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Clash Lion
Review: Clash Lion, a label with a stylish but free-wheeling approach to electronic music, rounds off its 2022 release schedule via an EP from sometime Bicep and Shall Not Fade artist Hammer. The Northern Irishman channels his love of Italo-disco, mind-mangling electronic body music and infectious house grooves on 'Transit 2.2', before Clash Lion co-founder TERR reaches for bleeps, angular bass and lo-fi drum machine beats on his fantastic remix. Michelle Manetti contributes drowsy, ethereal vocals to the subtly bleep & bass-influenced strut of 'XoX', while Alice Killme takes on the same role on 'Breath Werk', a more low-slung chunk of new wave-influenced late night house breathlessness.
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CL 017
23 Dec 22
Disco/Nu-Disco
23 Dec 22
Disco/Nu-Disco
Review: Barcelona-based no_ip returns to Clash Lion with another three-track EP. 'Close To Me' itself is up first, a hard-to-pigeonhole affair that fuses elements of house, techno and disco into a pleasingly moody little chugger that'd work well in warm-up sets. We stay in dark, moody pastures for 'Nobody', which suggests prog and Italo influences and which has a fine way with a warping synth and a distorted vocal snip, while the EP's completed by a remix of 'Nobody' from Kino Todo, in which the darker elements are toned down while a more straight-ahead 4/4 kick and synthesized percussion lend it a lighter, housier feel.
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CL 016
16 Sep 22
Disco/Nu-Disco
16 Sep 22
Disco/Nu-Disco
Review: Fresh from delivering a dash of melodious, tech-tinged deep house wooziness on Phantasy Sound (the rather good Wings of Time), Daniela Caldellas AKA Terr returns to her Clash Lion label for a collaborative single with rising star Daniel Watts. 'Bring The Future' is pleasingly moody, low slung and psychedelic, with sharp, mind-altering electronic motifs and mind-mangling synth sounds riding tough house drums and a restless, punk-funk style bassline. The track's hallucinatory potential is further unlocked on the TB-303-heavy Queer On Acid remix, while the Mala Ika revision is a vocoder-sporting slab of hypnotic, house-tempo new wave chug. Bonus cut 'Clairvoyant' is excellent, too, with Caldellas and Watts opting for a dark electronic disco vibe and plenty of evocative, stabbing synth sounds.
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CL 015
13 May 22
Disco/Nu-Disco
13 May 22
Disco/Nu-Disco
Review: Dom Furlonge, a British artist who's now based in Spain, is best known for being one-half of Anjunadeep duo Journeyman. These days he's striking out on his own as Antic, still recording for Anjunadeep but finding time, too, to serve up this three-track, four-mix EP for Barcelona's Clash Lion label. It's sitting in our Disco section but, as you might expect from his background, comes from that point on the disco spectrum where cosmic and Italo vibes merge seamlessly into progressive house, with 'Disdain' the most faithfully 80s Italo-sounding cut and Gabe Gurnsey's pumped-up remix of the title cut the pick for house floors.
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CL 014
10 Dec 21
Disco/Nu-Disco
10 Dec 21
Disco/Nu-Disco
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CL 009
21 Jun 19
Techno
21 Jun 19
Techno
Review: So far, Spanish label Clash Lion has put out music by Maetrik and one of its owners, Shall Ocin. Next up is Japan's Risa Taniguchi, whose initial productions have already been supported by the likes of Maceo Plex, Charlotte de Witte and Perc. The title track on her Clash Lion debut sits somewhere between techno and house. It's based on a powerful, surging bass, is supported by rolling snares and resounds to a moody siren riff. "Execution" is more understated, but it sees Taniguchi soaking the stripped back arrangement in acid. Rounding off the release is "Monica", a pile-driving percussive affair that will appeal to fans of Pan-Pot.
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CL 005
15 Jun 18
Techno
15 Jun 18
Techno
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CL 003
09 Mar 18
Techno
09 Mar 18
Techno
