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Rock The World - (5:10) 125 BPM
   
Zodiac Rythms - (7:17) 132 BPM
   
Zulu - (6:26)
   
Can U Hear Me Now? - (4:59) 126 BPM Biggest-selling track on this release
CREME 12-37
01 Oct 07
Techno
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Djibouti - (6:09) 128 BPM
   
Yaounde - (6:39) 128 BPM Biggest-selling track on this release
   
Mogadishu - (6:44) 129 BPM
CREME 12-28
01 Sep 06
Techno
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Anxiety Is Always Here - (5:37) 126 BPM Biggest-selling track on this release
   
The Owner - (6:14) 127 BPM
   
Renessense - (6:50) 125 BPM
   
Intention - (4:38) 126 BPM
Review: Mysterious Russian producer Art Crime has previously impressed via releases on Phonica and William Burnett's W.T Records, so it's little surprise to find him popping up on Creme Organization. Nor is it surprising to find the Renessence EP another superb releases that fully showcases Art Crime's talent for the old ivories. "Anxiety Is Always Here" is surprisingly melancholic, with drifting, Detroit influenced chords and tear-jerking pianos complimenting a rolling groove, while "The Owner" is an altogether spookier, more discordant bubbler. There's a fantastically jazzy feel to title track's hissing cymbals, mournful synth strings and minor key melodies, while closer "Intention" is almost ecclesiastical in its use of cathedral organs and heavenly electronics.
CREME 12- 86
10 Aug 15
Funky/Club House
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Loom - (2:37) 154 BPM Biggest-selling track on this release
   
The Killing Game Show - (6:26) 122 BPM
   
Side Scrolling - (5:28) 121 BPM
   
Three Sisters - (6:27) 164 BPM
   
Guardian Dragon - (7:11) 124 BPM
   
Journey Through Fractal Mountain - (7:03) 83 BPM
   
Visible Differences - (8:19) 123 BPM
   
1997 - (6:28) 122 BPM
   
Lost Patrol - (1:56) 154 BPM
   
Utopia - (4:56) 164 BPM
Played by: S-File
Review: Having disowned his drum and bass and disco re-edit roots, Stu Robinson has enjoyed a career revival following the adoption of the ASOK moniker in 2012. This upturn in fortunes is no freak occurrence, though; Robinson's productions during the period, which make great use of vintage analogue gear, are better than ever. That much is clear from A Mind Forever Voyaging, his debut album on Creme Organization. Rooted in early '90s techno - both American and European - the set blends distorted drum machine rhythms and intergalactic synthesizer motifs with booming basslines and spooky, outer-space textures. There are, naturally, a few ambient excursions dotted throughout, as well as an impeccable trip into the lesser-explored world of tech-jazz ("Journey Through Fractal Mountain").
CREMELP 13
02 May 16
Techno
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6800 - (2:36) 131 BPM
   
The Killing Game Show - (6:26) 122 BPM
   
Loom (Special Beats mix) - (5:10) 124 BPM Biggest-selling track on this release
Review: Stu 'Asok' Robinson has come a long way since making his debut on Use of Weapons in 2012, progressively moving further towards the analogue-rich sounds of vintage Motor City techno. The Liverpool-based producer's full conversion to the Detroit cause can be heard on this sampler for forthcoming debut album A Mind Forever Voyaging. Robinson begins with the intergalactic ambience of "6800", before blending classic Motor City chords and punishing broken techno beats on the impressive "The Killing Game Show". Finally, he pushes a pounding kick drum to the fore on the Model 500 influenced throb of "Loom (Special Beats Mix)".
CREME 1291
11 Apr 16
Techno
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Alien Life Form - (5:21) 140 BPM
   
Electro Muzik - (3:51) 140 BPM Biggest-selling track on this release
   
Interstellar Funk - (5:04) 145 BPM
CREME 12-42
23 Jul 07
Electro
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Vorrei Tanto - (3:28) 123 BPM Biggest-selling track on this release
   
Voglio Uscire - (5:10)
   
Il Vento - (1:12)
   
