Craigie Knowes is a record label based in Perth, Scotland. It was founded in 2015 by Mitch Hunter and Max Spittal, who met while studying at the University of St Andrews. The label's name is a reference to the neighborhood where they both grew up.
Craigie Knowes releases a wide range of electronic music, from house and techno to ambient and experimental. The label has a reputation for releasing high-quality music from up-and-coming artists, and its releases have been praised by critics and DJs alike.
Some of the artists who have released music on Craigie Knowes include Chaos In The CBD, Bicep, Carl Finlow, and Cygnus. The label has also released a number of compilation albums, including "Craigie Knowes Presents: The Future Sound Of Scotland" and "Craigie Knowes Presents: The Scottish Techno Sound."
In addition to releasing music, Craigie Knowes also organizes events in Perth and Edinburgh. The label's parties are known for their eclectic lineups and friendly atmosphere.
Review: Jamie Leather and Christopher Ledger make an impactful Craigie Knowes debut with four mind-bending club jams. Their joint venture as CLJL takes the lead on "Non Terrestrial (Spaced Mix)", delivering a serious concoction of house, breaks, and electronics that pays homage to the golden age of techno and electro, while veering toward touches of trance in "Shadow Speak". Jamie Leather onwards goes solo with both "Thats Enough Now" and "Like This, Like That" adding some warm euphoria to the EP in former next to some classic piano acid and New York vibes in the latter. Break it down.
Review: Melbourne-based producer Fader Cap returns to Craigie Knowes with some deep, melodic and bassline house-electro crossovers. Dope stuff. Featuring four tracks that seamlessly blend club-centric vibes with expansive melodies, Echo Chamber delves deep into a diverse mix of beats tailored for every moment throughout the night. Its lead cut delivers a sweet and aqueous bassline with snares flailing left-right-and-centre, with "Kanizsa" ebbing a few fathoms deeper and bringing with it a subtle touch of '90s trance through its subdued vocal. "Thinker" pumps it up a somewhat with some solid warehouse grooves and flecks of acid-synth and bleep, with "Sad On The 16TH" going minimal in a way that you can see Ricardo Villalobos agreeing with. Doffed.
Review: Diving into the depths of the "Southern Seas EP" reveals an immersive exploration of DJ Life's musical finesse--an intricate fusion of advanced production techniques tailor-made for those eager to plunge the dancefloor beneath tempestuous waves. It goes beyond conventional club music; rather, it unfolds as a cerebral expedition. The EP's inaugural track, "Whomnp," embarks as an intricately paced progressive techno marvel, intricately interweaving screw synths and sci-fi motifs. The auditory journey kicks off with a mesmerizing mind-melter, beckoning listeners to traverse uncharted waters of sonic exploration. Subsequently, "Frayed" introduces a vibrant spectrum of psychedelic hues, contorting over filtered vocal fragments and supple drums--an enthralling tapestry of sound that meanders through the listener's consciousness. Drawing the sonic voyage to a close, "Transmission" unfolds with stomping drum funk illuminated by celestial melodies, providing a climactic resolution to the musical expedition. DJ Life's knack for blending intricate rhythms with cosmic elements shines through, leaving an enduring impact on the audience.
Review: Brian Kage, a prominent figure in Detroit's electronic music scene, has graced us with his latest offering, the "Analog Heart, Magnetic Soul" EP, released under the discerning Craigie Knowes label. The EP commences with the fittingly titled "Smooth Orbit Over The Detroit River." It's a mesmerizing journey through space and time, exuding the quintessential Motor City charm. This opening track sets the tone for what's to come, as it unfolds as a widescreen, cosmic groove cruise that seamlessly blends classic Detroit influences with a futuristic edge. "Planet Lumina" takes us even deeper into the celestial expanse, boasting ethereal synths and talk box vocals that intermingle with cyborg-friendly electro-funk elements. "The Keyz" continues the intergalactic odyssey with its energetic electro vibes and intricate soundscapes. The EP concludes with "Rouge Like," a track that sends us off with a bang. It features bold, bouncy drum patterns and a dreamy fusion of smeared, dubbed-out chords. The result is a mesmerizing dancefloor experience that encapsulates the essence of machine-made soul perfection.
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