racy.
Review: It's just dawned on us that the Car Crash Set label has racked up a huge amount of releases by now, and they've gone from fledgling bass label, to a respectable powerhouse for new talents coming off the street! This time we have a newcomer, Duolo, who unleashes a three-headed attack on us; the first gun slinger is "White Dingo", a curbside banger made up of a gunshot percussion and raucous sonics, followed swiftly and aggressively by "Zeta Type A" and its jagged chords spewing out of broken beats. On the other hand, "Cryo" puts up a little jungle dance, and its bouncy stop-start riddim is filled with all sorts of breaks; last but not least, Cosby injects even more merciless gunshot trickery into his remix of "White Dingo".
Review: Australian producer Galtier debuts on Car Crash Set with an impressive pair of contemporary techno tracks with nods to the UK end of the bass spectrum and Detroit styles. "Ring Twice" is a no-nonsense slice of 4/4 with dry stabs, granite rhythms and simmering bass with the arid atmosphere of a Terrence Dixon production and recomposes it with a big-room sensibility. "Shaped" is a different beast, taking sparse, swung 133bpm drums, abstract whistles and subdued chords and wrapping them up into a package that is part ghetto house, part dub techno. Fans of Blawan, Bambounou and Tessela take note.
Review: GRRL returns to Car Crash Set with an extended EP of multi-faceted bass flavours that we're honestly quite into. The producer wastes no time in introductions or small talk and gets straight to the point with the machinegun percussion track that is "Warmup", followed by the comparatively housier 'Hands", and back then back to the violence again through "Do It". 'Whoa" is the killer in the mix, the tune bound for the rewind, and "Drop Ha" will satisfy fans of DJ Funk and the like. "Workouts itself" is loose but extremely effective at making you dance, and "Cooldown" feels like its natural continuation.
Review: Don't let the novelty, yet awesome name fool you - Ill Cosby has got some serious tropical skills and flexes them with all his might on the excellent "Lo Oyen". A bubbly, multi-percussion worker which uses some huge claps and polyrhythmic sequencing to craft something that'll prove fiery on any dancefloor. Emvee adds a Latin/Reggaeton feel with some grimey strings, while Palms Out's Dubbel Dutch gets busy on another Ill Cosby tune, "Kalakuta". which features the maddest sax lines since Guido's massive "Sex Sax".
Review: After a run of really well received original releases, J Shadow returns again with another highly experimental journey into future tech on this explosive two track selection courtesy of Car Crash Set. We begin by taking a look at the robotic expanses of the highly intuitive 'Hypnagogia', which weaves electronic creations together with stuttered industrial drum styles and unpredictable percussive stutters. On the flip side we are gifted 'IOK-1', a more breaksy driven composition, bringing some additional flavour, combining bleeps and blips with grinding moogy sub work in a really expansive composition.
Review: New on Car Crash Set, Australian producer James Arctic lives up to his name with these two new chilly yet thrilling bass/jack house winners. "Green Lagoon" recalls Addison Groove thanks to its icy use of crisp 808 drums and whispy atmospheres, while "Ollie North" is a very hype sweat-fest featuring bouncing basslines and sharp snares.
Review: Defining all the correct moves in the current bass music climate, Lindo Man comes correct with an emotive flurry of stepping business that leans heavy on lush synths and intricate drum programming. There's a whiff of juke about the looping sample tricks, but realised through a smoother pallete of sounds on the quick fire "M6". As a fitting counterpart, "Shackle" continues the same theme but in a marginally slower template, with a touch more space afforded for dubby swathes of chord to echo out into a healthy bed of feedback while the beats remain slick and slender to the last.
Review: Rippling rhythms, crackling white noise and muffled, hissing beats dominate for the most part of Mak & Pasteman's delectable "What Love Is". Setting the tone for their release on Car Crash Set, the pair go in with the deep, heavy rhythms, pulsing beats, hissing percussion and eerie vocal which hides behind the rest of the music somehow. A midway breakdown adds a brief moment of melancholy reflection before we return to the main tune. "So Much" continues in much the same manner, with sparse beats in a gentle, humming soundscape, broken by a labored groan and dripping SFX and pattering percussion. A must buy, right here, right now.
Review: As the title suggests, this split EP from Mak and Pasteman is something of a throwback to simpler times. More specifically, it offers up a quartet of cuts inspired by the halcyon days of UK garage. Mak's deep and delicious "Work On You" apes late '90s two-step, throwing in some New Jersey garage and Todd Edwards-ish vocal stabs. Pasteman's "Beggin It" goes for more of a 4/4 flex -complete with warped dark garage bassline - while Mak's bass-heavy, breakdown happy "Cameo" is bursting with chiming melodies. Best of all, though, is Pasteman's "Thinking of You", which mixes classic US house and early garage to superb effect.
Review: This extraordinary nine-track package from Mexico's Mekha compromises four original tracks and five remixes. First of all is two minute outing "Process" - a minimal, haunting intro with almost painful humming, which introduces us to the sparse experimentalism that will ensue. "Aneurism" is a deep, dubbed out piece with deftly placed beats, occasional bleeps and quirky SFX. Dsve remixes this, adding in a swishing vocal and booming bass, whilst Kupas Vampire Slaya mix is an exercise in disorientating 8-bit bleeps. "Cortex Feedback" is a more menacing piece with remixes from DMR, MHV and The Raging Sea Unconscious mix, with the original rounding things off.
Review: Over the past few years, a lot of bass music has shifted its focus towards a deep retro house sound. Meja, a 20-year-old from Paris, certainly fits into this category; "Glass" is a killer slice of deep, brooding and raw jackin' house that gives the likes of Maetrik a run for his money. Up next, "Trucks" is a gentler affair that goes even deeper still, with moonlight synths and clippity-clop percussion along the way. A promising young talent - bravo.
Review: Car Crash Set present another fresh producer in the form of Mentalcut, delivering four tracks of contemporary bass heavy trap instrumentals, fused with the luxurious analogue boogie styles. "Burswood" kicks things off with buttery bass and diamond pads stitched together with spindly snare rolls, while "Maylands" combines a triumphant horn solo, elastic chords and glistening hi-hats. "Ardath" switches things up with its shimmering key stabs and water droplet synths, while "Love Child" rounds things off placing threadbare percussion against a 70s lounge-soul backdrop, but without compromising on the rhythmic prowess. If you've ever wondered what a collaboration between Lunice and Dam Funk would sound like, look no further.
Review: Mike G brings us "Throw Back" on Car Crash Set and in doing so unleashes a load of heavily reverbed, bass heavy beats on us with brutal force. The title track is all chopped up lyrics on frenzied loop, with pulsing beats and driving b-line adding further pressure to the proceedings. Pounding and pumping for the duration, this one's for the heads. "Disco Radio" again focuses on a distorted vocal with booming subs, hollow bongo beats and surging synths adding to the Hessle Audio meets Night Slugs style atmosphere.
Review: One first listen, "Dwell" could be something you'd play to an old hippy splashing out on a bit of time in a floatation tank; all deep wafting pads and subaquatic cries and cosmic twinkles. Then you listen a little closer and you realise there's a full-on funky two-step riddim riding roughshod in the background. Crisp soothing ambience coupled with crafty drums - "Dwell" really does what its cogitative moniker suggests. "Fall Apart" plays the ideal foil to such a brooding lead cut. Again, it's garage, but a twisted, distorted, fractured garage where sprightly synths and the processed vocal carry class, while the lolloping, off-kilter rhythms add weight and progression. Don't dwell on this for too long.