Il Grillo E La Formica - (4:03)
CREME 12-23
22 May 06
Electro House
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Vorrei Tanto - (3:28) 123 BPM Biggest-selling track on this release
   
Il Vento - (1:12)
   
Devo Andare - (4:21) 138 BPM
   
Voglio Uscire - (5:10)
   
Il Grillo E La Formica - (4:03)
CREME 12-23
22 May 06
Electro House
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Master Of The Universe (part I & II) - (9:04) 124 BPM Biggest-selling track on this release
   
Black Zoo - (3:24) 122 BPM
   
Slot Cars - (5:53) 125 BPM
CREME 12-08
01 Aug 02
Electro
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Traveller - (6:04) 120 BPM
   
Aus Birgittes Tagebuch - (6:10) 126 BPM Biggest-selling track on this release
   
Don't Be A Badboy - (6:49) 125 BPM
   
Crowdpleaser - (5:45) 125 BPM
   
Masters Of The Universe (part 1) - (4:40) 124 BPM
   
Leap To The Unknown - (3:39) 125 BPM
   
Give It to Me Baby - (4:07) 122 BPM
   
Logarhytmic - (4:11) 122 BPM
   
Passenger - (5:46) 119 BPM
   
Rymdfunk - (5:39) 124 BPM
   
Traveller (part 2) - (6:28) 124 BPM
Played by: Christian Smith
CREME LP-01
12 Dec 11
Techno
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Premature Ejaculation (original mix) - (7:39) 126 BPM Biggest-selling track on this release
   
You Are Rubber I Am Glue - (4:43) 122 BPM
Played by: Deepchild
CREME 12-38
04 Jan 08
Electro House
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Aspirin (original version) - (5:46) 127 BPM
   
Junge Dame Mit Freundliche Tel (original version) - (4:01) 125 BPM Biggest-selling track on this release
CR 1203
11 Feb 02
Electro House
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Junge Dame (Bangkok Impact remix) - (5:49) 126 BPM Biggest-selling track on this release
   
Junge Dame (James White Mr Clavio edit) - (4:07) 124 BPM
   
Junge Dame (Kassen remix) - (4:09) 125 BPM
   
Junge Dame (Legowelt remix) - (9:43) 123 BPM
   
New Wave Whore (Found On The Street remix) - (3:25) 125 BPM
   
Junge Dame (Orgue Electronique remix) - (2:31) 120 BPM
CREME 12-03R
10 Nov 03
Electro House
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Bangkok Impact - "Pop" - (5:03) 126 BPM
   
Mr Clavio - "Tsjupa Tsjupa" - (4:54) 128 BPM
   
Red White Rose - "No One Puts Baby In The Corner" - (3:51) 122 BPM
   
Monkeyshop - "When Couples Cuddle Up" - (6:09) 128 BPM
   
Lolita Strap - "I Would Love To Eat You Right Now" - (6:14) 122 BPM Biggest-selling track on this release
CREMELP 03
20 Oct 03
Electro House
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Bangkok Impact - "Pop" - (5:00) 126 BPM
   
Mr Clavio - "Tsjupa Tsjupa" - (4:51) 128 BPM Biggest-selling track on this release
   
Red White Rose - "No One Puts Baby In The Corner" - (3:50) 122 BPM
   
Monkeyshop - "When Couples Cuddle Up" - (6:06) 128 BPM
   
Lolita Strap - "I Would Love To Eat You Right Now" - (6:13) 122 BPM
CREME LP-03
01 Sep 03
Disco/Nu-Disco
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Yellow River - (6:22) 123 BPM Biggest-selling track on this release
   
Jak'd Freq - (7:32) 123 BPM
   
Tuff Luv - (6:52) 124 BPM
   
Saturn - (7:43) 127 BPM
Review: Toronto based Stuart Li, better known as Basic Soul Unit, returns to the Creme Organisation with a new four track EP of dirty, acid house. His releases over the last year, including his remix of Arnold Jarvis' classic house track, "Take Some Time Out" have proven his ability as a producer. This rep is only going to be further enhanced by the raw edged, Detroit influenced techno of "Tuff Luv".
CREME 12-47
04 May 10
Techno
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Jak'd Freq (A Made Up Sound - Puur Natuur mix) - (5:41) 124 BPM
   
Jak'd Freq (A Made Up Sound - Acid bonus) - (5:31) 129 BPM Biggest-selling track on this release
Review: Basic Soul Unit follow up their Tuff Luv EP with a stellar package of "Jak D Freq" from Dave Huismans, aka A Made Up Sound. The Dutchman, best known for his productions offerings under his 2562 moniker, kicks off with the Puur Natuur mix, which strips the jacking original into a mechanical, dubbed out affair. His acid rework creates a smorgasbord of crunchy beats, squelchy basslines and general motorik goodness.
CREME 12-47R
04 May 10
Techno
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Can't Joke With Dxy - (6:20) 123 BPM Biggest-selling track on this release
   
Faith - (7:11) 118 BPM
   
Ghosts - (6:11) 120 BPM
   
Scale - (5:50) 89 BPM
Review: With five releases in the past year, it's fair to say that Frey's star is in the ascent. Ghosts, for TLR's label, showcases his deep, hypnotic sound, and puts him in a similar place as artists like Xosar. This is especially true on "Can't Joke With Dxy" and "Faith", whose warm, tranced out synths and fluid bass sound like they were fashioned after a dreary winter's day on a West Coast beach. The title track is more abstract and freeform, with Frey using a loose rhythm to underpin his swirling synths. Lastly, there's "Scales". With its understated vocals and languid guitar, it could be the soundtrack to an afternoon spent downing cheap beers in one of the Hague's dive bars.
CREMEECLIPSE 14
14 Dec 15
Techno
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Emotionle (Part I) - (6:57) Biggest-selling track on this release
   
See You Through The Glass - (6:56) 124 BPM
   
When Sammy Came Home - (7:11) 136 BPM
   
Emotionle (Part II) - (5:45) 131 BPM
CREME 12-44
07 Aug 09
Techno
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Klinsfrar Melode (original mix) - (8:27) 117 BPM
   
Klinsfrar Melode (Sprinkles' Deeperama) - (12:52) 120 BPM Biggest-selling track on this release
Played by: Shadow Dancer
CREME12-52
13 Dec 10
Techno
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Brass Knuckles - (4:14) 140 BPM
   
Brute Force - (5:29) 140 BPM
   
Stick & Move - (3:26)
   
Brass Knuckles (Marco Bernardi's Buzzy Bee remix) - (4:58) 125 BPM Biggest-selling track on this release
Review: Creme Organisation drop a four tracker from the experimental outfit, The Black Exorcist. A mysterious and elusive minimal techno soundscape merges with a dub feel to create three tracks of uneasy, tension filled disturbia. Marco Bernardi is on hand to remix "Brass Knuckles" to close the EP in style.
CREMEDUB 01
01 Apr 10
Techno
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Pong In A Tracksuit - (5:35) 118 BPM Biggest-selling track on this release
   
No Answer - (4:55) 126 BPM
   
Run From The Sunset - (5:25) 122 BPM
   
Touch The Light - (6:20) 116 BPM
Review: After a killer run of releases for The Trilogy Tapes, L.I.E.S. and Rush Hour under his many monikers, William Burnett returns to DJ TLR's Creme Organization with Run From The Sunset EP. Be it crafting lo-fi power house for L.I.E.S and Creme Organization, dreamy synth sessions for NYC label Sequencias or unlikely club anthems like "The Overlord" for Will Bankhead's Trilogy Tapes imprint, William Burnett ranks alongside Legowelt in his ability to produce frazzled house music weighted toward the not-so serious end of club techno. His return to Creme sees the multi-faceted DJ and label boss canvass an array of sounds, ranging from deep, chord driven Chicago-style house to playful electronica and traversable worm-holing techno.
CREME 12-64
27 May 13
Deep House
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Nearly Run Over - (6:42) 54 BPM
   
Jumping Beans - (7:28) 113 BPM
   
Man's Job - (10:11) 123 BPM
   
The Conversation - (5:00) 119 BPM Biggest-selling track on this release
Review: Given his love of basement-bothering house and techno jams and early morning nostalgia, it's perhaps unsurprising that Marcos Cabral has been recruited to join TLR's ever-growing Creme Organization family. There's naturally much to admire on the Conversation EP, from the wonky, distorted techno dystopia of opener "Nearly Run Over", to the smacked-out, L.I.E.S style dusty weirdness of "Man's Job". Elsewhere, keep an eye out for the hypnotic, low-slung intensity of the relentlessly macabre title track, and revel in the redlined beats, foreboding stabs and white noise of "Jumping Beans".
CREME 12-85
22 Jun 15
Techno
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Irrational Excess - (8:21) 121 BPM
   
Disorderly Orchard - (5:09) 123 BPM
   
Lost In A Blue Night - (6:36) 120 BPM
   
South-Side Will Rise (TLR edit) - (6:48) 121 BPM Biggest-selling track on this release
CREMEJAKX 05
21 May 11
Deep House
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Suoni Dalle Ombre Oltre - (4:20) 51 BPM Biggest-selling track on this release
   
Adreana E Leonora - (2:04) 51 BPM
   
Voci Dalle Ombre Oltre - (2:13) 76 BPM
   
Il Sogno Di Leonora - (4:29) 51 BPM
   
Fra Nerezza E Luce - (2:54) 102 BPM
   
Consumato - (0:54) 61 BPM
CREME 12-15
01 Jan 04
Experimental/Electronic
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Resynthesize - (3:49) 132 BPM Biggest-selling track on this release
   
Uncompromised - (2:21) 114 BPM
   
Blacksheep Ripoff - (3:12) 126 BPM
   
Mel Divine - (3:35) 132 BPM
Played by: Max Durante, Clatterbox
CREME ECLIPSE 08
15 Oct 08
Electro
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Reptilian Treant (original mix) - (6:46) 117 BPM Biggest-selling track on this release
   
Rare Centaur - (6:59) 120 BPM
   
Reptilian Treant (Orgue Electronique remix) - (6:52) 128 BPM
   
Apocalyptic Moose - (6:15) 120 BPM
Played by: Sanderson Dear
Review: Cosmic Garden's recent EP on Happy Skull, Sealaconda, was one of the finest things the Bristol label has released to date (and that's saying something). This missive for Creme Organization is equally as inspired, with the Italian producer delivering more colourful, weed-fuelled voyages into kaleidoscopic, analogue deep house. Lead cut "Reptilian Treant" fixes warehouse-friendly piano riffs to rubbery synth bass and dense, body-popping house drums, while "Rare Centaur" is a thrill-a-minute ride that craftily combines ragged acid lines, ghostly chords, a bold cello melody, and fiendishly jacking drums. There's some deeper, woozier fare in the shape of the wonderful "Apocalyptic Moose", while Orgue Electronique provides a sparkling, Motor City influenced remix of "Reptilian Treant".
CREMEECLIPSE 15
18 Nov 16
Deep House
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Another Number - (6:08) 125 BPM
   
No Control (JTC remix) - (8:02) 129 BPM
   
Hungry For People - (5:25) 128 BPM
   
The Lights Brighter - (5:11) 126 BPM Biggest-selling track on this release
   
DMC - (5:35) 128 BPM
Played by: Resident Advisor
CREMEJAK X01
20 Nov 09
Techno
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Transmogrification - (5:40) 127 BPM
   
Fallen - (5:30) 127 BPM
   
The Power - (5:23) 120 BPM
   
Stand Up - (7:35) 125 BPM
   
Oh My - (7:10) 130 BPM
   
A New Night - (6:02) 126 BPM
   
I Want To Ride - (7:27) 119 BPM
   
Shoot The Fish - (5:26) 115 BPM
   
Say It & Its Time - (6:14) 120 BPM Biggest-selling track on this release
   
Evil Motion - (5:26) 113 BPM
   
Fractal - (6:26) 160 BPM
Played by: Paul Mac, Ellen Allien, Kiwi
CREME JAK XL01
19 Dec 11
Techno
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Werk It Gurl - (4:07) 125 BPM Biggest-selling track on this release
   
Little Pieces - (4:17) 127 BPM
   
Peekaboo - (5:56) 119 BPM
   
Feel The Powder - (3:52) 133 BPM
Review: Given his well-known love of cheap electronics, jack tracks and the fluorescent pulse of early '90s warehouse music, it is no surprise to find Unknown To The Unknown founder DJ Haus popping up on Clone's Jack for Daze offshoot. Helta Skelta, a four-track assault on the senses that blends the distinctive swing of vintage drum machines with riotous acid and cheap-and-cheery electronics, holds few surprises. That's not a criticism, though, since few do this kind of retro-futurist dancefloor abuse quite as well as the UTTU man. We can detect a few audible nods towards the bleep techno period, too, particularly on the sub-heavy silliness of "Back 2 Tha Future" and "Metronomy", which sounds like a mutant funk re-make of Unique 3's "The Theme".
CREME 12-79
09 Feb 15
Deep House
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Energia (live cut) - (5:58) 86 BPM
   
Cigarettes - (2:20) 109 BPM
   
The Deads At Twelve - (4:41) 123 BPM Biggest-selling track on this release
   
Nr 13 - (3:38) 119 BPM
CREME 1293
17 Mar 17
Techno
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Vrs 2 - (6:44) 123 BPM Biggest-selling track on this release
   
Inverno - (4:27) 104 BPM
   
We Dont Really Care - (6:18) 123 BPM
   
Vrs 3 - (6:12) 126 BPM
   
Visione Distorte (Air mix) - (7:06) 134 BPM
CREME 1297
28 Jun 19
Minimal/Tech House
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Doomsday Argument - (6:08) 130 BPM Biggest-selling track on this release
   
The Great Filter - (5:30) 130 BPM
   
Post Singularity Day - (5:07) 146 BPM
   
Antifragile - (5:54) 120 BPM
   
Into The Grey Goo - (4:50) 127 BPM
Played by: Renergy
CREME 1295
07 Jul 17
Electro
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Downer - (4:52) 140 BPM
   
Thought Buzz - (1:00)
   
The Place To Be - (6:52) 132 BPM Biggest-selling track on this release
   
The Rise & Fall - (3:50) 120 BPM
Played by: Technopodcast.com
Review: As his releases for Solar One Music, Bunker and Trust demonstrate, Robert Witschakowski takes his inspiration from a variety of sources, including acid, electro and techno. This release on Creme marks a shift in his approach; gone are the blasts of acrid 303s, the frequently claustrophobic drums and the swampy techno rhythms. Instead, the German producer has focused almost exclusively on dreamy, synth-led sounds and a more esoteric approach. "Thought Buzz" is upbeat and evocative as he manages to fuse ghostly pads from hard core, while "Place" rides a groove that sits in the middle of techno's svelte pulses and the off-beat 808 shuffle of Detroit electro. Rise & Fall documents Witschakowski's willingness to embrace other styles and sounds, but it also shows conclusively that he plays by his own rules.
CREMEECLIPSE 13
17 Jun 13
Techno
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See It Through My Eyes - (2:44) 120 BPM
   
They Arrive - (5:27) 132 BPM Biggest-selling track on this release
   
A Strange World Between - (1:08) 136 BPM
   
The Wrong Direction - (4:24) 125 BPM
   
It Takes Place - (2:08)
   
One Circle - (5:04) 120 BPM
   
Stranded In This New World (hidden bonus) - (3:56) 126 BPM
Review: Robert Witschakowski clearly buys into the age-old love affair between techno and science fiction, judging by his track titles and the back story to his project The Exaltics. The tracks on They Arrive span a lot of different tempos, from the dubstep-meets-horror-film "See It Through My Eyes" to "They Arrive", creeping in with sinister, droney techno. "The Wrong Direction" is a brooding take on straight up electro, while "One Circle" kicks off on a solid house groove before unfolding into unabashed euphoria. It's not easy to make such varied vibes sound so utterly consistent as well being seriously good tracks, and here Witschakowski pulls it off with aplomb.
CREMEECLIPSE 10
19 Aug 11
Techno
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Riot - (5:36) 127 BPM Biggest-selling track on this release
   
Last Friday - (6:25) 124 BPM
   
Reduction - (5:00) 123 BPM
   
Ozyork - (6:14) 125 BPM
Played by: Honey Soundsystem
CREME 1296
28 Jul 17
Techno
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Ocean Movers - (4:53) 133 BPM
   
Lighthouse Light - (3:58) 144 BPM
   
Ocean Movers (VCS2600 remix) - (4:32) 142 BPM
   
Wreck Of A Voyage - (3:56) 133 BPM Biggest-selling track on this release
CREME ECLIPSE 07
01 Jan 07
Electro
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Spend The Night With You (vocal mix) - (4:38) 110 BPM Biggest-selling track on this release
   
Spend The Night With You (instrumental mix) - (4:41) 110 BPM
   
Thank You For This World (vocal mix) - (4:30) 101 BPM
   
Thank You For This World (instrumental mix) - (4:30) 101 BPM
CREME 12-50
01 Oct 10
Disco/Nu-Disco
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Things Are Looking Up (Lee Douglas remix) - (7:04) 120 BPM Biggest-selling track on this release
   
Toobin Through The Galaxy (DJ Overdose remix) - (6:01) 89 BPM
   
Motion - (4:48) 120 BPM
CREME 12-45
30 Sep 09
Disco/Nu-Disco
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Toobin' Problems - (7:27)
   
Things Are Looking Up - (4:40)
   
Snake River - (8:31) 120 BPM
   
Friday Afternoon Toobin' - (4:06) 120 BPM
   
The Day Of The Duel Is Approaching - (5:42) 119 BPM
   
God's Day - (7:21)
   
Entering Snake Pass - (6:34) 145 BPM
   
Toobin' Theme - (5:53) 137 BPM Biggest-selling track on this release
CREME LP-07
02 Jul 08
Electro
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Soundtrack 909 - (7:43) 120 BPM Biggest-selling track on this release
   
00707 - (6:11) 122 BPM
   
Palm Sunday - (8:08) 123 BPM
   
666 Bass - (6:12) 129 BPM
   
Metroplex Jaxx - (6:03) 120 BPM
   
Snappy - (4:12) 113 BPM
   
Aqua Finess - (4:12) 112 BPM
   
Desmond's Obsession - (5:54) 125 BPM
   
Haddonfield, IL - (5:06) 81 BPM
Played by: Shadow Dancer
CREME 12-68_69
16 Jun 14
Deep House
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Tunnel - (6:16) 118 BPM
   
Prince Among Men - (5:37) 80 BPM
   
Sofa Acid - (6:50) 125 BPM Biggest-selling track on this release
   
October Blues - (8:14) 117 BPM
Played by: OOFT!, S-File, Toddla T, Kiwi
Review: On this EP for Creme Marquis Hawkes continues to develop the raw style with which he made his name, whilst adding a few tuneful flourishes. This is most notable on lead track "Tunnel", where a strangely familiar - and decidedly dreamy - melody adds colour to a tough drum machine groove. Similar accolades can be laden upon "Prince Among Men", which ripples with crusty rave stabs and old skool piano touches. Best of all, though, are the record's more stripped back moments; both "Sofa Acid" and the bittersweet "October Blues" bristle with percussive intent.
CREME 12-76
29 Sep 14
Deep House
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The Last Magic Maker - (4:39) 112 BPM
   
A Chamber Always Hidden - (1:50) 116 BPM
   
Short Arms & Long Rockets - (4:14) 115 BPM
   
Tunguska - (2:52) 123 BPM
   
On The Fields - (7:44) 121 BPM
   
Room Voices (bonus 1) - (5:30) 120 BPM Biggest-selling track on this release
   
The Body Politic (bonus 2) - (4:20) 123 BPM
CREME 12-57
12 Nov 12
Deep House
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Raheems Knowledge - (5:07) 128 BPM Biggest-selling track on this release
   
Slip Me - (4:47) 125 BPM
   
Meek Meek Boy - (3:59) 129 BPM
   
House Of Hershel - (4:03) 128 BPM
   
Do Da Dudley - (4:23) 128 BPM
   
Gotta Have The Pokey - (4:22) 129 BPM
   
The Sneepey - (3:47) 129 BPM
   
The Tool - (3:06) 128 BPM
CREME 12-11
01 Jan 03
Disco/Nu-Disco
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Music Box - (10:21) 61 BPM Biggest-selling track on this release
CREME JAK 05
01 Jan 08
Experimental/Electronic
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CVS - (4:48) 123 BPM Biggest-selling track on this release
   
Momentum - (5:34) 82 BPM
   
Dark Society - (4:55) 126 BPM
   
Oase - (4:30) 123 BPM
Played by: Chrissy
Review: For someone so young, Belgian twentysomething Innershades knows a thing or two about classic dance music. His previous EPs for Wicked Bass, Creme Organization and R-Zone have variously touched on early R7S style Belgian techno, new beat, acid house and slamming beatbox electro. There's more warehouse-friendly retro-futurism to be found on Dark Society, from the Beltram-ish rave blast of "Momentum" and Armando style dark house of "CVS", to the Technotronic-does-acid fun of "Oase". Best of all, though, is the title track, whose alien electronics, sharp stabs and heavy bassline recall the early days of UK techno.
CREME 12-75
26 Jan 15
Deep House
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Nina At The Boiler Room (Tuff City Kids remix) - (6:00) 120 BPM Biggest-selling track on this release
   
Nina At The Boiler Room (Kowton remix) - (5:28) 80 BPM
Played by: Shadow Dancer
CREME 1272R
22 Sep 14
Deep House
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The Kings - (5:09) 126 BPM Biggest-selling track on this release
   
Knowledge - (5:29) 125 BPM
   
Crossing Paths - (6:04) 123 BPM
   
Wait - (4:34) 121 BPM
Review:  Since making his debut in 2013, Thomas "Innershades" Blanckaert has almost single-handedly re-invented Belgian techno. Few contemporary artists are quite as capable as drawing influence from Belgium's early '90s rave scene and bringing it bang up to date. This latest excursion - his first for Creme Organization since 2014 is full of revivalist treats, from the bleep-goes-Beltram throb of "Knowledge" and early R&S heaviness of "The Kings", to the deeper, more melodious, US garage-influenced sweetness of "Crossing Paths". Closer "Wait", where intergalactic, Motor City melodies tumble over a Frank De Wulf-meets-Mood II Swing groove, is also rather fine.
CREME 1288
24 Jun 16
Techno
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Nina At The Boiler Room - (4:17) 120 BPM Biggest-selling track on this release
   
No Stoppin - (4:34) 120 BPM
   
The Future - (5:09) 126 BPM
   
ZevenNulZeven (bonus) - (4:48) 120 BPM
Played by: Shadow Dancer
Review: Despite his tender years, Belgian wunderkind Innershades has a keen sense of electronic music history. This excellent first EP for Creme Organization is packed full of audible references to times past. "Nina At The Boiler Room", the EP's bombastic opener, summons the spirit of early '90s Belgian techno, reshaping it is a midtempo chug-a-thon ("Energy Flash" for the slow house generation, perhaps). The deeper, flightier title track references Larry Heard and mid-'90s dub house (look it up, kids), while the rush-inducing "The Future" combines the energy of vintage Belgian techno with the fuzziness of cheap-sounding early deep house and the stargazing melodic instincts of Detroit futurism. As for digital-only bonus "ZevenNulZeven", it still sounds like the future, despite coming on like a late '80s British deep house cut.
CREME 12- 72
04 Nov 13
Minimal/Tech House
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A Man Of Qualities - (7:00) 109 BPM
   
Mustard Greens - (5:50)
   
Angulas - (5:21) 119 BPM
   
Colugo - (5:32) 120 BPM Biggest-selling track on this release
CREME 12- 71
24 Feb 14
Deep House
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